The courage with which these two young people fought with misery received for a while its due reward; but an event which usually crowns the happiness of a household to them proved fatal. Ginevra had a son, who was, to use the popular expression, “as beautiful as the day.” The sense of motherhood doubled the strength of the young wife. Luigi borrowed money to meet the expenses of Ginevra’s confinement. At first she did not feel the fresh burden of their situation; and the pair gave themselves wholly up to the joy of possessing a child. It was their last happiness.
Like two swimmers uniting their efforts to breast a current, these two Corsican souls struggled courageously; but sometimes they gave way to an apathy which resembled the sleep that precedes death. Soon they were obliged to sell their jewels. Poverty appeared to them suddenly,—not hideous, but plainly clothed, almost easy to endure; its voice had nothing terrifying; with it came neither spectres, nor despair, nor rags; but it made them lose the memory and the habits of comfort; it dried the springs of pride. Then, before they knew it, came want,—want in all its horror, indifferent to its rags, treading underfoot all human sentiments.
Seven or eight months after the birth of the little Bartolomeo, it would have been hard to see in the mother who suckled her sickly babe the original of the beautiful portrait, the sole remaining ornament of the squalid home. Without fire through a hard winter, the graceful outlines of Ginevra’s figure were slowly destroyed; her cheeks grew white as porcelain, and her eyes dulled as though the springs of life were drying up within her. Watching her shrunken, discolored child, she felt no suffering but for that young misery; and Luigi had no courage to smile upon his son.
“I have wandered over Paris,” he said, one day. “I know no one; can I ask help of strangers? Vergniaud, my old sergeant, is concerned in a conspiracy, and they have put him in prison; besides, he has already lent me all he could spare. As for our landlord, it is over a year since he asked me for any rent.”
“But we are not in want,” replied Ginevra, gently, affecting calmness.
“Every hour brings some new difficulty,” continued Luigi, in a tone of terror.
Another day Luigi took Ginevra’s pictures, her portrait, and the few articles of furniture which they could still exist without, and sold them for a miserable sum, which prolonged the agony of the hapless household for a time. During these days of wretchedness Ginevra showed the sublimity of her nature and the extent of her resignation.
Stoically she bore the strokes of misery; her strong soul held her up against all woes; she worked with unfaltering hand beside her dying son, performed her household duties with marvellous activity, and sufficed for all. She was even happy, still, when she saw on Luigi’s lips a smile of surprise at the cleanliness she produced in the one poor room where they had taken refuge.
“Dear, I kept this bit of bread for you,” she said, one evening, when he returned, worn-out.
“And you?”