Surgery was no less advanced than other branches of the healing art, and Cortés himself had occasion to acknowledge the skill and speed with which they cured wounds. Snake-bites, common enough among a barefooted people, were cured by sucking and scarifying the wound, covering it with a thin transparent pellicle from the maguey-plant. Rubbing with snuff, together with heat, was another treatment, and the coanenepilli and coapatli were also considered antidotes. Fractures were treated with certain herbs and gums, different kinds for different limbs, and bound up with splints; if the healing did not progress satisfactorily the bone was scraped before the operation of resetting. For painful operations of this nature it is possible that narcotics were administered, for at certain of the sacrifices it is related that the victims were sprinkled with yauhtli powder to render them less sensitive to pain. Mendieta states that a stupefying drink was given on similar occasions; and Acosta mentions that oliliuhqui was taken by persons who desired to see visions. This latter was a seed, which was also an ingredient of the teopatli, or divine medicine, composed besides of India-rubber gum, ocotl-resin, tobacco, and sacred water. This medicine could only be obtained from the priests. Blood-letting was much in vogue for various ills, the lancets used being iztli knives, porcupine-quills, or maguey-thorns. Ulli-marked papers were burned by the recovered patient as a thank-offering to the gods. Veterinary surgeons are mentioned by Oviedo as having been employed in the zoölogical gardens of Montezuma.[825]
The medicines, though prepared and applied by the doctors themselves, were not deemed sufficient for the patient; superstitious ceremonies were held to be indispensable to effect a cure, and to enhance the value of professional services. Evil beings and things had to be exorcised, the gods must be invoked, especially the patron deity, known chiefly by the name of Teteionan, who was esteemed the inventor of many valuable specifics, as the ocotl-oil and others, and confessions were extorted to ease the conscience and appease the offended deity. The affected parts were rubbed and pressed amid mutterings and strange gestures, and to work the more upon the simple-minded patient, they pretended to extract a piece of coal, bone, wood, or other object, the supposed cause of the ailment. A favorite treatment in certain prostrating cases was to form a figure of corn dough, which was laid upon a prickly maguey-leaf and placed in the road, with the view of letting the first passer-by carry away the disease—a charitable hope that seems to have afforded much relief to the afflicted. However absurd this jugglery may appear, it no doubt gave a powerful stimulus to the imagination, which must have aided the working of the medicine. In critical cases, chance was often consulted as to the fate of the sufferer. A handful of the largest grains or beans were thrown on the ground, and if any happened to fall upright it was regarded as a sure sign that the patient would die, and he received little or no attention after that; otherwise prescriptions and encouraging words were not spared. Sometimes a number of cord rings were thrown in the same manner, and if they fell in a heap, death was expected to result; but if any fell apart, a change for the better was looked for. To encounter a snake or lizard was held to be a sign of death for the person himself or for his sick friend. Although no curative process, probably, in the case of a serious illness was altogether free from superstitious rites, yet it is surprising that these played so unimportant a rôle. Among a people so addicted on every occasion to complicated ceremonies, the most complicated might naturally be sought in their efforts to combat disease; but it is just here that the least reliance seems to have been placed in supernatural agencies.[826]
FUNERAL RITES OF KINGS.
The Aztecs were very particular about the disposal of their dead, and conducted funeral rites with the pomp that attended all their ceremonials. The obsequies of kings were especially imposing, and their description, embracing as it does nearly all the ceremonies used on such occasions by these nations, will present the most complete view of the proceedings.
PREPARATION FOR FUTURE EXISTENCE.
When the serious condition of the monarch became apparent, a veil[827] was thrown over the face of the patron god, to be removed on his death, and notice was sent to all the friendly princes, the grandees and nobles of the empire, to attend the obsequies; those who were unable to attend in person sent representatives to deliver their condolence and presents. As soon as the king had breathed his last, certain masters of ceremonies, generally old men whose business it was to attend on these occasions, and who were doubtless connected with the priesthood,[828] were summoned to prepare the body for the funeral. The corpse was washed with aromatic water, extracted chiefly from trefoil,[829] and occasionally a process of embalming was resorted to. The bowels were taken out and replaced by aromatic substances, but the method does not seem to have been very complete, and may only have been intended to serve while the body lay in state, for no remains of embalmed mummies have been found. The art was an ancient one, however, dating from the Toltecs as usual, yet generally known and practiced throughout the whole country. A curious mode of preserving bodies was used by the lord of Chalco who captured two Tezcucan princes, and, in order that he might feast his eyes upon their hated forms, had them dried and placed as light-holders in his ball-room.[830] When the invited guests had arrived the body was dressed in many mantles, often to the number of fifteen or twenty, such as the king had worn on the most solemn occasions, and consequently richly embroidered and glittering with jewels.[831] While some were shrouding the body, others cut papers of different colors into strips of various forms, and adorned the corpse therewith. Water was then poured upon its head with these words: "This is the water which thou usedst in this world;"[832] and a jug of water was placed among the shrouds, the priest saying: "This is the water wherewith thou art to perform the journey." More papers were now delivered to the deceased in bunches, the priest explaining the import of each, as he placed it with the body. On delivering the first bunch he said: "With these thou art to pass between two mountains that confront each other." The second bunch, he was told, would pass him safely over a road guarded by a large snake; the third would conduct him by a place held by an alligator, xochitonal; the fourth would protect and aid him in traversing the 'eight deserts;' other papers would facilitate the passage of the 'eight hills,' and still others afford protection against the cutting winds termed itzehecayan, which were so strong as to tear out rocks and cut like very razors; here the wearing-apparel buried with him would also be of great service. A little red dog was thereupon slain by thrusting an arrow down its throat, and the body placed by the side of the deceased, with a cotton string about its neck. The dog was to perform the part of Charon, and carry the king on his back across the deep stream called Chicunahuapan, 'nine waters,'[833] a name which points to the nine heavens of the Mexicans.
