Upon the following Monday Gustavus presented himself. For a dizzy moment our hero believed that the most illustrious male in the kingdom had dropped in incognito. Gustavus wore a grey cut-away coat, with an orchid in the lapel of it, and he was smoking an imposing cigar.
"I am Gustavus Lark," he said.
"Pleased to see you, Mr. Lark."
No man in England could make himself more agreeable than the great dealer. Gossip had it that he had begun life as a "rapper." A rapper, as the name signifies, is one who raps at all doors, seeking what he may find behind them—a bit of porcelain, a valuable print, an old chair—anything. A successful rapper must combine in one ingratiating personality the qualities of a diplomat, a leader of forlorn hopes, a high-class burglar, and an American book agent. When the door upon which he has rapped opens, he must enter, and refuse to budge till he has satisfied himself that there is nothing in his line worth the buying.
Tomlin had the following story to tell of Gustavus, as a rapper. You must take it for what it's worth. Tomlin, we know, was a bit of a rascal, and a liar of the first magnitude, but he affirmed solemnly that the tale is true.
Behold Gustavus in the good old days of long ago, when prints in colours were still to be found in cottages, rapping at the door of some humble house. A widow opens it, and asks a good-looking young man what his business may be. He enters audaciously, and states it. He is seeking board and lodging. He is seeking, also, a set of the London "Cries." But he does not mention that. He has heard—it is his business to hear such gossip—that the widow possesses the complete set in colour, the full baker's dozen. He arranges for a week's board and lodging, and he satisfies himself that the prints are genuine specimens. In his satchel he carries thirteen bogus prints, excellent reproductions. At dead of night he takes from the frames the genuine prints and substitutes the false ones. Three days afterwards he goes to London, and, later, sells the prints for a sum sufficient to start him in business. But he does not rest there, as a lesser man might well do. A rapper's hands, be it noted, are against all men. He robs cheerfully the men of his own trade—the small dealers. Gustavus, then, proceeds to pile Pelion upon Ossa. He next visits a dealer of his acquaintance and tells him that he has discovered a genuine set of "Cries," which can be bought cheap in their original frames. The dealer, who is not an expert in colour prints, is deceived by the frames and by the authentic yarn which the widow spins. He does buy the prints cheap, and sells them as genuine to one of the innumerable collectors with more money than brains. Gustavus gets his commission and nets a double profit!
Quinney had heard this story from Tomlin and others, but the benevolent appearance of his visitor put suspicion to flight, as it had done scores of times before. It was quite impossible to believe that an old gentleman, who bore such an amazing resemblance to one venerated as the Lord's anointed, could have begun his career as a rapper!
"Anything of interest to show me?" asked Gustavus blandly. He treated everybody, except his own understrappers, with distinguished courtesy. He spoke to Quinney, whom he despised, exactly as he would have spoken to a Grand Duke.
"Glad to take you round, Mr. Lark."
"I am told that you do not sell to dealers."