Yet the chief impression was not of our connection with the earth so far below, its rivers and its seas, but rather of detachment from it. We seemed alone upon a dead world, as dead as the mountains on the moon. Only once before can the writer remember a similar feeling of being neither in the world nor of the world, and that was at the bottom of the Grand Cañon of the Colorado, in Arizona, its savage granite walls as dead as this savage peak of ice.
The Dark Sky
Above us the sky took a blue so deep that none of us had ever gazed upon a midday sky like it before. It was a deep, rich, lustrous, transparent blue, as dark as a Prussian blue, but intensely blue; a hue so strange, so increasingly impressive, that to one at least it “seemed like special news of God,” as a new poet sings. We first noticed the darkening tint of the upper sky in the Grand Basin, and it deepened as we rose. Tyndall observed and discussed this phenomenon in the Alps, but it seems scarcely to have been mentioned since.
It is difficult to describe at all the scene which the top of the mountain presented, and impossible to describe it adequately. One was not occupied with the thought of description but wholly possessed with the breadth and glory of it, with its sheer, amazing immensity and scope. Only once, perhaps, in any lifetime is such vision granted, certainly never before had been vouchsafed to any of us. Not often in the summer-time does Denali completely unveil himself and dismiss the clouds from all the earth beneath. Yet we could not linger, unique though the occasion, dearly bought our privilege; the miserable limitations of the flesh gave us continual warning to depart; we grew colder and still more wretchedly cold. The thermometer stood at 7° in the full sunshine, and the north wind was keener than ever. My fingers were so cold that I would not venture to withdraw them from the mittens to change the film in the camera, and the other men were in like case; indeed, our hands were by this time so numb as to make it almost impossible to operate a camera at all. A number of photographs had been taken, though not half we should have liked to take, but it is probable that, however many more exposures had been made, they would have been little better than those we got. Our top-of-the-mountain photography was a great disappointment. One thing we learned: exposures at such altitude should be longer than those below, perhaps owing to the darkness of the sky.
Robert Tatum raising the Stars and Stripes on the highest point in North America.
This photograph was exposed upon a previous exposure.
The Stars and Stripes
When the mercurial barometer had been read the tent was thrown down and abandoned, the first of the series of abandonments that marked our descent from the mountain. The tent-pole was used for a moment as a flagstaff while Tatum hoisted a little United States flag he had patiently and skilfully constructed in our camps below out of two silk handkerchiefs and the cover of a sewing-bag. Then the pole was put to its permanent use. It had already been carved with a suitable inscription, and now a transverse piece, already prepared and fitted, was lashed securely to it and it was planted on one of the little snow turrets of the summit—the sign of our redemption, high above North America. Only some peaks in the Andes and some peaks in the Himalayas rise above it in all the world. It was of light, dry birch and, though six feet in length, so slender that we think it may weather many a gale. And Walter thrust it into the snow so firmly at a blow that it could not be withdrawn again. Then we gathered about it and said the Te Deum.