“The dear thing does look lovely in black, though,” she confided to Mrs. Galleon. “Mr. Cardillac couldn't take his eyes off her yesterday at luncheon.”
Mrs. Rossiter and Jerry Cardillac had, during the last year, become the very best of friends. Peter was glad to see that it was so. Peter couldn't pretend to care very deeply about his mother-in-law, but he felt that it would do her all the good in the world to see something of old Cards. It would broaden her understanding, give her perhaps some of that charity towards the whole world that was one of Cards' most charming features. Cards, in fact, had been so much in the house lately that he might be considered one of the family. No one could have been more tender, more sympathetic, more exactly right about young Stephen's death. He had become, during those weeks almost a necessity. He seemed to have no particular interest of his own in life. He dressed very perfectly, he went to a number of parties, he had delightful little gatherings in his own flat, but, with it all, he was something more—a great deal more—than the mere society idler. There was a hint at possible wildness, an almost sinister suggestion of possible lawlessness that made him infinitely attractive. He was such good company and yet one felt that one didn't know nearly the whole of him.
To Peter he was the most wonderful thing in the world, to Clare he was rapidly becoming so—no wonder then that the Roundabout saw him so often.
IV
It would need a very acute perception indeed to pursue precisely the train of cause and effect in Mrs. Rossiter's mind after young Stephen's death. Her black garments added, in the most astonishing fashion, to her placid flatness. If she had gloried before in an armour that was so negative that it became instantly exceedingly dangerous, her appearance now was terrifying beyond all words. Her black silk had apparently no creases, no folds—it almost eliminated terms and boundaries. Mrs. Rossiter could not now be said to come into a room—she was simply there. One was sitting, gazing it might be at the fire, a looking-glass, a picture or two, when suddenly there came a black shadow, something that changed the colour of things a little, something that obscured certain objects, but scarcely anything more definite. The yellow brooch was definite, cold, stony eyes hung a little above it, over those a high white forehead—otherwise merely a black shadow putting out the fire.
She was in the Roundabout now all the time. How poor Dr. Rossiter fared it was difficult to imagine, but he cared for Clare as deeply as his wife did and was quite ready for everything to be sacrificed to her at this crisis of her history.
Mrs. Rossiter, meanwhile, was entirely convinced that Peter was responsible for his son's death. Had you suddenly challenged her and demanded her reasoned argument with regard to this matter she would probably have failed you—she did not like reasoned arguments—but she would also have been most sincerely indignant had you called her a liar and would have sworn to her convictions before a court of law.
“Those Cornishmen” had frightened the poor little thing into fits and it was only to be expected. Moreover it followed from this that a man who murdered his only child would most assuredly take to beating his wife before very long. After that, anything might happen. Peter was on a swift road to being a “Perfect Devil.”
Indeed, allow Mrs. Rossiter two consecutive hours of peace and quiet, she, sitting like the personification of the English climate, alone before her fire, and she could make any one into anything—once made so they remained.
It mattered nothing to her that poor Peter was, during these weeks, the most subdued and gently courteous of husbands—that was as it might be (a favourite phrase of hers). She knew him ... and, so knowing, waited for the inevitable end.