The world is full of such correspondences between the natural and the spiritual. To discover one of these correspondences is in my view a greater achievement than a discovery in science. It is greater because it is a discovery in the realm of spirit instead of the realm of matter. It is no wonder, then, that Emerson says that "such correspondences, if adequately executed, would be the poem of the world."
I will notice a few of those correspondences, that have occurred to my own mind. I might cite many more, but I think these few will tend to fortify the conclusions we have been trying to arrive at. I apprehend that many readers who are not fond of argument will feel the force of illustration. Thus they will have a more vivid appreciation of the unseen than can be conveyed by mere argument. To be sure, there is a greater appeal to the imagination than to the reason. But we must not decry imagination except when it runs riot into mere fancy. Ruskin says: "Imagination is the greatest power of the soul."
Only yesterday my boy asked me a curious question. He wanted to know why so many millions of flowers and other beautiful things that men never saw or will see, were created. I said that the very same thought was in my own mind years ago, but at that time I could find no answer. But I found the true solution since. The true solution is, that God is the Beautiful One, and He naturally—it may be of divine necessity—has to express Himself in forms of beauty. So He creates millions of beautiful things that no man or angel will ever see. In so far as they do see them, and their sense of beauty is developed thereby, that is good, but it is secondary. The primary thing is, that the Infinitely Beautiful One naturally expresses Himself—perhaps must express Himself—in beautiful forms.
I have seen the potter working at his wheel; and it is wonderful to see the beautiful effects he can produce. He can take a lump of clay, and from that shapeless mass of matter he can make vessels and ornaments of rarest beauty. He has no machinery but that simple wheel, but by that and the skillful movements of his hand, he can evolve beauty out of chaos. It made me think of the way God evolved this beautiful world out of chaos at first. There is this difference, that the potter uses mechanical power, and he uses his hands, whereas God uses only His word and will. He spake and it was done; He commanded and all things stood fast. But the effect is of the same order. It is the reduction of chaos into beauty; and though we can produce such effects only in a small way and by mechanical means, it gives us a hint of almighty power and beauty. Yea, and that almighty power, as seen here in such beautiful effects, gives us a suggestion of the transcendent glory of the world on high. Not only so, but we have a vivid hint as to the fact that divine power and grace can transform a sinner into a saint.
One function of the glorified body will be its amazing capacity of speed. Along this line we have even now and here suggestions of wonderful possibilities. You have noticed when on the train the swarm of insects that keep easy pace with your rapid flight. Those insects not only seem to enjoy a race with the train, but to show how easily they could leave you behind, they indulge in all sorts of airy gymnastics, at the same time whirling to and fro, and up and down. What marvellous power of motion is there, if you only think of it! How inconceivably rapid must be the movements of those little wings. It is computed that some of those insects open and close their wings no less than two hundred times in a second. It is amazing. And is it not suggestive of the capacity of motion with which this body may easily be endowed when the cumbrous flesh is changed into the immortal, ethereal body? Since those tiny insects are so wonderfully endowed for their little life here, so aimless as it might seem, what glorious capacities may not be in reserve for us, God's redeemed children, who are to live forever, going forth on God's errands through the wide amplitudes of uncounted starry worlds.
It is truly amazing to notice what glorious effects God can bring out of materials that seem so simple and common. Out of the earth's dark soil, by the action of light and heat, He calls forth myriads of flowers. A heavy cloud, that contains nothing but murky vapor, by the rays of the setting sun is made to flash and glow like a burning sapphire throne. The falling shower, by another action of the sun's light, is painted with rainbow colors so pure that they seem to be reflections of heaven's own beauty. Surely God has flung these glories round about us here to give us hints and promises of the unimagined glories of the beautiful, better land. Not only so, but we have a vivid hint as to how the earthly can be transformed into the image of the heavenly.
It is a law of our nature that we insensibly change into the likeness of that which we behold and admire. Even in outward, material things we sometimes see the working of this law. There is a gorgeous sunset. Come out of the dingy house, and gaze on the scene. The western sky is ablaze with purple and crimson and gold. The radiant clouds stretch out in feathery, fantastic forms, like angels' wings; or pile themselves up in solid blocks of glory, like celestial mountains; or shape themselves into golden bars, like heaven's pearly gates.
As you gaze on that scene, I notice that the lines of your face soften, the eye that was hard grows tender, the whole face loses its careworn, earthly expression, and it is suffused with softened, heavenly light. Your countenance is just reflecting a little of the glory of the skies. And so, when with the spiritual eye we see the beauty of Christ, we begin to be somewhat like Him. When His moral glory is flashed upon us, it transforms us more or less into His likeness. Beholding, though only in a glass, the glory of the Lord, we are changed into His heavenly likeness, from day to day.
Going west, you pass through what seems an endless waste of sage-bush and sand. Perhaps this has continued all day long, and you retire at night expecting to look out again in the morning on the same dreary waste. But in the night the scene has changed. When you look out in the morning the first thing you see is the broad Columbia River, with its banks of green; beyond the river, mountains rise, clothed in green and yellow and purple; then an open space in the nearer mountains reveals others in the distance, enveloped in a blue haze, and crowned with gleaming snow.
What a blessed change from the experiences of yesterday, and how easy and unconscious the transition. And so it will be with many in passing from this life to the next. Dreary and monotonous their life has been, and it seemed at times as if it might go on so forever. But they are nearing the heavenly land; and some night, perhaps when they are not expecting it, they will leave the dreariness and desolation all behind them; they will awake in a world of beauty such as human fancy never dreamed of.