The doorway on the right in the south aisle next to the entrance to the south arm of the transept leads to the Bishop's Consistory Court (or Langton's Chapter House), which is now a muniment-room.

The small chamber above the south porch is supposed to have been a secret Treasury. It is approached through

the muniment-room, and has been popularly known as the "Lollard's Prison."

The North Aisle is similar to that on the south side. Towards its western end is the entrance door from the north porch.

The north chapel aisle was originally used as three

separate chapels until the divisions between them were removed. The two bays at the west were the chapel of S. Anne; the two next east of this formed the chapel of the Four Virgins, and the last bay was the small chapel of SS. Thomas and Edmund. In the first named of these there may still be seen, in the jambs, the capitals, and the arch-moulds of the north-western window, some of the colour decoration of which so much remained until the nineteenth century. The space in the north wall shows where the aumbry used to be. The small remnants of the division wall at the east are some slight indication of what the design of the arcading on this wall was before it was destroyed. In the next chapel, that of the Four Virgins, there is nothing to show where the aumbry or the piscina was. But on the north 'the position of the arcading on the east dividing wall remains. The chapel of SS. Thomas and Edmund has an arcade on the east wall similar to that in the chapel of S. Clement. The aumbry is on the north and the piscina on the south side of the position which the altar used to occupy.

The Rood-Screen at the entrance to the choir from the nave was erected in 1889, and is a memorial of Archdeacon Walker. It was designed by Mr. T. Garner. At the point where the arms of the cross meet is a figure representing the "Agnus Dei," and at the extremities of the cross are carvings of the four-winged figures of the cherubim.

The Pulpit was designed by Sir Gilbert Scott, and is a memorial of Dean Hook. It is very elaborately carved, and is made of Caen stone and Purbeck marble. The four figures are intended to represent Matthew, Mark, Luke, and John.