In consequence of her refusal to renounce Christianity, Dorothy is cruelly scourged by order of King Fabricius. The description of her sufferings is very similar to that contained in the legend of St. Catherine, but we miss the curious conceit of the six colours that suddenly appear on the body of the martyr. Dorothy is finally led out to execution, and on her way meets "Theophilus, the clerk of the land," who mockingly asks her where she is going. Dorothy answers:—
"To a garden, a delightful one,
In which manifold fruits,
Apples, flowers, and roses,
I shall gather."
Theophilus replies with a sneer, "Send me some of the fruits which grow in your lord's garden." After Dorothy's death "a child beautifully dressed in purple" (that is, an angel) appears to Theophilus, carrying a basket which contains three apples and three roses. The child says, "My sister Dorothy sends you this fruit." Then, seeing this, Theophilus exclaims:—
"I believe in thee, O Jesus Christ,
That thou art the living Son
Of the True God,
For whose sake the virtuous Dorothy,
Guiltless, was executed to-day.
I the sinner beg, O maiden,
Earnestly for thy favour;
Deign to intercede for me,
That in the realm of thy husband
I too may join thee."
The legend of St. Prokop (which forms part of the Manuscript of Königgrätz) also deserves special notice. It incidentally throws considerable light on the condition of Bohemia at the period when Christianity was introduced. There was then great antagonism between the partisans of the Greek ritual, which Cyrillus and Methodius had introduced, and the followers of the Latin Church, who from Germany had introduced their ritual into Bohemia. The monastery on the Sazava[9], of which Prokop became abbot, was the centre of those who sympathised with the Eastern Church. Up to the time when the Slavonic monks were replaced by priests of the Latin Church (in 1096), the religious services were held there according to the Eastern ritual, and when Charles IV. again established a community of Slavonic monks at Prague, he obtained for it the Pope's permission to use the Slavonic tongue in all ecclesiastical functions and to employ the Glagolitic alphabet[10]. The legend, written in an awkward and unattractive style, has little artistic value. The author was, no doubt, a monk, since the monastery of Sazava and its records were probably his source of information. As is the case with most early Bohemian legends, it is very difficult to fix the date of that referring to St. Prokop. The existent manuscript probably belongs to the early part of the fourteenth century, though the circumstance that some rhymes have been corrupted and lines omitted has led Bohemian critics to the supposition that the legend was written a considerable time before, perhaps not long after the death of St. Prokop, who lived in the eleventh century. The legend[11], as already stated, deals principally with the rivalry between the monks of the Eastern and those of the Roman ritual. Prokop, who had retired to the then desert region near the river Sazava, is found there by Prince Ulrick, who builds a monastery for him on the spot where they met. After Prokop's death, as well as that of Prince Ulrick, "Germans of the Latin rite" take possession of the monastery on the Sazava. The ghost of Prokop three times appears to them, and on his third apparition the Germans return terrified to Prague.
The author begins by thus addressing his readers: "Listen, old people and children—To what I wish to tell you—Of the patron of the Slavs—Of the holy Prokop—He who was born in Bohemia—Who propagated God's law in a saintly fashion—Who faithfully fulfilled the holy law—Who worked many miracles.... St. Prokop is of the Slav race—Born not far from Česky Brod.—That village did God well bless—In which this saint was born."
The legend then proceeds to tell us of Prokop's youth and education, laying special stress on the fact that at the monastery on the Vyšehrad he received instruction in the Slavonic language. Prokop obtains great favour among the monks, who wish to choose him as their provost. But Prokop flies from all worldly honours and retires to a desert district, "where is a river, and that river is called Sazava, and it still flows beneath the monastery." The meeting between the hermit and Prince Ulrick is thus described: "The Prince, named Ulrick—Called to the hunters, who were running in every direction—And speaking to them all said—'In what woods shall we hunt?'—He said, 'We must begin—Where shall we begin?'—'Let us,' he said—'try the hills near the Sazava.—Into these woods I desire to go—Let us go there; that is my counsel.'—All run after him; all obey him—But when they penetrate into the forest—They all lose the prince.—By God's will it happened—That not one of them remained with him.—To the prince a stag appears, beautiful—Large and very fleshy—Prince Ulrick is not frightened—And having his crossbow in his hand—He wished to shoot the stag—Which was running not far from him—Not fleeing hastily before him.—Just as if sense were given it—It placed itself on that rock—Where St. Prokop was working.—He was then felling an oak—And the stag sprang up behind him—Turning its antlers towards him.—Between the antlers it had a cross—Prince Ulrick well noticed this—Directly he drops his crossbow from his hand—And stops his horse—Seeing this wondrous animal—And the meek-faced monk—The prince begins to ask the monk—Having rapidly descended from his horse—'Who art thou who lives here in this solitude?—How art thou called and what art thou doing here?'—Holy Prokop directly—Answered him kindly—'I live in this solitude—As a sinner, and Prokop is my name.'" The prince then begs Prokop's forgiveness for having attempted the life of an animal evidently consecrated to Christ. He becomes yet more certain of the saintliness of the hermit when Prokop miraculously transforms into exquisite wine the water which the prince is drinking. Ulrick exclaims, "Such noble wine hast thou in this desert? I have been in many lands, but never have I drank better wine." He then tells Prokop that he will build a monastery on the spot where they are standing. Of this monastery Prokop, in spite of his hesitation, becomes abbot. The legend then gives an account of several other miracles wrought by him. Then "in the year 1054 after the birth of Christ, he was, two days before his death, informed by a divine vision of his approaching end." Before dying Prokop foretells that troubles after his death will befall the monks. Under the reign of Ulrick's successor the prophecy is fulfilled. The Slavonic monks are expelled and Germans take their places. During the first night which the Germans spend in the monastery Prokop's ghost appears to them, warning them to leave instantly; he again, equally without result, repeats his warning on the following day. Then "he shows himself to them on the third night—And shows them his power.—He begins to speak:—'Listen, ye Germans—I have fulfilled my duty (by giving them due warning)—But you heed not my words.—Not for you did I prepare this site—But I founded it for the sons of my own country—Not for you, faithless calumniators—You are infamous Hungarians[12], come from anywhere.—If even the prince has given you this monastery—It will to-day be taken from you.—You would not listen to good words—I will now render your dwelling on the Sazava distasteful to you.—Quick, delay not your journey—Return in haste to Prague.—After he had said this, holding a large stick in his hand—He unmercifully thrashed the Germans with it."... The legend ends with the return of the Bohemian monks to the monastery on the Sazava.
Early Bohemian legends, as already mentioned, are very numerous. Besides those already referred to, the legends of the "tears of St. Mary," the "joys of St. Mary," the "tears of Mary Magdalene," the "legends of St. George and St. Anselm," are among the best. The last-named legend expresses the characteristic opinion that Judas Iscariot was probably a German! Two allegorical poems, of a religious character, entitled The Contest of the Body and the Soul and Truth, are also very ancient.
Though the chronology of early Bohemian literature is hopelessly unreliable, it can, speaking generally, be stated—leaving the manuscripts of Grüneberg and Königinhof out of consideration—that the existent Bohemian writings of a secular character are less ancient than those dealing with entirely religious subjects. Here, too, the earliest writings have the character of poetic works; for the first prose writings belonging to Bohemia were all in Latin.