“What is the finest sight in the world? A Coronation. What do people talk most about? A Coronation. Indeed, one had need be a handsome young peeress not to be fatigued to death with it. After being exhausted with hearing of nothing else for six weeks, and having every cranny of my ideas stuffed with velvet and ermine, and tresses, and jewels, I thought I was very cunning in going to lie in Palace-yard, that I might not sit up all night in order to seize a place. The consequence of this wise scheme was, that I did not get a wink of sleep all night; hammering of scaffolds, shouting of people, relieving guards, and jangling of bells, was the concert I heard from twelve to six, when I rose; and it was noon before the procession was ready to set forth, and night before it returned from the Abbey. I then saw the Hall, the dinner, and the champion, a gloriously illuminated chamber, a wretched banquet, and a foolish puppet-show. A Trial of a peer, though by no means so sumptuous, is a preferable sight, for the latter is interesting. At a Coronation one sees the peerage as exalted as they like to be, and at a Trial as much humbled as a plebeian wishes them. I tell you nothing of who looked well; you know them no more than if I told you of the next Coronation. Yes, two ancient dames whom you remember, were still ornaments of the show,—the Duchess of Queensberry and Lady Westmoreland. Some of the peeresses were so fond of their robes, that they graciously exhibited themselves for a whole day before to all the company their servants could invite to see them. A maid from Richmond begged leave to stay in town because the Duchess of Montrose was only to be seen from two to four. The Heralds were so ignorant of their business, that, though pensioned for nothing but to register lords and ladies, and what belongs to them, they advertised in the newspaper for the Christian names and places of abode of the peeresses. The King complained of such omissions and of the want of precedent; Lord Effingham, the Earl Marshal, told him, it was true there had been great neglect in that office, but he had now taken such care of registering directions, that next coronation would be conducted with the greatest order imaginable. The King was so diverted with this flattering speech that he made the earl repeat it several times.
“On this occasion one saw to how high-water-mark extravagance is risen in England. At the Coronation of George II. my mother gave forty guineas for a dining-room, scaffold, and bedchamber. An exactly parallel apartment, only with rather a worse view, was this time set at three hundred and fifty guineas—a tolerable rise in thirty-three years! The platform from St. Margaret’s Round-house to the church-door, which formerly let for forty pounds, went this time for two thousand four hundred pounds. Still more was given for the inside of the Abbey. The prebends would like a Coronation every year. The King paid nine thousand pounds for the hire of jewels; indeed, last time, it cost my father fourteen hundred to bejewel my Lady Orford. A single shop now sold six hundred pounds’ sterling worth of nails—but nails are risen—so is everything, and everything adulterated. If we conquer Spain, as we have done France, I expect to be poisoned.”
An observation as awkward as that of Lord Effingham had been made by the beautiful Lady Coventry to George II. “She was tired of sights,” she said; “there was only one left that she wanted to see, and that was a coronation.” The old man, says Walpole, told the story himself at supper to his family with great good humour. As it happened, he outlived Lady Coventry by a few days.
CHAPTER IV.
General Taste for Pleasure.—Entertainments at Twickenham and Esher.—Miss Chudleigh’s Ball.—Masquerade at Richmond House.—The Gallery at Strawberry Hill.—Balls.—The Duchess of Queensberry.—Petition of the Periwig-makers.—Ladies’ Head-gear.—Almack’s.—The Castle of Otranto.—Plans for a Bower.—A Late Dinner.—Walpole’s Idle Life.—Social usages.
For some years after the arrival of the Queen, the enlivening influence of a new reign is clearly traceable in Walpole’s letters. The Court, indeed, did not willingly contribute much to the national gaiety. Its plainness and economy soon incurred reproach;[33] while there were intervals in which the first uncertain signs of mental derangement caused the young King to be withdrawn from public observation. Still there were christenings and birthdays, with now and then a wedding, to be celebrated in the royal family; and the State festivities, unavoidable on these occasions, were eagerly emulated by the nobility. The Peace of Paris, too, was not only welcomed with popular rejoicings, but produced a general stir in society by the renewed intercourse which it brought about between France and England. “The two nations,” writes Horace, “are crossing over and figuring-in.” A trifle restrained by the example of the Court and the presence of foreign visitors, the appetite for pleasure became universal among the English higher classes. Lord Bute and the Princess of Wales, Wilkes and the North Briton, the debates on privilege and on general warrants, divided the attention of Walpole’s world with the last entertainment at the Duke of Richmond’s or Northumberland House, with Miss Chudleigh’s last ball, with the riots at Drury Lane Theatre, with the fêtes in honour of the marriage of the Princess Augusta and the Prince of Brunswick, or, somewhat later, of the ill-starred union between the Princess Caroline and the King of Denmark. We hear no more of frolics at Vauxhall, but we find galas, masquerades, ridottos, festinos, displays of fireworks following each other in rapid succession through our author’s pages; sometimes several such scenes are described in the same letter. There is, of course, much sameness in these descriptions, but some passages serve to illustrate the tastes of the age. We will make three or four brief extracts. Our first choice is an account of two entertainments given to French guests of rank, one by Horace himself at Strawberry Hill, the other by Miss Pelham at the country seat celebrated by Pope and Thomson. The whole story is contained in a letter to George Montagu, written in May, 1763:
“‘On vient de nous donner une très jolie fête au château de Straberri: tout étoit tapissé de narcisses, de tulipes, et de lilacs; des cors de chasse, des clarionettes; des petits vers galants faits par des fées, et qui se trouvoient sous la presse; des fruits à la glace, du thé, du caffé, des biscuits, et force hot-rolls.’[34]—This is not the beginning of a letter to you, but of one that I might suppose sets out to-night for Paris, or rather, which I do not suppose will set out thither; for though the narrative is circumstantially true, I don’t believe the actors were pleased enough with the scene, to give so favourable an account of it.