As I am neither by a thousandth part so great, nor a quarter so little, I will herewith send you a fragment that an accidental rencontre set me upon writing, and which I find so flat, that I would not finish it. Don't believe that I am either begging praise by the stale artifice of hoping to be contradicted; or that I think there is any occasion to make you discover my caducity. No; but the fragment contains a curiosity—English verses written by a French Prince[1] of the Blood, and which at first I had a mind to add to my "Royal and Noble Authors;" but as he was not a royal author of ours, and as I could not please myself with an account of him, I shall revert to my old resolution of not exposing my pen's grey hairs.

[Footnote 1: He was the Duc d'Orléans, who was taken prisoner by Henry V. at Agincourt, and was detained in England for twenty-five years. The verses are published in "Walpole's Works," i. 564.]

Of one passage I must take notice; it is a little indirect sneer at our crowd of authoresses. My choosing to send this to you, is a proof that I think you an author, that is, a classic. But, in truth, I am nauseated by the Madams Piozzi, &c., and the host of novel-writers in petticoats, who think they imitate what is inimitable, "Evelina" and "Cecilia."[1] Your candour, I know, will not agree with me, when I tell you I am not at all charmed with Miss Seward[2] and Mr. Hayley[3] piping to one another: but you I exhort, and would encourage to write; and flatter myself you will never be royally gagged and promoted to fold muslins, as has been lately wittily said on Miss Burney, in the List of five hundred living authors. Your writings promote virtues; and their increasing editions prove their worth and utility. If you question my sincerity, can you doubt my admiring you, when you have gratified my self-love so amply in your "Bas Bleu"? Still, as much as I love your writings, I respect yet more your heart and your goodness. You are so good that I believe you would go to heaven, even though there were no Sunday, and only six working days in the week. Adieu, my best Madam!

[Footnote 1: "Evelina" and "Cecilia" are novels by Miss Burney, afterwards Mme. d'Arblay. The former was extravagantly praised by Johnson and the Literary Club, and is probably a favourable specimen of the style of the conversation of the day.]

[Footnote 2: Miss Seward was the authoress of that most ingenious riddle on the letter H, and also of some volumes of poetry.]

[Footnote 3: Mr. Hayley was the author of several works in prose and verse; in the latter, of a poem called "The Triumphs of Temper," and entitled to the name, according to Byron, since "at least they triumphed over his" ("English Bards and Scotch Reviewers").]

DIVISIONS IN THE ROYAL FAMILY—THE REGENCY—THE IRISH PARLIAMENT.

TO SIR HORACE MANN.

BERKELEY SQUARE, Feb. 12, 1789.

I now do believe that the King is coming to _him_self: not in the language of the courtiers, to his senses—but from their proof, viz., that he is returned to his what! what! what! which he used to prefix to every sentence, and which is coming to his nonsense. I am corroborated in this opinion by his having said much more sensible things in his lunacy than he did when he was reckoned sane, which I do not believe he has been for some years.