[Footnote 2: His description of her on first making her acquaintance was not altogether complimentary. In a letter of the preceding October he calls her "an old blind debauchée of wit." In fact, she had been one of the mistresses of the Regent, Duc d'Orléans, and at first his chief inducement to court her society was to hear anecdotes of the Regent. But gradually he became so enamoured of her society that he kept up an intimacy with her till her death in 1783. There must be allowed to be much delicate perception and delineation of character in this description of the French fine ladies of the time.]
[Footnote 3: To the above portrait of Madame du Deffand it may be useful to subjoin the able development of her character which appeared in the Quarterly Review for May, 1811, in its critique on her Letters to Walpole:—"This lady seems to have united the lightness of the French character with the solidity of the English. She was easy and volatile, yet judicious and acute; sometimes profound and sometimes superficial. She had a wit playful, abundant, and well-toned; an admirable conception of the ridiculous, and great skill in exposing it; a turn for satire, which she indulged, not always in the best-natured manner, yet with irresistible effect; powers of expression varied, appropriate, flowing from the source, and curious without research; a refined taste for letters, and a judgment both of men and books in a high degree enlightened and accurate.">[
Madame de Mirepoix's understanding is excellent of the useful kind, and can be so when she pleases of the agreeable kind. She has read, but seldom shows it, and has perfect taste. Her manner is cold, but very civil; and she conceals even the blood of Lorraine, without ever forgetting it. Nobody in France knows the world better, and nobody is personally so well with the King. She is false, artful, and insinuating beyond measure when it is her interest, but indolent and a coward. She never had any passion but gaming, and always loses. For ever paying court, the sole produce of a life of art is to get money from the King to carry on a course of paying debts or contracting new ones, which she discharges as fast as she is able. She advertised devotion to get made dame du palais to the Queen; and the very next day this Princess of Lorraine was seen riding backwards with Madame Pompadour in the latter's coach. When the King was stabbed, and heartily frightened, the mistress took a panic too, and consulted D'Argenson, whether she had not best make off in time. He hated her, and said, By all means. Madame de Mirepoix advised her to stay. The King recovered his spirits, D'Argenson was banished,[1] and La Maréchale inherited part of the mistress's credit.—I must interrupt my history of illustrious women with an anecdote of Monsieur de Maurepas, with whom I am much acquainted, and who has one of the few heads which approach to good ones, and who luckily for us was disgraced, and the marine dropped, because it was his favourite object and province. He employed Pondeveyle to make a song on the Pompadour: it was clever and bitter, and did not spare even Majesty. This was Maurepas absurd enough to sing at supper at Versailles. Banishment ensued; and lest he should ever be restored, the mistress persuaded the King that he had poisoned her predecessor Madame de Chateauroux. Maurepas is very agreeable, and exceedingly cheerful; yet I have seen a transient silent cloud when politics are talked of.
[Footnote 1: The Comte d'Argenson was Minister at War.]
Madame de Boufflers, who was in England, is a savante, mistress of the Prince of Conti, and very desirous of being his wife. She is two women, the upper and the lower. I need not tell you that the lower is gallant, and still has pretensions. The upper is very sensible, too, and has a measured eloquence that is just and pleasing—but all is spoiled by an unrelaxed attention to applause. You would think she was always sitting for her picture to her biographer.
Madame de Rochfort is different from all the rest. Her understanding is just and delicate; with a finesse of wit that is the result of reflection. Her manner is soft and feminine, and though a savante, without any declared pretensions. She is the decent friend of Monsieur de Nivernois; for you must not believe a syllable of what you read in their novels. It requires the greatest curiosity, or the greatest habitude, to discover the smallest connexion between the sexes here. No familiarity, but under the veil of friendship, is permitted, and Love's dictionary is as much prohibited, as at first sight one should think his ritual was. All you hear, and that pronounced with nonchalance, is, that Monsieur un tel has had Madame une telle.
The Duc de Nivernois has parts, and writes at the top of the mediocre, but, as Madame Geoffrin says, is manqué par tout; guerrier manqué, ambassadeur manqué, homme d'affaires manqué, and auteur manque—no, he is not homme de naissance manqué. He would think freely, but has some ambition of being governor to the Dauphin, and is more afraid of his wife and daughter, who are ecclesiastic fagots. The former out-chatters the Duke of Newcastle; and the latter, Madame de Gisors, exhausts Mr. Pitt's eloquence in defence of the Archbishop of Paris. Monsieur de Nivernois lives in a small circle of dependent admirers, and Madame de Rochfort is high-priestess for a small salary of credit.
The Duchess of Choiseul, the only young one of these heroines, is not very pretty, but has fine eyes, and is a little model in waxwork, which not being allowed to speak for some time as incapable, has a hesitation and modesty, the latter of which the Court has not cured, and the former of which is atoned for by the most interesting sound of voice, and forgotten in the most elegant turn and propriety of expression. Oh! it is the gentlest, amiable, civil little creature that ever came out of a fairy egg! so just in its phrases and thoughts, so attentive and good-natured! Everybody loves it but its husband, who prefers his own sister the Duchesse de Granmont, an Amazonian, fierce, haughty dame, who loves and hates arbitrarily, and is detested. Madame de Choiseul, passionately fond of her husband, was the martyr of this union, but at last submitted with a good grace; has gained a little credit with him, and is still believed to idolize him. But I doubt it—she takes too much pains to profess it.
I cannot finish my list without adding a much more common character—but more complete in its kind than any of the foregoing, the Maréchale de Luxembourg. She has been very handsome, very abandoned, and very mischievous. Her beauty is gone, her lovers are gone, and she thinks the devil is coming. This dejection has softened her into being rather agreeable, for she has wit and good-breeding; but you would swear, by the restlessness of her person and the horrors she cannot conceal, that she had signed the compact, and expected to be called upon in a week for the performance.
I could add many pictures, but none so remarkable. In those I send you there is not a feature bestowed gratis or exaggerated. For the beauties, of which there are a few considerable, as Mesdames de Brionne, de Monaco, et d'Egmont, they have not yet lost their characters, nor got any.