Painted Boat in the Gymnasium.
CHICHEN—THE GYMNASIUM.
The building at A of the plan is called by the natives the Iglesia, by Norman the Temple, by Charnay the Cirque, and by Stephens the Gymnasium. The latter names were applied from the supposition that the structure served for a peculiar game of ball to which the Aztec kings, at least, if not the Mayas, were much addicted. Landa seems, however, entitled to the honor of having invented this theory, since he speaks of buildings in this part of Chichen devoted to amusements.[V-77] This structure is very similar to the one marked H on the plan of Uxmal. It consists of two parallel walls, thirty by two hundred and seventy-four feet, twenty-six feet high, and one hundred and twenty feet apart. The inner walls facing each other present a plain undecorated surface, but in the centre of each, about twenty feet from the ground, is fixed by means of a tenon, a stone ring four feet in diameter and thirteen inches thick, with a hole nineteen inches in diameter through the centre, surrounded by two sculptured serpents intertwined as in the following cut. M. Charnay found only one of these rings in place at the time of his visit. The south end of the eastern wall served as a base to superimposed buildings or ranges of apartments erected on it after the manner of all the Yucatan structures of more than one story. The upper range has a part of its exterior wall still standing, covered with sculpture, which includes, among other devices, a procession of tigers or lynxes. In the interior, massive sculptured pillars and door-posts, with carved zapote lintels appear, but what seemed to Mr Stephens "the greatest gem of aboriginal art which on the whole Continent of America now survives," was the series of paintings in bright colors which cover the wall and ceiling of one of the chambers. The paintings are so much damaged and the plaster so scratched and fallen, that the connection of the whole cannot be made out, but detached subjects were copied, one of which is the boat represented in the cut, inserted here because of the rarity of all species of watercraft in our surviving relics of aboriginal decoration. The other paintings represent human figures in various postures and occupations, battles, processions, houses, trees, and other objects. Blue, red, yellow, and green are the colors employed, all the human figures moreover being tinted a reddish brown. It is, however, the supposed resemblance of these figures to some of the Aztec sculpture and picture-writings that gave this room and the one below it in the same building their great importance in Mr. Stephens' eyes. We shall be better qualified to appreciate this resemblance after our study of Mexican antiquities in a future chapter. The lower room referred to has its inner surface exposed to the open air, the outer wall having fallen. It is covered with figures sculptured in bas-relief, also originally painted, of which a specimen is shown in the cut, consisting of human forms, each with plumed head-dress, and bearing in his hand what seems to be a bunch of spears or arrows, marching in a procession, or as the natives say, engaged in a dance. One hundred feet from the northern and southern ends of the parallel walls, and very probably connected with them in the uses to which they were by their builders applied, are the two small buildings at c and d of the plan. The southern building is eighty-one feet long, the northern only thirty-five, containing a single apartment. Both are much ruined, but each presents the remains of two sculptured columns, and one of them has carvings on the walls and ceilings of its chamber besides. A horizontal row of circular holes in the exterior walls are conjectured by M. Viollet-le-Duc to have held timbers which supported a kind of outer balcony or sun-shade.[V-78]
Sculptured Design in the Gymnasium.
Red House at Chichen.