Alligator's Head at Copan.
Copan Portrait.
GENERAL CONCLUSIONS.
Most of the general reflections and speculations on Copan indulged in by observers and students refer to other ruined cities in connection with this, and will be noted in a future chapter. It is to be remarked that besides pyramids and terraced walls, no traces whatever of buildings, public or private, remain to guide us in determining the material or style of architecture affected by the former people of this region. The absence of all traces of private dwellings we shall find universal throughout America, such structures having evidently been constructed of perishable materials; but among the more notable ruins of the Pacific States, Copan stands almost alone in its total lack of covered edifices. There would seem to be much reason for the belief that here grand temples of wood once covered these mighty mounds, which, decaying, have left no trace of their former grandeur.
Col. Galindo states that the method of forming a roof here was by means of large inclined stones. If this be a fact, it must have been ascertained from the sepulchral vault in the temple court, concerning the construction of which both he and Stephens are silent. The top of the gallery leading through the river-wall would indicate a method of construction by means of over-lapping blocks, which we shall find employed exclusively in Yucatan and Chiapas. No article of any metal whatever has been found; yet as only one burial deposit has been opened, it is by no means certain that gold or copper ornaments were not employed. That iron and steel were not used for cutting implements, is clearly proved by the fact that hard flinty spots in the soft stone of the statues are left uncut, in some instances where they interfere with the details of the sculpture. Indeed, the chay-stone points found among the ruins are sufficiently hard to work the soft material, and although in some cases they seem to have required the use of metal in their own making, yet when we consider the well-known skill of even the most savage tribes in the manufacture of flint weapons and implements, the difficulty becomes of little weight. How the immense blocks of stone of which the obelisks were formed, were transported from the quarry, several miles distant, without the mechanical aids that would not be likely to exist prior to the use of iron, can only be conjectured.
The absence of all implements of a warlike nature, extending even to the sculptured decorations of idol and altar, would seem to indicate a population quiet and peaceable rather than warlike and aggressive; for though it has been suggested that implements of war are not found here simply because it is a place sacred to religion, yet it does not appear that any ancient people has ever drawn so closely the line between the gods of war and the other divinities of the pantheon.[III-29]
Of the great artistic merit of the sculpture, particularly if executed without tools of metal, there can be no question. Mr Stephens, well qualified by personal observation to make the comparison, pronounces some of the specimens "equal to the finest Egyptian sculpture."[III-30] Mr Foster believes the flattened forehead of the human profile on the altar-sides to indicate a similar cranial conformation in the builders of the city.[III-31]
With respect to the hieroglyphics all that can be said is mere conjecture, since no living person even claims the ability to decipher their meaning. They have nothing in common with the Aztec picture-writing, which, consequently, affords no aid in their study. The characters do, however, appear similar to, if not identical with, some of those found at Palenque, in Yucatan, in the Dresden Codex, and in the Manuscript Troano. When the disciples of Brasseur de Bourbourg shall succeed in realizing his expectations respecting the latter document, by means of the Landa alphabet, we may expect the mystery to be partially lifted from Copan. It is hard to resist the belief that these tablets hold locked up in their mystic characters the history of the ruined city and its people, or the hope that the key to their significance may yet be brought to light; still, in the absence of a contemporary written language, the hope must be allowed to rest on a very unsubstantial basis.[III-32]