My difficulties about removing from home arise from the consciousness of my own weakness. I make it a rule, as much as I can, to conform wherever I go. Though I am threescore to-day, I should not think that an age for giving every thing up; but it is, for whatever one has not strength to perform. You, though not a vast deal younger, are as healthy and strong, thank God! as ever you was: and you cannot have ideas of the mortification of being stared at by strangers and servants, when one hobbles, or cannot do as others do. I delight in being with you, and the Richmonds, and those I love and know; but the crowds of young people, and Chichester folks, and officers, and strange servants, make me afraid of Goodwood, I own My spirits are never low; but they seldom will last out the whole day; and though I dare to say I appear to many capricious, and different from the rest of the world, there is more reason in my behaviour than there seems. You know in London I seldom stir out in a morning, and always late; it is because I want a great deal of rest. Exercise never did agree with me: and it is hard if I do not know myself by this time; and what has done so well for me will probably suit me best for the rest of my life. It would be ridiculous to talk so much of myself, and to enter into such trifling details, but you are the person in the world that I wish to convince that I do not act merely from humour or ill-humour; though I confess at the same time that I want your bonhommie, and have a disposition not to care at all for people that I do not absolutely like. I could say a great deal more on this head, but it is not proper; though, when one has pretty much done with the world, I think with Lady Blandford, that One may indulge one's self in one's own whims and partialities in one's own house. I do not mean, still less to profess, retirement, because it is less ridiculous to go on with the world to the last, than to return to it; but in a quiet way it has long been my purpose to drop a great deal of it. Of all things I am farthest from not intending to come often to Park-place, whenever you have little company; and I had rather be with you, in November than July, because I am so totally unable to walk farther than a snail. I will never say any more on these subjects, because there may be as much affectation in being over old, as folly in being over young. My idea of age is, that one has nothing really to do but what one ought, and what is reasonable. All affectations are pretensions; and pretending to be any thing one is not, cannot deceive when one is known, as every body must be That has lived long. I do not mean that old folks may not have pleasures if they can; but then I think those pleasures are confined to being comfortable, and to enjoying the few friends one has not outlived. I am so fair as to own, that one's duties are not pleasures. I have given up a great deal of my time to nephews and nieces, even to some I can have little affection for. I do love my nieces, nay like them; but people above forty years younger are certainly not the society I should seek. They can only think and talk of what is, or is to come; I certainly am more disposed to think and talk of what is past: and the obligation of passing the end of a long life in sets of totally new company is more irksome to me than passing a great deal of my time, as I do, quite alone. Family love and pride make me interest myself about the young people of my own family-for the whole rest of the Young world, they are as indifferent to me as puppets or black children. This is my creed, and a key to my whole conduct, and the more likely to remain my creed, as I think it is raisonn`e. If I could paint my Opinions instead of writing them I don't know whether it would not make a new sort of alphabet-I should use different colours for different affections at different ages. When I speak of love, affection, friendship, taste, liking, I should draw them rose colour, carmine, blue, green, yellow, for my contemporaries: for new comers, the first would be of no colour; the others, purple, brown, crimson, and changeable. Remember, one tells one's creed only to one's confessor, that is sub sigillo. I write to you as I think; to others as I must. Adieu!
(286) Miss Caroline Campbell, eldest daughter of Lord William Campbell.
Letter 130 To Robert Jephson, Esq.(287)
Strawberry Hill, Oct. 17, 1777. (page 177)
Mr. Garrick returned but two days ago, Sir, and I did not receive your tragedy(288) till this morning; so I could only read it once very rapidly and without any proper attention to particular passages though, even so, some struck me as very fine. You have encouraged me rather to criticise than flatter you; and you are in the right, for you have even profited of so weak a judgment as mine, and always improved the passages I objected to. Indeed, this is not quite a fair return, as it was inverting my method, by flattering instead of finding fault with me; and a critic that meets with submission, is apt to grow vain, and insolent, and capricious. Still as I am persuaded that all criticisms, though erroneous, before an author appeals to the public, are friendly, I will fairly tell you what parts of your tragedy have struck me as objectionable on so superficial a perusal.
In general, the language appears to me too metaphoric; especially as used by all the characters. You seem to me to have imitated Beaumont and Fletcher, though your play is superior to all theirs. In truth, I think the diction is sometimes obscure from being so figurative, especially in the first act. Will you allow me to mention two instances?
"And craven Sloth, moulting his sleepless plumes,
Nods drowsy wonder at th' adventurous wing
That soars the shining azure o'er his head."
I own I do not understand why Sloth's plumes are sleepless; and I think that nodding wonder, and soaring azure, are expressions too Greek to be so close together, and too poetic for dialogue. The other passage is—
"The wise should watch th' event on Fortune's wheel,"
and the seven following lines. The images are very fine, but demand more attention than common audiences are capable of. In Braganza every image is strikingly clear.
I am afraid I am not quite satisfied with the conduct of your piece. Bireno's conduct on the attack on the princess seems too precipitate, and not managed. It is still more incredible, that Paladore should confess his passion to his rival; and not less so, that a private man and a stranger should doubt the princess's faith, when she had preferred him to his rival, a prince of the blood and her destined husband; and that without the smallest inquiry he should believe Bireno was admitted privately to her apartment, when on her not rejecting him, he might have access to her openly. One cannot conceive her meaning in offending her father by refusing so proper a match, `and intriguing with the very man she was to marry, and whom she had refused. Paladore's credulity is not of a piece with the account given of his wisdom, which had made him admitted to the king'S Counsels.