It is believed that all archers, good, bad, and indifferent, are (more or less) constantly subject to one failing, namely, that in completing the draw, after the aim is taken, a slightly different line to that occupied by the arrow (if correctly aimed) is taken, instead of making the line of finish (as they should do) an exact continuation of the arrow's axis, dropping the right hand, or letting it incline to the right, or both; the effect being to cast the arrow out of the direction it had indicated, and by means of which the aim had been calculated. Here nothing but the most minute attention and constant practice will save the archer; but he must be prepared for participation in this common failing, and it is one of which he will be often quite unconscious, though the cause of his frequently missing the target. The very best archer needs to bear constantly in mind the necessary avoidance of this fault; for, however skilful he may be, however experienced and practised a shot, he may be quite sure that it is one into which he will be constantly in danger of falling. Failure in wind is frequently caused more by this failing than by the effect of the wind itself; for instance, the aim, perhaps, is designedly taken so as to make some allowance for a side-wind, and then the loose is delivered as if no allowance had been made. The difficulty all experience in shooting correctly on a ground where the distant level is not horizontal is more or less connected with this dangerous failing. Here, though the archer be perfectly aware that the distance slopes, however slightly, one way or the other to the correct horizon, yet at the instant of the loose he will unconsciously overlook this, and expect to have his unfortunate arrow travel in a plane vertical to the mock horizon instead of in a really vertical plane such as it must travel in, unless diverted from it by wind. Another way of accounting for this universal failing is that there is an unconscious detection of error at the last moment, and a convulsive attempt to correct this error before the completion of the loose by altering the line of the loose. Every archer is strongly advised, when he detects an error in the aim at the last moment that cannot be corrected before the discharge except in the action of the loose, to take down his arrow and begin the shooting of it afresh. The capacity to do this, when needful, is an excellent test of nerve.
As far as possible the right hand must always be drawn identically to the same point for all kinds of target-practice, whatever the distance to be shot may be. To the left arm alone should be left the delicate task of the elevation or depression necessary when a longer or a shorter distance from the target is adopted. It will be obvious that when the left hand is, according to this rule, higher or lower for the purpose of shooting a longer or shorter distance the relative positions of the two hands must vary from a greater to a less divergence from an horizontal level between them, and this leads to a most important consideration in the action of drawing, namely, the position of the right elbow. This, being necessarily out of the archer's sight whilst aiming, is too frequently forgotten, and a faulty weak position of the elbow is much more easily contracted than cured. Treated as a mechanical contrivance for drawing up an arrow, the only correct position of the right elbow with reference to the arrow is that the arrow's axis should pass through the point of the bent elbow, and in this position only can the archer apply his full strength. Yet, probably from the fact that the elbow must pass through positions of less advantage in the course of drawing before the full draw is reached, it will be observed that many archers at the loose have the elbow below the level of the arrow's axis; and not a few have the elbow projecting forwards from the same axis. These faults are believed to be the causes of the constant and otherwise unaccountable, but most frequent, downfall of successful archers, generally attributed to the failure of nerve. Yet the nerves cannot certainly be altogether at fault, for the same archer, whose arrow takes its flight into its own hands, when applied to target practice, can steadily draw and hold the same arrow when it is not to be shot. It can doubtless be observed that in such cases the arrow in the one case is drawn up with a faulty wavering of the elbow, whilst in the other the elbow is brought steadily into correct position. When a position of the elbow higher than the axis of the arrow comes to be considered, it appears to partake of the nature of an exaggerated virtue rather than a fault; is an assistance in the earlier processes of drawing; and, when in excess though not graceful, will probably cure itself. Much the same may be said of the much less frequent fault of drawing the right elbow into a position further back than the axis of the arrow. This can only be brought about by overdrawing, and is seldom observable except in beginners who are anxious 'to do all they know' with too long an arrow.
The treatment of the elbow of the bow-arm remains to be considered. Here trouble is more likely to arise with beginners than in an archer's after-career. If a beginner, in obedience to the instructions of Waring and the older masters of the craft, hold out the bow-arm 'as straight as possible' i.e. locked tight at the elbow, a sprain difficult to cure may not unlikely be the result, and, at any rate, a vast deal of unnecessary arm or armguard thrashing. On the other hand, a bent bow-arm, such as may appear to be recommended in the earlier editions of this work, will lead to but poor results if a bow equal to the archer's power be used. Here again the best advice that can be given is to hit off the happy mean between the too rigid arm and that which is too slack. Let the bow-arm be straightened naturally as the strain of the loosing hand is applied to it, and by careful drill each archer will arrive at a method of rendering the recoil of the bow string harmless to the course of the arrow as well as to a naked wrist, which, it is now almost universally admitted, need not be brought into contact with the armguard.
A marked variation of the method of drawing has occasionally been adopted, with considerable success, with weapons of light calibre. The nocked arrow is placed horizontally a little below the shoulder-level. The draw then commences with the extension of the bow-arm, whilst the right hand and elbow take the position for loosing, the arrow being kept all the time on the line of aim.
One not altogether uncommon distortion must be mentioned for careful avoidance. This consists of a stiffening of the right wrist, with the hand bent backwards, at the time the fingers are applied to the bowstring. This antic of course cripples considerably the draw. The action of the wrist should be quite free and unconstrained until the commencement of the draw, and during the draw the back of the hand should be kept as nearly as possible in the same line as the forearm.
The left shoulder requires most careful attention. It must not be allowed to rise too high when the bow is drawn, nor to shrink inwards, as it will sometimes do with beginners when using bows that are too strong. Moreover, this shoulder must be kept so close to the line between the bow and the right shoulder that it shall project neither before nor behind that line.
CHAPTER IX.
AIMING
The aim is undoubtedly the most abstruse and scientific point connected with the practice of archery. It is at the same time the most difficult to teach and the most difficult to learn; and yet, of all points, it is the most necessary to be taught. Upon the acquisition of a correct method of aiming depends all permanently successful practice; yet respecting this important point the most sublime ignorance prevails amongst the uninitiated.