Another feast of the god of fire was held in the month Yzcalli, the eighteenth month; it was called motlaxquiantota, that is to say 'our father the fire toasts his food.' An image of the god of fire was made, with a frame of hoops and sticks tied together as the basis or model to be covered with his ornaments. On the head of this image was put a shining mask of turquoise mosaic, banded across with rows of green chalchiuites. Upon the mask was put a crown fitting to the head below, wide above, and gorgeous with rich plumage as a flower; a wig of reddish hair was attached to this crown so that the evenly cut locks flowed from below it, behind and around the mask, as if they were natural. A robe of costly feathers covered all the front of the image and fell over the ground before the feet, so light that it shivered and floated with the least breath of air till the variegated feathers glittered and changed color like water. The back of the image seems to have been left unadorned, concealed by a throne on which it was seated, a throne covered with a dried tiger-skin, paws and head complete. Before this statue new fire was produced at midnight by boring rapidly by hand one stick upon another; the spunk or tinder so inflamed was put on the hearth and a fire lit.[IX-39] At break of day came all the boys and youths with game and fish that they had captured on the previous day; walking round the fire, they gave it to certain old men that stood there, who taking it threw it into the flames before the god, giving the youths in return certain tamales that had been made and offered for this purpose by the women. To eat these tamales it was necessary to strip off the maize-leaves in which they had been wrapped and cooked; these leaves were not thrown into the fire, but were all put together and thrown into water. After this all the old men of the ward in which the fire was, drank pulque and sang before the image of Xiuhtecutli till night. This was the tenth day of the month and thus finished that feast, or that part of the feast, which was called vauquitamalqualiztli.

On the twentieth and last day of the month was made another statue of the fire god, with a frame of sticks and hoops as already described. They put on the head of it a mask with a ground of mosaic of little bits of the shell called tapaztli,[IX-40] composed below the mouth of black stones, banded across the nostrils with black stones of another sort, and the cheeks made of a still different stone called tezcapuchtli. As in the previous case there was a crown on this mask, and over all and over the body of the image costly and beautiful decorations of feather-work. Before the throne on which this statue sat there was a fire, and the youths offered game to and received cakes from the old men with various ceremonies; the day being closed with a great drinking of pulque by the old people, though not to the point of intoxication. Thus ended the eighteenth month; and with regard to the two ceremonies just described, Sahagun says, that though not observed in all parts of Mexico, they were observed at least in Tezcuco.

FOURTH YEAR FESTIVAL.

It will be noticed that the festivals of this month have been without human sacrifices; but every fourth year was an exception to this. In such a year on the twentieth and last day of this eighteenth month, being also, according to some, the last day of the year, the five Nemonteni, or unlucky days, being excepted, men and women were slain as images of the god of fire. The women that had to die carried all their apparel and ornaments on their shoulders, and the men did the same. Arrived thus naked where they had to die, men and women alike were decorated to resemble the god of fire; they ascended the cu, walked round the sacrificial stone, and then descended and returned to the place where they were to be kept for the night. Each male victim had a rope tied round the middle of his body which was held by his guards. At midnight the hair of the crown of the head of each was shaven off before the fire and kept for a relic, and the head itself was covered with a mixture of resin and hens' feathers. After this the doomed ones burned or gave away to their keepers their now useless apparel, and as the morning broke they were decorated with papers and led in procession to die, with singing and shouting and dancing. These festivities went on till mid-day, when a priest of the cu, arrayed in the ornaments of the god Paynal, came down, passed before the victims, and then went up again. They were led up after him, captives first and slaves after, in the order they had to die in; they suffered in the usual manner. There was then a grand dance of the lords, led by the king himself; each dancer wearing a high-fronted paper coronet, a kind of false nose of blue paper, ear-rings of turquoise mosaic, or of wood wrought with flowers, a blue curiously flowered jacket, and a mantle. Hanging to the neck of each was the figure of a dog made of paper and painted with flowers; in the right hand was carried a stick shaped like a chopping-knife, the lower half of which was painted red and the upper half white; in the left hand was carried a little paper bag of copal. This dance was begun on the top of the cu and finished by descending and going four times round the court-yard of the cu; after which all entered the palace with the king. This dance took place only once in four years, and none but the king and his lords could take part in it. On this day the ears of all children born during the three preceding years were bored with a bone awl, and the children themselves passed near or through the flames of a fire as already related.[IX-41] There was a further ceremony of taking the children by the head and lifting them up "to make them grow;" and from this the month took its name, Yzcalli meaning 'growth.'[IX-42]

There was generally observed in honor of fire a custom called 'the throwing,' which was that no one ate without first flinging into the fire a scrap of the food. Another common ceremony was in drinking pulque to first spill a little on the edge of the hearth. Also when a person began upon a jar of pulque he emptied out a little into a broad pan and put it beside the fire, whence with another vessel he spilt of it four times upon the edge of the hearth; this was 'the libation or the tasting.'[IX-43]

THE GREAT NEW FIRE FESTIVAL.

