Letter 78 To George Montagu, Esq.
Strawberry Hill, June 18, 1761. (page 128)

I am glad you will come on Monday, and hope you will arrive in a rainbow and pair, to signify that we are not to be totally drowned. It has rained incessantly, and floated all my new works; I seem rather to be building a pond than a gallery. My farm too is all under water, and what is vexatious, if Sunday had not thrust itself between, I could have got in my hay on Monday. As the parsons will let nobody else make hay on Sundays, I think they ought to make it on that day themselves.

By the papers I see Mrs. Trevor Hampden is dead of the smallpox. Will he be much concerned? If you will stay with me a fortnight or three weeks, perhaps I may be able to carry you to a play of Mr. Bentley's—you stare, but I am in earnest: nay, and de par le roy. In short, here is the history of it. You know the passion he always had for the Italian comedy; about two years ago he wrote one, intending to get it offered to Rich, but without his name. He would have died to be supposed an author, and writing for gain. I kept this an inviolable secret. Judge then of my surprise, when about a fortnight or three weeks ago, I found my Lord Melcomb reading this very Bentleiad in a circle at my Lady Hervey's. Cumberland had carried it to him with a recommendatory copy of verses, containing more incense to the King and my Lord Bute, than the magi brought in their portmanteaus to Jerusalem. The idols were propitious, and to do them justice, there is a great deal of wit in the piece, which is called "The Wishes, or Harlequin's Mouth Opened."(163) A bank note of two hundred pounds was sent from the treasury to the author, and the play ordered to be performed by the summer company. Foote was summoned to Lord Melcomb's, where Parnassus was composed of the peer himself, who, like Apollo, as I am going to tell you, was dozing, the two chief justices, and Lord B. Bubo read the play himself, "with handkerchief and orange by his side." But the curious part is a prologue, which I never saw. It represents the god of verse fast asleep by the side of Helicon: the race of modern bards try to wake him, but the more they repeat their works, the louder he snores. At last "Ruin seize thee, ruthless King!" is heard, and the god starts from his trance. This is a good thought, but will offend the bards so much, that I think Dr. Bentley's son will be abused at least @as much as his father was. The prologue concludes with young Augustus, and how much he excels the ancient one by the choice of his friend. Foote refused to act this prologue, and said it was too strong. "Indeed," said Augustus's friend, "I think it is." They have softened it a little, and I suppose it will be performed. You may depend upon the truth of all this; but what is much more credible is, that the comely young author appears every night in the Mall in a milk-white coat with a blue cape, disclaims any benefit, and says he has done with the play now it is out of his own hands, and that Mrs. Hannah Clio, alias Bentley, writ the best scenes in it. He is going to write a tragedy, and she, I suppose, is going—to court.

You will smile when I tell you that t'other day a party went to Westminster Abbey, and among the rest saw the ragged regiment. They inquired the names of the figures. "I don't know them," said the man, "but if Mr. Walpole was here he could tell you every one." Adieu! I expect Mr. John and you with impatience.

(163) This piece, founded on Fontaine's "Trois Souhaits," was written in imitation of the Italian comedy; Harlequin, Pantaloon, Columbine, etc. being introduced into it as speaking characters. "Many parts of it," says the Biographia Dramatica, "exhibit very just satire and solid sense, and give evident testimony of the author's learning, knowledge, understanding, and critical judgment; yet the deficiency of incident which appears in it, as well as of that lively kind of wit which is one of the essentials of perfect comedy, seem, in great measure, to justify that coldness with which the piece was received by the town."-E.

Letter 79 To George Montagu, Esq.
Strawberry Hill, July 5, 1761. (page 130)

You are a pretty sort of a person to come to one's house and get sick, only to have an excuse for not returning to it. Your departure is so abrupt, that I don't know but I may expect to find that Mrs. Jane Truebridge, whom you commend so much, and call Mrs. Mary, will prove Mrs. Hannah. Mrs. Clive is still more disappointed: she had proposed to play at quadrille with you from dinner till supper, and to sing old Purcell to you from supper to breakfast next morning.(164) If you cannot trust yourself from Greatworth for a whole fortnight, how will you do in Ireland for six months? Remember all my preachments, and never be in spirits at supper. Seriously I am sorry you are out of order, but am alarmed for you at Dublin, and though all the bench of bishops should quaver Purcell's hymns, don't let them warble you into a pint of wine. I wish you were going among catholic prelates, who would deny you the cup. Think of me and resist temptation. Adieu!

(164) Dr. Burney tells us, that Mrs. Clive's singing, "which was intolerable when she meant to be fine, in ballad-farces and songs of humour, was, like her comic acting, every thing it should be."-E.

Letter 80 To The Earl Of Strafford.
Strawberry Hill, July 5, 1761. (page 130)

My dear lord, I cannot live at Twickenham and not think of you: I have long wanted to write, and had nothing to tell you. My Lady D. seems to have lost her sting; she has neither blown up a house nor a quarrel since you departed. Her wall, contiguous to you, is built, but so precipitate and slanting that it seems hurrying to take water. I hear she grows sick of her undertakings. We have been ruined by deluges; all the country was under water. Lord Holderness's new foss`e(165) was beaten in for several yards - this tempest was a little beyond the dew of Hermon, that fell on the Hill of Sion. I have been in still more danger by water: my parroquet was on my shoulder as I was feeding my gold-fish, and flew into the middle of the pond: I was very near being the Nouvelle Eloise, and tumbling in after him; but with much ado I ferried him out with my hat.