ACT I.
Scene First.—A street in Flourens, the house of the late Jean Munier, tailor, in the foreground.
Flourens was a little town lying quite out of the usual route of young English travellers of rich connections making the "grand tour," and so, having nothing to recommend it in itself, was unknown to the great world without—dull, stupid, stagnant. Hardly ever a visitor from that great outside world appeared within the circle of its hopeless isolation. So it was a very strange thing to the town when one morning a great coach, as big as a house, dragged by four horses, with postilions clad in scarlet faced with blue, their legs incased in huge jack-boots, and each with a club queue as thick as his wrist hanging down his back, came whirling, rattling, lumbering, in the midst of a swirling cloud of dust, into the silence of the town. It was twice wonderful when the coach stopped at the inn, and it was thrice wonderful when an odd, lean, wizened little man, evidently the servant, let down the steps and helped a strange gentleman from within. He was a tall, dark gentleman, dressed in black from head to foot—from the black hat with the black feather to the black silk stockings. From the gentleman's shoulder hung a long black cloak trimmed and lined with black fur, and Flourens had never seen his like before. He neither looked to the right nor to the left, but, without saying good or bad to any living soul, he and the odd, lean little servant entered the inn, leaving the crowd that stood without staring and gaping after him. Then the great coach disappeared through the arched gate that led to the stable-yard, but it was a long time before the crowd began to disperse, before the gossiping began to cease, before the cloud of silence and dullness and stagnation settled by degrees upon the town again. How it was maybe an hour and a half, and the last of those who had looked and wondered had gone about their business.
All is quiet, dull, heavily silent again, and in all the bald stretch of road nothing is to be seen but two women gossiping at a gate-way, and a solitary cat upon a garden wall watching two sparrows chirping and fluttering upon the eaves.
"HE WAS A TALL, DARK GENTLEMAN, DRESSED IN BLACK FROM HEAD TO FOOT."
It is with this setting that the play opens, and Oliver Munier, the son of the late Jean Munier, is discovered leaning against the wall of the house, basking in the sun, his blouse tucked up, his hands in his pockets, and a straw in his mouth, which he now and then chews passively in drowsy laziness. Within, his mother is busied about the house-work, now and then rattling and stirring among the pots and pans, now and then scolding at him in a shrill, high-pitched voice, to which he listens with half-shut eyes, chewing his straw the while.
"I know not," said she, stopping for a moment in her work that her words might have more force in the pause—"I know not whether thou wert born so, but thou art the laziest scamp that ever my two eyes saw. Here art thou eighteen years old, and yet hast never earned a single sou to pay for keeping body and soul together since thy poor father died five months ago. Poor soul! with him it was snip, snip, snip, stitch, stitch, stitch. There was never a tailor in Picardy like him. His poor legs were bent like crooked billets from sitting cross-legged, and his poor fingers were as rough as horn from the prick of the needle. Thou lazy vagabond, with him it was work, work, work."
"Perhaps," said Oliver, without turning his head, "it was hard work that killed my poor father."