It will thus be seen that the dead had a difficult road to travel before reaching their future abode, which was on the fifth day after the burial, and that they needed the articles of comfort and necessity, as food, dresses, and slaves, which affectionate friends provided for their use. The ideas entertained by the Nahuas respecting a future life belong to another department of my work, and will only be alluded to incidentally in this chapter. After the defunct had received his passports, he was covered with a mantle like that of the god which his condition and mode of death rendered appropriate, and decorated with its image. As most kings were warriors, he would be dressed in a mantle of Huitzilopochtli, and would, in addition, wear the mantle of his favorite god.[834] A lock of hair was cut off and placed, with one that had been cut at his birth, as well as small idols, in a casket painted inside and out with the images of the patron deity. The casket used for this purpose in the case of some of the Chichimec kings is described to have been of emerald or other fine stone, three feet square, and covered by a gold lid set with precious stones. A mask either painted, or of gold, or of turquoise mosaic was placed over the face,[835] and a chalchiuite, which was to serve for a heart, between the lips. According to Tezozomoc and Duran a statue was placed with the king, dressed in royal insignia by the hands of princes. The chiefs of the senate redressed it in other robes after painting it blue. It was then honored with addresses and presents, and again undressed, painted black, and arrayed in a robe of Quetzalcoatl; a garland of heron-feathers was placed upon its head, bracelets and jewelry about its body, a small gilded shield by its side, and a stick in the hand. This figure shared the honors given to the body and was burned with it.[836]
ROYAL OBSEQUIES.
The arrayed corpse was either laid upon a litter covered with rich cloths, or seated upon a throne, and watched over by a guard of honor, while princes and courtiers came to pay their last respects.[837] They approached with great manifestations of grief, weeping, lamenting, clapping their hands, bending the body or exhibiting neglect of person, and addressed the defunct, referring to his present happiness, the loss his departure had caused, his goodness and bravery, and begged his acceptance of the presents they had brought. This performance was enacted by all, those of higher rank taking precedence and leaving offerings of ten slaves, a hundred robes, and other things, while others brought gifts of less value. Then came the women, and while they were leaving their presents of food, the aged courtiers intoned the funeral chant, the miccacuicatl. Addresses of condolence were also made to the royal family or the senate. The human sacrifices were inaugurated at this time by the immolation of the sacerdotal slave under whose charge the household idols stood.[838] On the fifth day, before daybreak, a grand procession formed for the temple, preceded by an enormous paper banner, four fathoms in length, and richly adorned with feathers, on which the deeds of the defunct were doubtless inscribed, and attended by priests who wafted incense and chanted his glory, though in mournful strains, and without instrumental accompaniment.[839] The corpse was borne upon the state litter by the most trusted of the noble servitors, while at the sides walked the chief lords and princes dressed in mourning, their attire consisting of long, square mantles of dark color, trailing on the ground, without any ornaments; some, however, were painted with figures of skulls, bones, and skeletons. Behind them came the ambassadors of absent princes, the grandees and nobles from all parts of the country, each carrying some insignia, weapons, or jewels to be offered on the pyre.[840] In the procession were also a large number of slaves, all newly attired in the royal livery,[841] and carrying clothes, implements, and other articles, according to the duties assigned them. On reaching the courtyard of the temple, the priest who directed the burning came to receive the procession, and conducted it to the altar devoted to cremation, all chanting the while a moral song, in which they reminded the mourners that as they were now carrying a senseless body to its last resting-place, so would they be carried; they also reminded them that good deeds alone would remain to keep their remembrance green, and pictured the glories in store for the deserving. These priests were called coacuiles, and their office was held to be of such importance that they prepared for it by fasting and confession. They appeared in the same idol dress as the dead king, though with more elaborate ornaments. We find them on one occasion as demons with faces at different parts of their dress, set with eyes of mirrors and gaping mouths; and at another time with blackened or dyed bodies and paper maxtlis, swinging the yellow sticks used to stir the ashes. According to Ixtlilxochitl, the high-priest of Cihuacoatl, who was supposed to gather the dead, came out to receive the procession.[842]