The sceptic seeks the tyrant's dome.

And bends the ready knee.

But oh! in dark oppression's day.

When flares the torch, when flames the sword.

Who are the brave in freedom's cause?

The men who fear the Lord."[14]

"Now, ladies and gentlemen," continued the critic, "this is very bad poetry. I defy any elocutionist to read it satisfactorily with the inflexes. And, besides, only see how full it is of tautology. Let us take but one of the verses:—'He fell—he died!' To fall in battle means, as we all know, to die in battle;—to die in battle is exactly the same thing as to fall in battle. To say 'he fell—he died,' is therefore just tantamount to saying that he fell, he fell, or that he died, he died, and is bad poetry, and tautology. And this is one of the effects of ignorance, and a want of right education." Here, however, a low grumbling sound, gradually shaping itself into words, interrupted the lecturer. There was a worthy old captain among the audience, who had not given himself very much to the study of elocution or the belles-lettres; he had been too much occupied in his younger days in dealing at close quarters with the French under Howe and Nelson, to leave him much time for the niceties of recitation or criticism. But the brave old man bore a genial, generous heart; and the strictures of the elocutionist, emitted, as all saw, in the presence of the assailed author, jarred on his feelings. "It was not gentlemanly," he said, "to attack in that way an inoffensive man: it was wrong. The poems were, he was told, very good poems. He knew good judges that thought so; and unprovoked remarks on them, such as those of the lecturer, ought not to be permitted." The lecturer replied, and in glibness and fluency would have been greatly an overmatch for the worthy captain; but a storm of hisses backed the old veteran, and the critic gave way. As his remarks were, he said, not to the taste of the audience—though he was taking only the ordinary critical liberty—he would go on to the readings. And with a few extracts, read without note or comment, the entertainment of the evening concluded. There was nothing very formidable in the critique of Walsh; but, having no great powers of face, I felt it rather unpleasant to be stared at in my quiet corner by every one in the room, and looked, I daresay, very much put out; and the sympathy and condolence of such of my townsfolk as comforted me in the state of supposed annihilation and nothingness to which his criticism had reduced me, were just a little annoying. Poor Walsh, however, had he but known what threatened him, would have been considerably less at ease than his victim.

The cousin Walter introduced to the reader in an early chapter as the companion of one of my Highland journeys, had grown up into a handsome and very powerful young man. One might have guessed his stature at about five feet ten or so, but it in reality somewhat exceeded six feet: he had amazing length and strength of arm; and such was his structure of bone, that, as he tucked up his sleeve to send a bowl along the town links, or to fling the hammer or throw the stone, the knobbed protuberances of the wrist, with the sinews rising sharp over them, reminded one rather of the framework of a horse's leg, than of that of a human arm. And Walter, though a fine, sweet-tempered fellow, had shown, oftener than once or twice, that he could make a very formidable use of his great strength. Some of the later instances had been rather interesting in their kind. There had been a large Dutch transport, laden with troops, forced by stress of weather into the bay shortly before, and a handsome young soldier of the party—a native of Northern Germany, named Wolf—had, I know not how, scraped acquaintance with Walter. Wolf, who, like many of his country-folk, was a great reader, and intimately acquainted, through German translations, with the Waverley Novels, had taken all his ideas of Scotland and its people from the descriptions of Scott; and in Walter, as handsome as he was robust, he found the beau-idéal of a Scottish hero. He was a man cast in exactly the model of the Harry Bertrams, Halbert Glendinnings, and Quentin Durwards of the novelist. For the short time the vessel lay in the harbour, Wolf and Walter were inseparable. Walter knew a little, mainly at second hand, through his cousin, about the heroes of Scott; and Wolf delighted to converse with him in his broken English about Balfour of Burley, Rob Roy, and Vich Ian Vohr: and ever and anon would he urge him to exhibit before him some feat of strength or agility—a call to which Walter was never slow to respond. There was a serjeant among the troops—a Dutchman, regarded as their strongest man, who used to pride himself much on his prowess; and who, on hearing Wolf's description of Walter, expressed a wish to be introduced to him. Wolf soon found the means of gratifying the serjeant. The strong Dutchman stretched out his hand, and, on getting hold of Walter's, grasped it very hard. Walter saw his design, and returned the grasp with such overmastering firmness, that the hand became powerless within his. "Ah!" exclaimed the Dutchman, in his broken English, shaking his fingers, and blowing upon them, "me no try squeeze hand with you again; you very very strong man." Wolf for a minute after stood laughing and clapping his hands, as if the victory were his, not Walter's. When at length the day arrived on which the transport was to sail, the two friends seemed as unwilling to part as if they had been attached for years. Walter presented Wolf with a favourite snuff-box; Wolf gave Walter his fine German pipe.