The most solemn and important of all the Mexican festivals was that called Toxilmolpilia or Xiuhmolpilli, the 'the binding up of the years.' Every fifty-two years was called a sheaf of years; and it was held for certain that at the end of some sheaf of fifty-two years the motion of the heavenly bodies should cease and the world itself come to an end. As the possible day of destruction drew near all the people cast their household gods of wood and stone into the water, as also the stones used on the hearth for cooking and bruising pepper. They washed thoroughly their houses, and last of all put out all fires. For the lighting of the new fire there was a place set apart, the summit of a mountain called Vixachtlan, or Huixachtla, on the boundary line between the cities of Itztapalapa and Colhuacan, about six miles from the city of Mexico. In the production of this new fire none but priests had any part, and the task fell specially upon those of the ward Copolco. On the last day of the fifty-two years, after the sun had set, all the priests clothed themselves with the dress and insignia of their gods, so as to themselves appear like very gods, and set out in procession for the mountain, walking very slowly, with much gravity and silence, as befitted the occasion and the garb they wore, "walking," as they phrased it, "like gods." The priest of the ward of Copolco, whose office it was to produce the fire, carried the instruments thereof in his hand, trying them from time to time to see that all was right. Then, a little before midnight, the mountain being gained, and a cu which was there builded for that ceremony, they began to watch the heavens and especially the motion of the Pleiades. Now this night always fell so that at midnight these seven stars were in the middle of the sky with respect to the Mexican horizon; and the priests watched them to see them pass the zenith and so give sign of the endurance of the world, for another fifty and two years. That sign was the signal for the production of the new fire, lit as follows. The bravest and finest of the prisoners taken in war was thrown down alive, and a board of very dry wood was put upon his breast; upon this the acting priest at the critical moment bored with another stick, twirling it rapidly between his palms till fire caught. Then instantly the bowels of the captive were laid open, his heart torn out, and it with all the body thrown upon and consumed by a pile of fire. All this time an awful anxiety and suspense held possession of the people at large; for it was said, that if anything happened to prevent the production at the proper time of the new fire, there would be an end of the human race, the night and the darkness would be perpetual, and those terrible and ugly beings the Tzitzimitles[IX-44] would descend to devour all mankind. As the fateful hour approached, the people gathered on the flat house-tops, no one willingly remaining below. All pregnant women, however, were closed into the granaries, their faces being covered with maize-leaves; for it was said that if the new fire could not be produced, these women would turn into fierce animals and devour men and women. Children also had masks of maize-leaf put on their faces, and they were kept awake by cries and pushes, it being believed that if they were allowed to sleep they would become mice.

FEAST OF THE NEW FIRE.

From the crowded house-tops every eye was bent on Vixachtlan. Suddenly a moving speck of light was seen by those nearest, and then a great column of flame shot up against the sky. The new fire! and a great shout of joy went up from all the country round about. The stars moved on in their courses; fifty and two years more at least had the universe to exist. Every one did penance; cutting his ear with a splinter of flint and scattering the blood toward the part where the fire was; even the ears of children in the cradle were so cut. And now from the blazing pile on the mountain, burning brands of pine candle-wood were carried by the swiftest runners toward every quarter of the kingdom. In the city of Mexico, on the temple of Huitzilopochtli, before the altar, there was a fire-place of stone and lime containing much copal; into this a blazing brand was flung by the first runner, and from this place fire was carried to all the houses of the priests, and thence again to all the city. There soon blazed great central fires in every ward, and it was a thing to be seen the multitude of people that came together to get light, and the general rejoicings.

The hearth-fires being thus lit, the inhabitants of every house began to renew their household gods and furniture, and to lay down new mats, and to put on new raiment; they made everything new in sign of the new sheaf of years; they beheaded quails, and burned incense in their court-yard toward the four quarters of the world, and on their hearths. After eating a meal of wild amaranth seed and honey, a fast was ordered, even the drinking of water till noon being forbidden. Then the eating and drinking were renewed, sacrifices of slaves and captives were made, and the great fires renewed. The last solemn festival of the new fire was celebrated in the year 1507, the Spaniards being not then in the land; and through their presence, there was no public ceremony when the next sheaf of years was finished in 1559.[IX-45]