Glue is used instead of gelatine in all cases where colour is not a matter of much moment. The fact that it has not been bleached makes no difference to its suitability in such a case, and the cost is substantially reduced. Thus, for dark-coloured straw hats, textiles, sweets, papers, and in all suitable woolwork, glue is used in place of the more expensive article.
A very large quantity of glue is used in the manufacture of matches, where it functions as the material binding the "head" to the stem. A 15-50 per cent. sol is used, containing nitrate or chlorate of potash as oxidizing agent. The mixture is kept at 38° C. and the phosphorus cautiously added, and when this is emulsified, the friction ingredients (sand, glass, etc.) are also added. The glue acts also in preventing premature oxidation. Glue is also used in making the match-boxes, and similarly in making sand, emery, and glass papers and cloths.
There is a large consumption of glue by joiners, carpenters, cabinet-makers, and all kinds of woodwork and fancy work. It is used in the manufacture of furniture of all kinds, of pianos, organs, billiard tables, panels, picture frames, and of toys and brushes. Mixed with white lead, chalk, and sawdust, it forms a composition used for mirror frames, rosettes, etc. Glue is used for veneering, for mosaics, plaques, trays, fingerplates, leather wall coverings, and for staining floors.
There is also a considerable sale for glue in bookbinding, for which a sweet, light-coloured, and strong product is required. It has been found particularly suitable for leather bindings where the grain has been artificially printed or embossed (see pp. [97] and [117]), and in finishing and gilding.
The compositions used for printing rollers all contain gelatine or glue together with sugar or glycerin and possibly oil and soap. They are often hardened with formalin. Similar mixtures are used for the beds of hectographs.
Glue (together with waste leather) is used in the manufacture of imitation leather and leather substitutes. Cotton and wool fibres are often incorporated, and sometimes textile fabrics.
Much glue is converted into "size," which is a weak gel used as a filling rather than as an adhesive agent. A low-grade glue is often therefore preferred for such purposes, as having "body" rather than "strength." Size is often sold in cake, but sometimes in the form of the gel itself, in which case it may never have been evaporated. Indeed, size is often overboiled glue, made by crude and out-of-date methods. It is largely used in the paper trade, and for wallpapers, millboards, papier-mache, paper and cardboard boxes, etc. Mixed with logwood and iron, and possibly alum, it formed the "blue size" once largely used by bootmakers as a foundation for blacking, and is similarly used in currying (p. [82]). Size is also used in making oil paints and varnishes. Distemper is a size with which is incorporated whiting or gypsum and coloured pigments. In all applications of size, it is common to use antiseptics. Salicylic acid has been widely used in this sense. Low-grade glue is used for the manufacture of cheap brushes and for fly-papers.
Innumerable patents have been taken out and mixtures invented for the production of plastic materials, which frequently involve gelatine or glue. Thus, gelatine and glue are used in making plaster casts, and for imitation ivory, wood, stone, and rubber. Many of these inventions have been investigated by Rideal, who points out the features common to most of them. Usually a viscous sol is thickened by the addition of inert fibres and powders, and with the object of making the preparation more waterproof it is customary to incorporate oils, fats, waxes, tars, and resins before the gel is set. The surface is hardened by "tanning" with formalin or tannin solution, finally painted or varnished.
Equally innumerable are the inventions, recipes, and patents for making glues that shall remain liquid. The convenience of this ideal is obvious, but many of the suggestions are useless. It is quite easy to incorporate into a gel substances which keep it liquid—any soluble substances with a lyotrope influence of the iodide type will do this—but these also prevent the glue setting when used. Even in small quantity they will influence the tenacity of the joint. Other methods depend upon a partial hydrolysis of the protein. Amongst the most successful of these attempts are to dissolve 3 parts of glue either in 12-15 parts saccharate of lime, or in 9 parts of 33 per cent. acetic acid.
Many special glues and cements are made from commercial glue, according to the purpose required. "Marine glue" contains no glue; it is made from shellac and rubber mixed with benzene or naphtha. Its advantage is waterproofness.