Mosaic Knife—Christy Collection.
MOSAIC WORK.
There are three very remarkable mosaic relics in the Christy collection, one of which is the knife represented in the cut, which I take from Waldeck's fine colored plate, although most of the information respecting these relics comes from Tylor. The blade is of a semi-translucent chalcedony found in the volcanic regions of Mexico. The uncolored cut gives but a faint idea of the beauty of the handle, which is covered with a complicated mosaic work of a bright green turquoise, malachite, and both white and red shell. It is certainly most extraordinary to find a people still in the stone age, as is proved by the blade, able to execute so perfect a piece of work as the handle exhibits. Two masks of the same style of workmanship are preserved in the same collection. "The mask of wood is covered with minute pieces of turquoise—cut and polished, accurately fitted, many thousands in number, and set on a dark gum or cement. The eyes, however, are acute-oval patches of mother-of-pearl; and there are two small square patches of the same on the temples, through which a string passed to suspend the mask; and the teeth are of hard white shell. The eyes are perforated, and so are the nostrils, and the upper and lower teeth are separated by a transverse chink.... The face, which is well-proportioned, pleasing, and of great symmetry, is studded also with numerous projecting pieces of turquoise, rounded and polished." The wood is the fragrant cedar or cypress of Mexico. The knife handle is "sculptured in the form of a crouching human figure, covered with the skin of an eagle, and presenting the well-known and distinctive Aztec type of the human head issuing from the mouth of an animal." "The second mask is yet more distinctive. The incrustation of turquoise-mosaic is placed on the forehead, face, and jaws of a human skull.... The mosaic of turquoise is interrupted by three broad transverse bands, on the forehead, face, and chin, of a mosaic of obsidian similarly cut (but in larger pieces) and highly polished,—a very unusual treatment of this difficult and intractable material, the use of which in any artistic way, appears to have been confined to the Aztecs (with the exception, perhaps, of the Egyptians). The eye-balls are nodules of iron-pyrites, cut hemispherically and highly polished, and are surrounded by circles of hard white shell, similar to that forming the teeth of the wooden mask. The Aztecs made their mirrors of iron-pyrites polished, and are the only people who are known to have put this material to ornamental use." These mosaic relics, and two similar but damaged masks at Copenhagen, are probably American, if not Aztec; but this cannot be directly proved; for while something is known of their European history, their origin cannot be definitely ascertained.[IX-115]
Image of Huitzilopochtli.
THE AZTEC HUITZILOPOCHTLI.
The image shown in the following cut is given by Sr Gondra as representing the Aztec deity Huitzilopochtli, although he gives no reason for the opinion; nor does he name the material, or dimensions of the relic. Sr Chavero also speaks of several images of the same god, in his possession or seen by him. They are of sandstone, granite, marble, quartz, and one of solid gold. Several had a well-defined beard.[IX-116] Gondra gives plates of many weapons, implements of sculpture and sacrifice, funeral urns, and musical instruments. The macana, an Aztec aboriginal weapon, shown in the cut, is copied from one of his plates. The material is probably a basaltic stone.[IX-117]