And yet this scribbling is a harmless craze,
And boasts in fact some few redeeming traits.
Avarice will scarce find lodging in a heart
Whose every thought is centred on its art;
He lays no subtle schemes, your dreamy bard,
To circumvent his partner or his ward;
Content with pulse and bread of ration corn,
Mres, losses, runaways he laughs to scorn;
Useless in camp, at home he serves the state,
That is, if small can minister to great.
His lessons form the child's young lips, and wean
The boyish ear from words and tales unclean;
As years roll on, he moulds the ripening mind,
And makes it just and generous, sweet and kind;
He tells of worthy precedents, displays
The example of the past to after days,
Consoles affliction, and disease allays.
Had Rome no poets, who would teach the train
Of maids and spotless youths their ritual strain?
Schooled by the bard, they lift their voice to heaven,
And feel the wished-for aid already given,
Prom brazen skies call down abundant showers,
Are heard when sickness threats or danger lowers,
Win for a war-worn land the smiles of peace,
And crown the year with plentiful increase.
Song checks the hand of Jove in act to smite;
Song soothes the dwellers in abysmal night.
Our rustic forefathers in days of yore,
Robust though frugal, and content though poor,
When, after harvest done, they sought repair
From toils which hope of respite made them bear,
Were wont their hard-earned leisure to enjoy
With those who shared their labour, wife and boy;
With porker's blood the Earth they would appease,
With milk Silvanus, guardian of their trees,
With flowers and wine the Genius, who repeats
That life is short, and so should have its sweets.
'Twas hence Fescennia's privilege began,
Where wit had licence, and man bantered man;
And the wild sport, though countrified and rough,
Passed off each year acceptably enough;
Till jokes grew virulent, and rabid spite
Ran loose through houses, free to bark and bite.
The wounded shrieked; the unwounded came to feel
That things looked serious for the general weal:
So laws were passed with penalties and pains
To guard the lieges from abusive strains,
And poets sang thenceforth in sweeter tones,
Compelled to please by terror for their bones.
Greece, conquered Greece, her conqueror subdued,
And Rome grew polished, who till then was rude;
The rough Saturnian measure had its day,
And gentler arts made savagery give way:
Yet traces of the uncouth past lived on
For many a year, nor are they wholly gone,
For 'twas not till the Punic wars were o'er
That Rome found time Greek authors to explore,
And try, by digging in that virgin field,
What Sophocles and Aeschylus could yield.
Nay, she essayed a venture of her own,
And liked to think she'd caught the tragic tone;
And so she has:—the afflatus comes on hot;
But out, alas! she deems it shame to blot.
'Tis thought that comedy, because its source
Is common life, must be a thing of course,
Whereas there's nought so difficult, because
There's nowhere less allowance made for flaws.
See Plautus now: what ill-sustained affairs
Are his close fathers and his love-sick heirs!
How farcical his parasites! how loose
And down at heel he wears his comic shoes!
For, so he fills his pockets, nought he heeds
Whether the play's a failure or succeeds.
Drawn to the house in glory's car, the bard
Is made by interest, by indifference marred:
So slight the cause that prostrates or restores
A mind that lives for plaudits and encores.
Nay, I forswear the drama, if to win
Or lose the prize can make me plump or thin.
Then too it tries an author's nerve, to find
The class in numbers strong, though weak in mind,
The brutal brainless mob, who, if a knight
Disputes their judgment, bluster and show fight,
Call in the middle of a play for bears
Or boxers;—'tis for such the rabble cares.
But e'en the knights have changed, and now they prize
Delighted ears far less than dazzled eyes.
The curtain is kept down four hours or more,
While horse and foot go hurrying o'er the floor,
While crownless majesty is dragged in chains,
Chariots succeed to chariots, wains to wains,
Whole fleets of ships in long procession pass,
And captive ivory follows captive brass.
O, could Democritus return to earth,
In truth 'twould wake his wildest peals of mirth,
To see a milkwhite elephant, or shape
Half pard, half camel, set the crowd agape!
He'd eye the mob more keenly than the shows,
And find less food for sport in these than those;
While the poor authors—he'd suppose their play
Addressed to a deaf ass that can but bray.
For where's the voice so strong as to o'ercome
A Roman theatre's discordant hum?
You'd think you heard the Gargan forest roar
Or Tuscan billows break upon the shore,
So loud the tumult waxes, when they see
The show, the pomp, the foreign finery.
Soon as the actor, thus bedizened, stands
In public view, clap go ten thousand hands.
"What said he?" Nought. "Then what's the attraction? "Why,
That woollen mantle with the violet dye.
But lest you think 'tis niggard praise I fling
To bards who soar where I ne'er stretched a wing,
That man I hold true master of his art
Who with fictitious woes can wring my heart,
Can rouse me, soothe me, pierce me with the thrill
Of vain alarm, and, as by magic skill,
Bear me to Thebes, to Athens, where he will.
Now turn to us shy mortals, who, instead
Of being hissed and acted, would be read:
We claim your favour, if with worthy gear
You'd fill the temple Phoebus holds so dear,
And give poor bards the stimulus of hope
To aid their progress up Parnassus' slope.
Poor bards! much harm to our own cause we do
(It tells against myself, but yet 'tis true),
When, wanting you to read us, we intrude
On times of business or of lassitude,
When we lose temper if a friend thinks fit
To find a fault or two with what we've writ,
When, unrequested, we again go o'er
A passage we recited once, before,
When we complain, forsooth, our laboured strokes,
Our dexterous turns, are lost on careless folks,
When we expect, so soon as you're informed
That ours are hearts by would-be genius warmed,
You'll send for us instanter, end our woes
With a high hand, and make us all compose.
Yet greatness, proved in war and peace divine,
Had best be jealous who should keep its shrine:
The sacred functions of the temple-ward
Were ill conferred on an inferior bard.
A blunderer was Choerilus; and yet
This blunderer was Alexander's pet,
And for the ill-stamped lines that left his mint
Received good money with the royal print.
Ink spoils what touches it: indifferent lays
Blot out the exploits they pretend to praise.
Yet the same king who bought bad verse so dear
In other walks of art saw true and clear;
None but Lysippus, so he willed by law,
Might model him, none but Apelles draw.
But take this mind, in paintings and in bronze
So ready to distinguish geese from swans,
And bid it judge of poetry, you'd swear
"Twas born and nurtured in Boeotian air.
Still, bards there are whose excellence commends
The sovereign judgment that esteems them friends,
Virgil and Varius; when your hand confers
Its princely bounty, all the world concurs.
And, trust me, human features never shone
With livelier truth through brass or breathing stone
Than the great genius of a hero shines
Through the clear mirror of a poet's lines.
Nor is it choice (ah, would that choice were all!)
Makes my dull Muse in prose-like numbers crawl,
When she might sing of rivers and strange towns,
Of mountain fastnesses and barbarous crowns,
Of battles through the world compelled to cease,
Of bolts that guard the God who guards the peace,
And haughty Parthia through defeat and shame
By Caesar taught to fear the Roman name:
'Tis strength that lacks: your dignity disdains
The mean support of ineffectual strains,
And modesty forbids me to essay
A theme whose weight would make my powers give way.
Officious zeal is apt to be a curse
To those it loves, especially in verse;
For easier 'tis to learn and recollect
What moves derision than what claims respect.
He's not my friend who hawks in every place
A waxwork parody of my poor face;
Nor were I flattered if some silly wight
A stupid poem in my praise should write:
The gift would make me blush, and I should dread
To travel with my poet, all unread,
Down to the street where spice and pepper's sold,
And all the wares waste paper's used to fold.