This benevolent and beneficent dietetic reformer, according to the testimony of an eye-witness, exemplified by his death the value of his principles—relinquishing his last breath easily and tranquilly, while his senses remained entire to the end. During his last illness he was attended by the famous David Hartley, noticed below. He was buried at Weston, near Bath. His character is sufficiently seen in his writings which, if they contain some metaphysical or other ideas which our reason cannot always endorse, in their practical teaching prove him to have been actuated by a true and earnest desire for the best interests of his fellow-men. One of the merits of Cheyne’s writings is his discarding the common orthodox esoteric style of his profession, who seem jealously to exclude all but the “initiated” from their sacred mysteries. One of his biographers has remarked upon this point that “there is another peculiarity about most of Dr. Cheyne’s writings which is worthy of notice. Although there are many passages that are quite unintelligible to the reader unless he possesses a considerable knowledge, not only of medicine but also of mathematics, yet there is no doubt but that the greater part of his works were intended for popular perusal, and in this undertaking he is one of the few medical writers who have been completely successful. His productions, which were much read and had an extensive influence in their day, procured him a considerable degree of reputation, not only with the public, but also with the members of his own profession. If they present to the reader no great discoveries (?) they possess the merit of putting more prominently forward some useful but neglected truths; and though now, probably, but little read, they contain much matter that is well worth studying, and have obtained for their author a respectable place in the history of medical literature.”[143]
Our notice of the author of the Essay on Regimen, &c., would scarcely be complete without some reference to his friendship with two distinguished characters—John Wesley and Samuel Richardson,[144] the author of Pamela. It was to Dr. Cheyne that Wesley, as he tells us in his journals, was indebted for his conversion to those dietetic principles to which he attributes, in great measure, the invigoration of his naturally feeble constitution, and which enabled him to undergo an amount of fatigue and toil, both mentally and bodily, seldom or never surpassed. Of Cheyne’s friendship for Richardson there are several memorials preserved in his familiar letters to that popular writer; and his free and naïve criticisms of his novels are not a little amusing. The novelist, it seems, was one of his patients, and that he was not always a satisfactory one, under the abstemious regimen, appears occasionally from the remonstrances of his adviser.
XX.
POPE. 1688–1744.
THE most epigrammatic, and one of the most elegant, of poets. He was also one of the most precocious. His first production of importance was his Essay on Criticism, written at the age of twenty-one, although not published until two years later. But he had composed, we are assured, several verses of an Epic at the age of twelve; and his Pastorals was given to the world by a youth of sixteen. Its division into the Four Seasons is said to have suggested to Thomson the title of his great poem. The MS. passed through the hands of some distinguished persons, who loudly proclaimed the merits of the boy-poet.
In the same year with his fine mock-heroic Rape of the Lock (1712) appeared The Messiah, in imitation of Isaiah and of Virgil (in his well-known Eclogue IV.), both of whom celebrate, in similar strains, the advent of a “golden age” to be. The “Sybilline” prophecy, which Pope supposes the Latin poet to have read, existed, it need scarcely be added, only in the imagination of himself and of the authorities on whom he relied. Windsor Forest (1713) deserves special notice as one of the earliest of that class of poems which derive their inspiration directly from Nature. It was the precursor of The Seasons, although the anti-barbarous feeling is less pronounced in the former. We find, however, the germs of that higher feeling which appears more developed in the Essay on Man; and the following verses, descriptive of the usual “sporting” scenes, are significant:—
“See! from the brake the whirring Pheasant springs,
And mounts exulting on triumphant wings:
Short is his joy; he feels the fiery wound,
Flutters in blood, and panting beats the ground.
Ah, what avail his glossy, varying dyes,