“I did speak to you about it but you forgot—”
“I don't think you did—I am quite sure that I should not have forgotten—”
“Oh, of course you contradict me. Anyhow there's no reason to drag Norah Monogue into this. The matter is perfectly clear. I will not have dirty old men like that coming into the house.”
“Clare, you shall not speak of my friends—”
“Oh, shan't I? When I married you I didn't marry all your old horrid friends—”
“Drop it, Clare—or I shall be angry—”
She sprang to her feet, faced him. He had never in his life seen such fury. She stood with her little body drawn to its full height, her hands clenched, her breast heaving under her white evening dress, her eyes glaring—
“You shan't! You shan't! I won't have any of them here. I hate Cornwall and all its nasty people and I hate Brockett's and all those people you knew there. When you married me you gave them all up—all of them. And if you have them here I won't stay in the house—I'll leave you. All that part of your life is nothing to do with me. Nothing—and I simply won't have it. You can do what you like but you choose between them and me—you can go back to your old life if you like but you go without me!”
She burst from the room, banging the door behind her. She had behaved exactly like a small child in the nursery. As he looked at the door he was bewildered—whence suddenly had this figure sprung? It was some one whom he did not know. He could not reconcile it with the dignified Clare, proud as a queen, crossing a ball-room or the dear beloved Clare nestling into a corner of his arm-chair, her face against his, or the gentle friendly Clare listening to some story of distress.
The fury, the tempest of it! It was as though everything in the room had been broken. And he, with his glorious, tragical youth felt that the end of the world had come. This was the conclusion of life—no more cause for living, no more friendship or comfort or help anywhere. Clare had said those things to him. He stood, for ten minutes there, in the middle of the room, without moving—his face white, his eyes full of pain.