James removed the chairs.
II
Once more alone, Quinney thought of sending for Mabel Dredge, but he lit a cigar instead, and took stock of his treasures, wondering whether he could screw himself up to part with the lacquer cabinet. Hunsaker would buy it. He would pay gladly a thumping price. Quinney approached it, puffing leisurely at his excellent cigar. As he did so the mysterious hiding of the key recurred to him. He stared at the cabinet, frowning.
Then he opened it.
Always, on such occasions, the hidden beauties of this miracle of craftsmanship appealed to him with ever-increasing strength. The lacquer inside was as softly fresh as upon the day when the last coat was lovingly applied. So soft, and yet so hard, that it could not be scratched with the nail.
He gloated over it.
At this moment he was absolutely at peace with himself and the world. He would not willingly have changed places with the mighty Marquess of Mel. If there was a fly in his precious ointment, it might be considered so tiny as to be negligible. The most illustrious of the Chinese craftsmen, artists to their finger tips, lacked one small knack common to the English artisan. The drawers in these seventeenth-century cabinets did not, alas, slide in and out with the beautiful smoothness characteristic of the best English specimens. Quinney pulled out two or three of them.
In one he perceived a letter. He examined it. It was addressed:
"To my own Blue Bird."
III