SIR,—In this morning I have great trouble as I walk the stairs down my violin chest open itself, and my violin go to the bass, and when I was to pick him up he was bad break in one two place. I am sorry to come to you as good doctor to finish him soon, and please charge no large.

Truly yours,
HERMANN GROSZHAAR.

"Capital English for him," says the chief, to which James answers in a careless sort of undertone, "There's a little English, but less capital about him, wanted to borrow five bob from me when he came last."

The violin, after being taken from the case, is closely examined by the chief, who turns it round about, tapping it here and there and holding it up to the light. At last, handing it to James he says:—"Not so much as I should have expected after the terrible occurrence described in the letter; the fiddle is a good one, so it deserves proper attention, no matter who owns it. Just look about the case and find if you can the small piece that has come from this place in the front table."

James looks earnestly about the interior of the violin case without success. "No sign of it here, sir, there's nothing at all but a little bit of sweetstuff," he says, taking out a small white disc from one of the side pockets.

"Well, we must proceed to work without it, so get that box out with the odd pieces of old wood; I've no doubt you will find a piece that will match the grain of the pine to a nicety; we must have the upper table off, better do it first."

This proceeding, of a kind as described before, having occupied some minutes, the upper table is held by the chief while the assistant gropes among the odds and ends of pine and in a minute or two finds a piece which is pronounced to suit admirably. "Now, James, there appears to be only this portion seriously injured, and another, almost a splinter, running along the part adjoining. It will be compulsory to cut a well-squared opening for the fitting, you will be careful to make the walls of this part contract as the descent is made, so that the wood inserted is slightly wedge-shaped. You will at the same time be careful and bear in mind that this fresh wood will have to match so nicely, that when inserted properly the threads or grain will appear continuous and not broken to the eye of any person but the experienced critic. To please this person, however, you will have not only to make the lines of the grain follow through evenly, but so fit your wood as to be in the direction of the growth of the plank from which the table was cut. You see this aperture is on the slant or curve about midway between the bridge and part near the tail-piece. Many repairers, even when inserting fresh wood with exceeding neatness, neglect this precaution, and, in consequence, when the part is finished and varnished over, there is but little indication of repair when looked at from one standpoint, but from another or a removal of the light, this fault is very conspicuous. A frequent attempt to conceal this is made by covering the part with dull varnish that will not allow of much light passing through; sometimes an entirely opaque plastering is pasted over, obscuring the grain of the old and new wood alike in the locality, and thus making what is known as a botch."

For the execution of such repairs as these there will not be any necessity to open the violin. They will really be more conveniently effected without, there being more support and leverage where required.

A long crack while fresh will take the glue readily and be as secure as required when dry. It should be placed along the line to the extreme ends or a little over, and with gentle pressure alternately each side the glue will be gradually drawn in. This should be continued for some time, until there is little disposition shown for more absorption.

The superfluous glue will now be wiped off; should there be any tendency on one side or the other to remain higher, thus causing a ridge which must be most carefully guarded against, a piece of tape or ribbon tied round the violin at the part, and a small wedge of soft wood inserted between the tape and the elevated edge, will bring it to a proper level, when it may be put aside to dry and harden.