Peter, white to the lips, was held in his place. He could not move or speak. Then during the following two hours, his father, without moving from his place, poured forth a stream of stories—foul, filthy, horrible beyond all telling. He related them with no joy or humour or bestial gloating over their obscenities—only with a staring eye and his fingers twisting and untwisting on the table-cloth. At last Peter, his head hanging, his cheeks flaming, crept to his attic.
At breakfast his father was again that other man—stern, immovable, a rock-where was that trembling shadow of the night before?
And Mrs. Pascoe—once more in her red-faced way, submissive—in her place.
The most abiding impression with Peter, thinking of it afterwards in the dark lanes that run towards the sea, when the evening was creeping along the hill, was of a fiery eye gleaming from old grandfather Westcott's pile of rugs. Was it imagined or was there indeed a triumph there—a triumph that no age nor weakness could obscure?
And from the induction of that first terrible evening Peter stepped into a blind terror that gave the promised deliverance of that approaching Easter Wednesday an air of blind necessity. Also about the house the dust and neglect crept and increased as though it had been, in its menace and evil omen, a veritable beast of prey. Doors were off their hinges, windows screamed to their clanging shutters, the grime lay, like sand, about the sills and corners of the rooms. At night the house was astir with sound but with no human voices.
II
But it was only at night that Terror crept from its cupboard and leapt on to Peter's shoulders. He defied it even then with set lips and the beginning of a conception of the duties that Courage demands of its worshippers. He would fight it, let it develop as it would—but, during these weeks, in the sunlight, he thought nothing of it at all, but only with eager eyes watched his father.
His reading had, in these latter years, been slender enough. It was seldom that he had any money, there was no circulating library in Treliss at that time and he knew no one who could lend him books. He fell back, perforce, on the few that he had and especially on the three “Henry Galleons.” But he had in his head—and he had known it without putting it into words, for a very long time—“The Thousand and One Nights of Peter Westcott, Esq.”—stories that would go on night after night before he went to sleep, stories that were concerned with enormous families whose genealogies had to be worked out on paper (here was incipient Realism)—or again, stories concerning Treasure and Masses of it—banks of diamonds, mountains of pearls, columns of rubies, white marble temples, processions of white elephants, cloth of gold (here was incipient Romance). Never, be it noticed, at this time, incipient Humour; life had been too heavy a thing for that.
But these stories, formerly racing through his brain because they must, because indeed they were there against his own will or any one else's, had now a most definite place and purpose in their existence. They were there now because they were to be trained, to be educated, to be developed, until they were fit to appear in public. He had, even in these early days, no false idea of the agonies and tortures of this gift of his. Was it not in “Henry Lessingham”?... “and so with this task before him he knew that words were of many orders and regiments and armies, and those that were hard of purchase and difficult of discipline were the possessions of value, for nothing that is light and easy in its production is of any duration or lasting merit.”
And so, during these weeks, when he should have attended to the duties of a solicitor his mind was hunting far away in those forests where very many had hunted before him. And, behold, he was out for Fame....