Yesterday, Sir, I received the favour of your letter with the inclosed prologue,(451) and am extremely pleased with it; not only as it omits mention of me, for which I give you my warmest thanks, but as a composition. The thoughts are just and happily expressed; and the conclusion is so lively and well conceived, that Mr. Harris, to whom I carried it this morning, thinks it will have great effect. We are very sorry you have not sent us an epilogue too; but, before I touch on that, I will be more regular in my details. Miss Younge has accepted the part very gracefully; and by a letter I have received from her, in answer to mine, will, I flatter myself, take care to do justice to it. Nay, she is so zealous, that Mr. Harris tells me she has taken great pains with the young person who is to play the daughter, but whose name I cannot at this moment recollect.(452)
I must now confess that I have been again alarmed. I had a message from Mr. Harris on Saturday last to tell me that the performers had been so alert, and were so ready with their parts, and the many disappointments that had happened this season had been so prejudicial to him, that it would be easy and necessary to bring out your play next Saturday the 10th, and desired to have the prologue and epilogue. This precipitation made me apprehend that justice would not be done to your tragedy. Still I did not dare to remonstrate; nor would venture to damp an ardour which I could not expect to excite again. Instead of objecting to his haste, I only said I had not received your prologue and epilogue, but had written for them and expected them every Minute, though, as it depended on winds, one could never be sure. I trusted to accidents for delay; at least I thought I could contrive some, without seeming to combat what he thought for his interest.
I have not been mistaken. On receiving your prologue yesterday, I came to town to-day and carried it to him, to show him I lost no time. He told me Mr. Henderson was not enough recovered, but he hoped would be well enough to bring out the play on Saturday se'nnight. That he had had a rough rehearsal yesterday morning, with which he had been charmed; and was persuaded, and that the performers think so too. that your play will have great effect. All this made me very easy. There is to be a regular rehearsal on Saturday, for which I shall stay in town on purpose; and, if I find the performers perfect, I think there will be no objection to its appearance on Saturday se'nnight. I shall rather prefer that day to a later; as, the Parliament not being met, it will have a week's run before politics interfere.
Now, Sir, for the epilogue. I have taken the liberty of desiring Mr. Harris to have one prepared, in case yours should not arrive in time. It is a compliment to him, (I do not mean that he will write it himself,) will interest him still more in the cause; and, though he may not procure a very good one, a manager may know better than we do what will suit the taste of the times. The success of a play being previous, cannot be hurt by an epilogue, though some plays have been saved; and if it be not a good one, it will not affect you. If you send us a good one, though too late, it may be printed with the play.
I must act about the impression just the reverse of what I did about the performance, and must beg you would commission some friend to transact that affair; for I know nothing of the terms, and should probably disserve you if I undertook the treaty with the booksellers, nor should I have time to supervise the correction of the press. In truth, it is so disagreeable a business, that I doubt I have given proofs at my own press of being too negligent; and as I am actually at present reprinting my Anecdotes of Painting, I have but too much business of that sort on my hands. You will forgive my saying this, especially when you consider that my hands are very lame, ind that this morning in Mr. Harris's room, the right one shook so, that I was forced to desire him to write a memorandum for me.
I think I have omitted nothing material. Mr. Wroughton is to play the Count. I do not know who will speak the prologue; probably not Mr. Henderson, as he has been so very ill: nor should I be very earnest for it; for the Friar's is so central and so laborious a part, that I should not wish to abate his powers by any previous exertion. Perhaps I refine too much, but I own I think the non-appearance of a principal actor till his part opens is an advantage.
I will only add that I must beg you will not talk of obligations to me. You have at least overpaid me d'avance by the honour you have done me in adopting the Castle of Otranto.
(450) Now first printed.
(451) To the tragedy of the Count of Narbonne. See ant`e, p. 238, letter 184.-E.
(452) Miss Satchell.