"Who'd be surprising me, Jonas? No one on earth but you, I'm afraid."
Jonas chuckled. "You're a bad guesser, boss! A bad guesser! How come you to think I could do anything to surprise you?"
Enoch went into his brightly lighted room and stopped before his desk with a low exclamation of pleasure. A large photograph stood against the book rack. Three little naked Indian children with feathers in their hair were dancing in the foreground. Behind them lay an ancient cliff dwelling half in ruins. To the left an Indian warrior, arms folded on his broad chest stood watching the children, his face full of an inscrutable sadness. The children were extraordinarily beautiful. Diana had worked with a very rapid lens and had caught them atilt, in the full abandonment of the child to joy in motion. The shadowed, mysterious, pathetic outline of the cliff dwelling, the somber figure of the chief only enhanced the vivid sense of motion and glee in the children. The picture was intrinsically lovely even without that haunting sense of the desert's significance that made Diana's work doubly intriguing.
Enoch's depression dropped from him as if it had never been. "Oh, my dearest!" he murmured, "you did not forget, did you! It is your very self you have sent me, your own whimsical joyousness!"
Jonas tapped softly on the door.
"Come in, Jonas! Isn't it fine! How do you suppose a photograph can tell so much!"
"It's Miss Diana, it ain't the camera!" exclaimed Jonas, with a chuckle. "Na-che says she ain't never seen her when she couldn't smile. That buck looks like that fellow Wee-tah. Boss, do you remember the night he took me out to see that desert charm?"
"Tell me about it, Jonas. It will rest me more than sleep."
Enoch sank back in his chair where he could face the photograph, and Jonas established himself on the hearth rug and told his story with gusto. "I got a lot of faith in Injun charms," he said, when he had finished.
"They didn't get us our trip down Bright Angel," sighed Enoch, even as he smiled.