"Yesterday I did my possible to give to eat; the dinner was of the last perfection, and the wines left nothing to desire. The repast was seasoned with a thousand rejoicing sallies, full of salt and agreement, and one more brilliant than another. Lady France, charmed me as for the first time; she is made to paint, has a great air, and has infinitely of expression in her physiognomy; her manners have as much of natural as her figure has of interesting.

"I had prayed Lady B, to be of this dinner, as I had heard nothing but good of her; but I am now disabused on her subject: she is past her first youth, has very little instruction, is inconsequent, and subject to caution; but having evaded with one of her pretenders, her reputation has been committed by the bad faith of a friend, on whose fidelity she reposed herself; she is, therefore fallen into devotion, goes no more to spectacles, and play is detested at her house. Though she affects a mortal serious, I observed that her eyes were Of intelligence with those of Sir James, near whom I had taken care to plant myself, though this is always a sacrifice which costs. Sir James is a great sayer of nothings; it is a spoilt mind, full of fatuity and pretension: his conversation is a tissue of impertinences, and the bad tone which reigns at present has put the last hand to his defect,. He makes but little care of his word; but, as he lends himself to whatever is proposed of amusing, the women all throw themselves at his head. Adieu"

Letter 289 To John Pinkerton, Esq.(542)
June 22, 1785. (page 365)

Since I received your book,(543) Sir, I scarce ceased from reading till I had finished it; so admirable I found it, and so full of good sense, brightly delivered. Nay, I am pleased with myself too for having formed the same opinions with you on several points, in which we do not agree with the generality of men. On some topics, I confess frankly, I do not concur with you: Considering how many you have touched, it would be wonderful if we agreed on all, or I should not be sincere if I said I did. There are others on which I have formed no opinion; for I should give myself an impertinent air, with no truth, if I pretended to have any knowledge of many subjects, of which, young as you are, you seem to have made yourself master. Indeed, I have gone deeply into nothing, and therefore shall not discuss those heads which we differ most: as probably I should not defend my own opinions well. There is but one part of your work to which I will venture any objection, though you have considered it much, and I little, very little indeed, with regard to your proposal, which to me is but two days old: I mean your plan for the improvement of our language, which I allow has some defects, and which wants correction in several particulars. The specific amendment which you propose, and to which I object, is the addition of a's and O's to our terminations. To change s for a in the plural number for our substantives and adjectives would be so violent an alteration, that I believe neither the power of Power nor the power of Genius would be able, to effect it. In most cases I am convinced that very strong innovations are more likely to make impression than small and almost imperceptible differences, as in religion, medicine, politics, etc.; but I do not think that language can be treated in the same manner, especially in a refined age. When a nation first emerges from barbarism, two or three masterly writers may operate wonders; and the fewer the number of writers, as the number is small at such a period, the more absolute is their authority. But when a country has been polishing itself for two or three centuries, and when consequently authors are innumerable, the most supereminent genius (or whoever is esteemed so, though without foundation,) possesses very limited empire, and is far from meeting implicit obedience. Every petty writer will contest very novel institutions: every inch of change in language will be disputed; and the language will remain as it was, longer than the tribunal which should dictate very heterogeneous alterations. With regard to adding a or o to final consonants, consider, Sir, should the usage be adopted, what havoc it would make! All our poetry would be defective in metre, or would become at once as obsolete as Chaucer; and could we promise ourselves, that, though we should have better harmony and more rhymes, we should have a new crop of poets, to replace Milton, Dryden, Gray, and, I am sorry you will not allow me to add, Pope! You might enjoin our prose to be reformed, as you have done by the Spectator in your thirty-fourth Letter; but try Dryden's Ode by your new institution.

I beg your pardon for these trivial observations: I assure you I could write a letter ten times as long, if I were to specify all I like in your work. I more than like most of it; and I am charmed with your glorious love of liberty, and your other humane and noble sentiments. Your book I shall with great pleasure send to Mr. Colman: may I tell him, without naming you, that it is written by the author of the comedy I offered to him? He must be struck with your very handsome and generous conduct in printing your encomiums on him, after his rejecting your piece. It is as great as uncommon, and gives me ,,Is good an opinion of your heart, Sir, as your book does of your great sense. Both assure me that you will not take ill the liberty I have used in expressing my doubts on your plan for amending our language, or for any I may use in dissenting from a few other sentiments in your work; as I shall in what I think your too low opinion of some of the French writers, of your preferring Lady Mary Wortley to Madame de S`evign`e, and of your esteeming Mr. Hume a man of a deeper and more solid understanding than Mr. Gray. In the two last articles it is impossible to think more differently than we do. In Lady Mary's Letters, which I never could read but once, I discovered no merit of any sort; yet I have seen others by her (unpublished)(544) that have a good deal of wit; and for Mr. Hume give me leave to say that I think your opinion, "that he might have ruled a state," ought to be qualified a little; as in the very next page you say, his History is "a mere apology for prerogative," and a very weak one. If he could have ruled a state, one must presume, at best, that he would have been an able tyrant; and yet I should suspect that a man, who, sitting coolly in his chamber, could forge but a weak apology for the prerogative, would not have exercised it very wisely. I knew personally and well both Mr. Hume and Mr. Gray, and thought there was no degree of comparison between their understandings; and, in fact, Mr. Hume's writings were so superior to his conversation, that I frequently said he understood nothing till he had written upon it. What you say, Sir, of the discord in his history from his love of prerogative and hatred of churchmen, flatters me much; as I have taken notice of that very unnatural discord in a piece I printed some years ago, but did not publish, and which I will show to you when I have the pleasure of seeing you here; a satisfaction I shall be glad to taste, whenever you will let me know you are at leisure after the beginning of next week. I have the honour to be, Sir, etc.

