Arch at Uxmal.
Immediately eastward of the Casa de Monjas are several ruined structures shown in the plan, standing on terraces somewhat lower than those last mentioned. Only one of these, and which one of the four or five shown on the plan is not stated, has been more than mentioned by any visitor. This one exception is the House of Birds. A portion of its front is shown in the preceding cut, which sufficiently explains the origin of the appellation. The interior is remarkable for containing two rooms which are larger than any others at Uxmal, measuring fourteen by fifty-two feet, and about twenty feet in height. One of these apartments has well-preserved traces of the paint which formerly covered walls and ceiling; and the other has an arch which differs somewhat from all others in this ancient city. Its peculiarity is that the overlapping blocks of stone, instead of lying horizontally as in other cases, are slightly inclined, as is shown in the cut, forming a nearer approach to the principle of the true arch with a key-stone than has been found elsewhere in Yucatan. It will also be noticed in the cut that the blocks, instead of being all in regular cubical form, are some of them cut elbow-shaped. This is a feature, which, if it exists in other buildings, has not been particularly noticed.[V-48]
UXMAL—CASA DEL ADIVINO.
Still further eastward are the pyramid and building at D, on the plan, which have been called the Casa del Adivino, or Prophet's House; the Casa del Enano, or Dwarf's House; Tolokh-eis, or Holy Mountain, and Kingsborough's Pyramid; the first three names originating from traditions among the natives respecting the former occupants of the buildings: the latter having been applied by M. Waldeck in honor of the Irish lord who aided in his explorations. Connecting the Casa del Adivino with the Nunnery are lines of low mounds, or terraces, possibly occupied in former times by buildings, forming a courtyard which measures eighty-five by one hundred and thirty-five feet, and in the centre of which, at z, is the usual rude column, or picote.
The supporting mound, or pyramid, in this case, from a base of one hundred and fifty-five by two hundred and thirty-five feet, rounded at the corners so as to form an oval rather than a rectangular figure,[V-49] rises with very steep sides to a height of eighty-eight feet, forming at the summit a platform twenty-two by eighty-two feet. The surface of this pyramid is faced with blocks of hewn stone laid in mortar. The interior is presumably of rough stones in mortar, although little or nothing is said on this point.[V-50] Excavations prove that the structure is solid without interior galleries. The surface blocks are cubical, about two feet in dimensions at the base, if we may trust M. Waldeck's drawing, but diminishing toward the top. They are not laid so as to break joints, yet so solid is the structure that the powerful leverage of growing roots has caused comparatively little damage. The eastern front is shown on the following page. A stairway one hundred and two feet on the slope, seventy feet wide at the base, but narrowing toward the summit, composed of ninety steps, each step being about a foot high and five or six inches wide, leads up this side. The slope of this stairway is so steep, being inclined at an angle of about eighty degrees, that visitors have found it very difficult to ascend and descend. Padre Cogolludo was the first to complain of the steep grade. He says: 'I once did go up that of Uxumual, and when I would come down, I did repent me; because so narrow are the steps, and so many in number, that the edifice goes up exceeding straight, and being of no small height, the head swims, and there is even some peril in its descent.'[V-51]
Casa del Adivino at Uxmal.
In the centre of the western slope of the Prophets Pyramid, toward the Nunnery, are certain structures, which M. Waldeck represents as projecting portions of the pyramid, or piers, the lower one forming a platform fifteen by forty feet, sixty feet up the slope; and the upper rising from this platform and forming a second, twenty by twenty-five feet, continuous with the main summit platform of the pyramid. The upper projection, or pier, has since proved to be a distinct building, with richly sculptured front,[V-52] one central door, and two plain rooms in the interior; the outer one seven by fifteen feet, and nineteen feet high; the inner, four by twelve feet, and eleven feet high. The lower pier may have been a similar structure, but it is completely in ruins below the central platform, except a few slight traces of rooms near the base. Mr Stephens is disposed to believe that a broad staircase of peculiar construction, supported by a triangular arch-like stairways that will be mentioned later in a few instances in connection with other Yucatan ruins—originally led up to the front of the building on the slope; otherwise it is difficult to imagine by what means these apartments could have been reached. The stones of these projecting portions are longer than elsewhere, and laid so as to break joints. On the summit platform stands a small building, twelve feet wide, seventy-two feet long, and about sixteen feet high, leaving a promenade five feet wide at its base. This building presents no feature with which the reader is not already perfectly familiar, except that it contains only one range of rooms, having no dividing interior wall. The interior is divided into three rooms, which do not communicate with each other, and are not plastered. The central room is seven by twenty-four feet, and its door is on the west, just opposite the platform formed by the projecting pier. The end rooms are seven by nineteen feet, and open on the promenade at either side of the eastern stairway.[V-53]
Cut on the interior walls of the end rooms, seventy-two circular figures, two or three inches in diameter, have been observed. M. Waldeck, as usual, has a theory respecting these circles, or rather he has two in case one should prove unsatisfactory. He thinks they may have been made by prisoners to kill time, or they may have been a record of sacrifices consummated in this cu. The sculptured decorations of the exterior walls are described as elegant but simple. We have here the back-ground of ornamental lattice-work, and besides this the prominent feature is four full-length human figures standing on the west front, two on each side of the doorway, and overlooking the courtyard of the Casa de Monjas. They are the figures of males, and are naked, except a sort of helmet on the head, a scarf round the shoulders, and a belt round the waist. The arms are crossed high on the breast, and each hand holds something resembling a hammer. The genital organs are represented in their proper proportions, and were evidently intended by the sculptor as the prominent feature of the statues. All four had fallen from their places, even at the time of M. Waldeck's visit, but this explorer by careful search collected sufficient fragments of the four, which are precisely alike, to reconstruct one. He intended to bring these fragments away with him, but his intentions being thwarted by the emissaries of the Mexican government, he buried the statue in a locality only known to himself.[V-54] It remains to be stated that the decorations of this Prophet's House, like that of the Nunnery, were originally painted in bright colors. Blue, red, yellow, and white, were found by M. Waldeck on the least exposed portions. There can be but little doubt that this pyramid was a temple where the sacrifices described in a preceding volume were celebrated. It has been customary with many writers to speak of it, as of all similar structures in America, as a Teocalli, the name of such temples in Anáhuac; but thus to apply an Aztec name to monuments in regions inhabited by people whose relation to the Aztecs or their ancestors is yet far from proved, is at least injudicious, since it tends to cause confusion when we come to consider the subject of aboriginal history.[V-55]