The select music of splendid bands now announced the movements of guests towards the grand banquet room. In pairs they enter, and singular; the short procession is now at an end, and the places are filled up with the scanty number of twoscore guests, male and female.
You would have supposed, from the preparation, that the inhabitants of the entire city were invited; but no, the exact number was forty, besides the members of the rich man's family. And this happened not by accident, or because of the penury or avarice of Mr. Goldrich, but because in the whole city there were no more than twenty families who ranked in the sphere of the "upper ten" in which "mine host" moved. These shining figures, that you can scarcely look at without risk to your eyes from their jewelry, are the ladies who leave us in doubt which they love most to exhibit—their charms, or the richness of their ornaments. Among that bright array of female beauty there is missed the fair form of one who was, heretofore, an ordinary occupant of an honorable place at the family table. It was the chair of the rosy-cheeked Alia that was unoccupied at this splendid circle. The presiding queen of the feast, Madam Goldrich, apologized for the absence of "poor Alia," by representing her indisposed; and at the announcement of this dispiriting intelligence, disappointment marked the countenances of the guests, for Alia was the brightest star that shone in that brilliant galaxy of fashion.
Being the oldest among the children of Mr. Goldrich, Alia possessed all that graceful and dignified superiority over those whom she regarded as her younger sisters, which are the acknowledged privileges of age in every well-regulated family, and which her superior talent seemed naturally to enforce.
Years rolled on, and the dear child lived in blissful ignorance of her origin and desolate condition, till the jealousy of her younger sisters excited her suspicions, and she began to mistrust the genuineness, as she felt the coldness, of that parental affection which the pretended authors of her existence so long counterfeited. During many months, if not years, these suspicions preyed on the poor girl's mind; and though she never dared to mention them to any save old Judy, the negro woman, she felt satisfied that her sisters and herself could not belong to the same stock or the same race. The transparent delicacy of her complexion, the rosy tint on her cheek, unrivalled by the costly paint of her sisters, the shining blackness of her splendid hair,—all these circumstances pointed her out and proclaimed her as of a different race to those whom she hitherto regarded as her kindred. Long had she mused on the cause of this disparity, and much had she suffered, in the depth of her soul, from the representations and suggestions of her active imagination in reference to her origin, and many were the tears shed by her while oppressed with these doubts. But the events of this day, added to the late insolent conduct of her sisters, which provoked the reprimand of her peevish mother guardian, who told her to curb her "Irish temper,"—these cleared up all her doubts; and, filled with a melancholy joy at a revelation she owed to the jealousy and vanity of a proud mother and her daughters, Alia retired to her room to give vent to her feelings in sobs and tears.
"Thank God," she cried, "I know what I am, or ought to be. Thank God I am Irish, too, for I often wished I belonged to that much-abused and persecuted people. But O, where shall I find my parents? or how came my lot to be cast in this proud palace, which, alas! I too long regarded as my home? O, who, who will restore this poor 'exile of Erin,' to the home of her unknown parents? How gladly would I exchange all the splendor of this place for the homeliest cot in that land of the shamrock and the cross; ay, the poorest 'cabin, fast by the wild-wood,' in the land of St. Patrick, and my unknown ancestors."
Such were the soliloquies of poor, despised Alia, in her room on the third floor, where old aunt Judy, the negro, having missed her favorite from the grand company, after having sought her in vain in the lower saloons of the house, just entered her room.
"Dere, now, Miss Ali', am poor aunt Judy half kilt from sarching for you all over. What make you be here, and all the gran' gem'men asking for you?"
"Ah, aunt Judy, why have you all along denied of me all knowledge of my extraction, parentage, and race? Did you not know that I was Irish? and yet you always denied that I was, though I have suspected I was, and you must have known it, having lived so long in the family. This is not what I expected from you, aunt Judy," she said, casting a look of gentle reproach at the old negro.
"O, dear, miss—O, dear," cried the poor affectionate creature, bursting into tears; "don't blame dis ole nigger, but massa and missus, and Miss Sillerman, sister to the missus who died last year. They forbid aunt Jude to tell who rosy-faced Ali' was. I was bound to swear not to tell. If they knowed I did hab a parle vit you on de subject, they would turn poor ole Jude out de door to die in the poor maison."
This poor negro woman was a native of St. Domingo, and, at the time of the revolution there, came to New Orleans, in care of a child belonging to one of the white planters who was murdered—which child, by the way, has since become a pious and eminent clergyman. By some accident or other she fell in with the Goldriches, in their commercial visits to New Orleans, and, though brought up a Catholic, the poor thing forgot all practice of her religion, and this accounts for her evasions and denials to the repeated questions of Alia regarding her parentage and birth.