We shall meet the Erinnyes of Clytaemnestra in a somewhat similar rôle in the Iphigenia in Tauris. But in that play the Erinnyes are not united in their conception of Orestes as they are here. Those Erinnyes who refuse to accept the ‘acquittal’ of Orestes by the Areopagus continue to pursue him to the Tauric Chersonese. When Orestes sees them he cries out[128]:
Dost thou behold her, Pylades,
Dost thou not see this dragon fierce from hell—
Rushing to kill me, and against me rousing
Her horrid vipers? See this other here
Emitting fire and slaughter from her vests,
Sails on her wings, my mother in her arms
Bearing, to hurl this mass of rock upon me!
Ah, she will kill me! Whither shall I fly?
The important thing to remember about the Euripidean Erinnyes is that they are real goddesses, not mental fictions. The Furies of the ‘Argive Scene’ are the Furies who pursue the criminal convicted of wilful matricide. For him there is no cleansing. To him no land can offer the shelter of its protection. ‘Alone, he has arrayed against him the universe.’[129] Sooner or later he will be put to death and will be delivered into the hands of the Erinnyes. But in the Attic legend Orestes is not a wilful matricide. Hence the Erinnyes of the Iphigenia drama are not so implacable as the Erinnyes of the Orestes. They are placated by the simple device of transferring an image of Artemis from the Tauric land to Athens!