My Schools and Schoolmasters; Or, The Story of My Education

by Hugh Miller

Which oft they doubted sad, or gay believed.

At length, when deeper, darker, wax'd the gloom,

Hopeless they grieved; but 'twas in vain they grieved:

If God be truth, 'tis sure no voice of doom,

That bids the accepted soul its robes of joy assume."

I had been sent, previous to my father's death, to a dame's school, where I was taught to pronounce my letters to such effect in the old Scottish mode, that still, when I attempt spelling a word aloud, which is not often,—for I find the process a perilous one,—the aa's and ee's, and uh's and vaus, return upon me and I have to translate them with no little hesitation as I go along, into the more modish sounds. A knowledge of the letters themselves I had already acquired by studying the signposts of the place,—rare works of art, that excited my utmost admiration, with jugs, and glasses, and bottles, and ships, and loaves of bread upon them; all of which could, as the artists had intended, be actually recognised. During my sixth year I spelt my way, under the dame, through the Shorter Catechism, the Proverbs, and the New Testament, and then entered upon her highest form, as a member of the Bible class; but all the while the process of acquiring learning had been a dark one, which I slowly mastered, in humble confidence in the awful wisdom of the schoolmistress, not knowing whither it tended, when at once my mind awoke to the meaning of that most delightful of all narratives,—the story of Joseph. Was there ever such a discovery made before! I actually found out for myself, that the art of reading is the art of finding stories in books, and from that moment reading became one of the most delightful of my amusements. I began by getting into a corner at the dismissal of the school, and there conning over to myself the new-found story of Joseph; nor did one perusal serve; the other Scripture stories followed,—in especial, the story of Samson and the Philistines, of David and Goliath, of the prophets Elijah and Elisha; and after these came the New Testament stories and parables. Assisted by my uncles, I began to collect a library in a box of birch-bark about nine inches square, which I found quite large enough to contain a great many immortal works,—Jack the Giant-Killer, and Jack and the Bean-Stalk, and the Yellow Dwarf, and Blue Beard, and Sinbad the Sailor, and Beauty and the Beast, and Aladdin and the Wonderful Lamp, with several others of resembling character. Those intolerable nuisances the useful-knowledge books had not yet arisen, like tenebrious stars, on the educational horizon, to darken the world, and shed their blighting influence on the opening intellect of the "youth-hood;" and so, from my rudimental books—books that made themselves truly such by their thorough assimilation with the rudimental mind—I passed on, without being conscious of break or line of division, to books on which the learned are content to write commentaries and dissertations, but which I found to be quite as nice children's books as any of the others. Old Homer wrote admirably for little folk, especially in the Odyssey; a copy of which,—in the only true translation extant,—for, judging from its surpassing interest, and the wrath of critics, such I hold that of Pope to be,—I found in the house of a neighbour. Next came the Iliad; not, however, in a complete copy, but represented by four of the six volumes of Bernard Lintot. With what power, and at how early an age, true genius impresses! I saw, even at this immature period, that no other writer could cast a javelin with half the force of Homer. The missiles went whizzing athwart his pages; and I could see the momentary gleam of the steel, ere it buried itself deep in brass and bull-hide. I next succeeded in discovering for myself a child's book, of not less interest than even the Iliad, which might, I was told, be read on Sabbaths, in a magnificent old edition of the "Pilgrim's Progress," printed on coarse whity-brown paper, and charged with numerous woodcuts, each of which occupied an entire page, that, on principles of economy, bore letter-press on the other side. And such delightful prints as these were! It must have been some such volume that sat for its portrait to Wordsworth, and which he so exquisitely describes as

"Profuse in garniture of wooden cuts,

Strange and uncouth; dire faces, figures dire,

Sharp-knee'd, sharp elbow'd, and lean-ankled too,

With long and ghastly shanks,—forms which, once seen,