I here close the review of the Aztec gods. Like most of its branches, this great centre of North American mythology rests on natural phenomena and anthropomorphic creations, with an occasional euhemeristic development or apotheosis, but is attended by a worship so sanguinary and monstrous that it stands out an isolated spectacle of the extreme to which fanatical zeal and blind superstition can go. A glance at the Greek and Roman mythology is sufficient to show how much purer was the Nahua conception of divine character. The Nahua gods did not, like those of Greece, play with vice, but rather abhorred it. Tezcatlipoca is the only deity that can be fairly compared with the fitful Zeus of Homer—now moved with extreme passion, now governed by a noble impulse, now swayed by brutal lust, now drawn on by a vein of humor. But the polished Greek, poetic, refined, full of ideas, exulting in his strong, beautiful, immoral gods, and making his art immortal by his sublime representations of them, presents a picture very different from the Aztec, phlegmatic, bloody-minded, ferocious, broken in body and in spirit by the excesses of his worship, overshadowed by countless terrors of the imagination, quaking continually before gods who feast on his flesh and blood. Nevertheless there was one bright spot, set afar off on the horizon, upon which the Aztec might look and hope. Like the Brahmans, the Buddhists, and the Jews, he looked forward to a new era under a great leader, even Quetzalcoatl, who had promised to return from the glowing east, bringing with him all the prosperity, peace, and happiness of his former reign. The Totonacs, also, knew of one in heaven who pleaded unceasingly for them with the great god, and who was ultimately to bring about a gentler era.
WORSHIP IN MICHOACAN.
Worship in Michoacan, though on a smaller scale, was very similar to that in Mexico. The misty form of a Supreme Being that hovers through the latter, here assumes a more distinct outline, however. A First Cause, a Creator of All, a Ruler of the World, who bestows existence, and regulates the seasons, is recognized in the god Tucapacha; an invisible being whose abode is in the heaven above, an inconceivable being whom no image can represent, a merciful being to whom the people may hopefully pray.[X-40] But the very beauty and simplicity of the conception of this god seem to have operated against the popularity of his worship. The people needed a less shadowy personification of their ideas, and this they found in Curicaneri, originally the patron divinity of the Chichimec rulers of the country, and by them exalted over Xaratanga, the former head god of the Tarascos. Brasseur de Bourbourg thinks Curicaneri to be identical with the sun, and gives as his reason that the Chichimecs presented their offerings first to that luminary and then to the inferior deities. There is another point that seems to favor this view. The insignia of Curicaneri and Xaratanga were carried by the priests in the van of the army to inspire courage and confidence of victory. Before setting out on the march a fire was lighted before the idol, and as the incense rose to heaven, the priest addressed the god of fire, imploring him to accept the offering and favor the expedition.[X-41] The image of Curicaneri was profusely adorned with jewels, each one of which represented a human sacrifice made in honor of the god.
The goddess Xaratanga, though second in rank, seems to have occupied the first place in the affections of the Tarascos, in spite of the myth which associates her name with the downfall of the native dynasty, saying that she transformed their princes into snakes, because they appeared drunk at her festivals, and thus afforded the Chichimecs an opportunity to seize the sceptre. The priests did their utmost, besides, to maintain her prestige, and they were successful, as we have seen from the position of the goddess by the side of Curicaneri, in the van of the army.
Among the inferior gods were Manovapa, son of Xaratanga, and Taras, from whom, says Sahagun, the Tarascos took their name, and who corresponded to the Mexican Mixcoatl. The Matlaltzincas worshiped Coltzin, suffocating before his image the few human beings offered to him. They reverenced very highly, also, a great reformer, Surites, a high-priest, who preached morality, and, inspired by a prophetic spirit, is said to have prepared the people for a better faith, which was to come from the direction of the rising sun. The festivals of the Peranscuaro, which corresponded to our Christmas, and the Zitacuarencuaro, or 'resurrection,' were instituted by Surites. These ideas, however, bear traces of having been 'improved' by the padres.
The priests of Michoacan exercised even a greater influence over the people than those of Mexico. In order to retain this power they appealed to the religious side of the people's character by thundering sermons and solemn rites, and to their affections by practicing charity at every opportunity. The king himself, when he paid his annual visit to the high-priest to inaugurate the offering of first-fruits, set an example of humility by kneeling before the pontiff and reverently kissing his hand. The priests of Michoacan formed a distinct class, composed of three orders, at the head of which stood the high priest of Curicaneri.[X-42] Those who served the goddess Xaratanga were called watarecha, and were distinguished by their shaven crowns, long black hair, and tunics bordered with red fringe.[X-43] Marriage was one of their privileges.
The temple-service of Michoacan was much the same as in Mexico. Human sacrifices, which seem to have been introduced at a late period, were probably very numerous, since hundreds of human victims were immolated at the funeral of a monarch. The hearts of the sacrificed were eaten by the priests, says Beaumont, and this is not unlikely since the Otomí population of Michoacan sold flesh in the public market. During seasons of drought the Otomís sought to propitiate the rain gods by sacrificing a virgin on the top of a hill.[X-44]
WORSHIP IN JALISCO.
In Jalisco, several forms of worship appear, each with its special divinities. These were mostly genii of natural features. Thus, the towns about Chapala paid divine honors to the spirit of the lake, who was represented by a misshapen image with a miniature lake before it. The people of other places had idols mounted on rocks, or represented in the act of fighting with a wild animal or monster. In Zentipac and Acaponeta the stars were honored with offerings of the choicest fruit and flowers. Equally innocent were the offerings brought to Piltzinteolli, the 'child god,' whose youthful form was reared in several places. An instance of apotheosis occurred in Nayarit, where the skeleton of a king, enthroned in a cave, received divine honors.