(542) Now first collected.

(543) His "Letters of Literature," published this year under the name of Heron. "It had been well for Mr. Pinkerton's reputation," observes Mr. Dawson Turner ,had these Letters never been published at all. In a copy now before me, lately the property of one of our most eminent critics, Mr. Fark, I read the following very just quotation, in his handwriting: 'Multa venust`e, multa tenuiter multa cuni bile.' Mr. Pinkerton himself, in his 'Walpoliana,' admits that Heron's Letters was 'a book written in early youth, and contained many juvenile crude ideas long since abandoned by its author.' Would that the crudeness of many of the ideas were the worst that was to be said of it! but we shall find, in the course of this correspondence, far heavier and not less just complaints. The name of Heron, here assumed by Mr. Pinkerton, was that of his mother."-E.

(544) See vol. iii. p. 217, letter 155.-E.

Letter 290 To John Pinkerton, Esq.(545)
June 26, 1785. (page 367)

I have sent your book to Mr. Colman, Sir, and must desire you in return to offer my grateful thanks to Mr. Knight, who has done me an honour, to which I do not know how I am entitled, by the present of his poetry, which is very classic, and beautiful, and tender, and of chaste simplicity. To your book, Sir, I am much obliged on many accounts; particularly for having recalled my mind to subjects of delight, to which. it was grown dulled by age and indolence. In consequence of your reclaiming it, I asked myself whence you feel so much disregard for certain authors whose fame is established: you have assigned good reasons for withholding your approbation from some, on the plea of their being imitators: it was natural, then, to ask myself again, whence they had obtained so much celebrity. I think I have discovered a cause, which I do not remember to have seen noted; and that cause I suspect to have been, that certain of those authors possessed grace:—do not take me for a disciple of Lord Chesterfield, nor Imagine that I mean to erect grace into a capital ingredient of writing; but I do believe that it is a perfume that will preserve from putrefaction, and is distinct even from style, which regards expression. Grace, I think, belongs to manner. It is from the charm of grace that I believe some authors, not in Your favour, obtained part of their renown; Virgil in particular: and yet I am far from disagreeing with you on his subject in general. There is such a dearth of invention in the -,Eneid, (and when he did invent, it was often so foolishly,) so little good sense, so little variety, and so little power over the passions, that I have frequently said, from contempt for his matter, and from the charm of his harmony, that I believe I should like his poem better, if I was to hear it repeated, and did not understand Latin. On the other hand, he has more than harmony: whatever he utters is said gracefully, and he ennobles his images, especially in the Georgics; or at least it is more sensible there from the humility of the subject. A Roman farmer might not understand his diction in agriculture; but he made a Roman courtier Understand farming, the farming of that age, and could captivate a lord of Augustus's bedchamber, and tempt him to listen to themes of rusticity. On the contrary, Statius and Claudian, though talking of war, would make a soldier despise them as bullies. That graceful manner of thinking in Virgil seems to me to be more than style, if I do not refine too much; and I admire, I confess, Mr. Addison's phrase, that Virgil "tossed about his dung with an air of majesty." A style may be excellent without grace: for instance, Dr. Swift's. Eloquence may bestow an immortal style, and one of more dignity; yet eloquence may want that ease, that genteel air that flows from or constitutes grace. Addison himself was master of that grace, even in his pieces of humour, and which do not owe their merit to style; and from that combined secret he excels all men that ever lived, but Shakspeare, in humour, by never dropping into an approach towards burlesque and buffoonery', when even his humour descended to characters that in any other hands would have been vulgarly low. Is not it clear that Will Wimble(546) was a gentleman, though he always lived at a distance from good company . Fielding had as much humour, perhaps, as Addison; but, having no idea of grace, is perpetually disgusting. His innkeepers and parsons are the grossest of their profession and his gentlemen are awkward, when they should be at their ease.