‘That was hoo she first got a hand upon Jim, for he had a gran’ voice—a perfect champion at harmony he was, an’ she just buttered him up properly. It was “Oh, Mr. Hedley, an’ what a fortin ye would have made in the Opera!” “Sing it again, Mr. Hedley, it’s fair ravishin’,” an’ so she carried on till she had him awa to practise duetties wiv her at her hoos, an’ made him stay ti supper wi’ glasses o’ wine tiv it—yellow shampain wine that’ll set your brain iv a froth, I b’lieve, an’ at the finish she has him just drugged wiv her enchantments.

‘There was one night I mind I was oot walkin’ an’ chanst ti pass by alang that road there that leads past the hoos—the trees wasn’t grown up then, ye ken, an’ I could spy a bit in through the windie, which was open on the night—it bein’ summer then, d’ye see.

‘She was settin’ beside the pianner playin’ pretence wiv it, an’ castin’ up white eye-glances at Jim soft-like, noo an’ again, with a sort ov insolence, too, as though she kenned her power ower him—drawin’ oot the very marrow an’ soul ov him wiv her perfections.

‘She was aal clad i’ silks an’ satins, like a play-actress—her bosom gleamin’ wi’ jools, an’ Jim was leanin’ against the pianner gazin’ at her, fair drunk wiv her blandishments.

‘I cuddn’t stand by an’ just do nowt ava, sae I let fly a yell upon the night, “Ho-way home ti thy own lawfu’ missus, an’ leave that d——d hussy alone.”

‘He gave a sudden start at that, an’ leaps round ti the windie, claps it ti wiv a smash, an’ pulls the curtains ower it.

‘Well, I kenned then by that token that it was aal ower wi’ Jim. She had him fast, an’ nowt could be done, for interferin’ i’ them cases is warse than useless; but I was sair, sair grieved for him an’ his wee quiet bonny-faced wife, an’ I walked awa home callin’ that woman aal things I could lay my tongue ti under heaven.

‘Things went gradually from warse ti warse; he neglected his work an’ avoided his wife, an’ he became tarr’ble violent iv his temper, an’ nigh offered ti fight me yence when I tried ti argy wiv him upon his foolishness. Well, the crissis comes one night when his wife follows him ti the Prospect Hoos an’ walks straight inti the drorin’-room where him an’ the other woman was. He’d just been threatened by the viewer, d’ye see, wi’ gettin’ his notice if he didn’t pull hisself tegither, an’ knawin’ things were aaltegither wrang wiv him, he just gans slap off ti the woman oot o’ pure recklessness, for he was none o’ yo’r half an’ half gentlemen, an’ as he was gannin’ ti the deevil, wey, he wud gan wiv a brass band, ye ken.

‘His wife comes in upon them like a ghost, an’ never heedin’ the other woman, cries tiv him, haudin’ oot her arms for him, “Oh, come back, Jim, come back; divvn’t break my heart!”

‘Jim says nowt, but glares moodily on the ground, an’ there’s silence for a bit. Then the woman begins ti laugh saftly tiv herself, eyein’ Jim’s missus scornfu’ like frae top ti toe standin’ there, small an’ shabby-dressed an’ tearfu’, an’, “Wey doesn’t thoo gan?” says she, “here’s yo’r hooskeeper come ti fetch thoo home!” she says.