She repeated the last words "Always your friend, William Magnus" aloud solemnly twice. Her thoughts ran in leaps and runs, hurdle-race-wise across the flat level of her brain. Martin. Old. Ill. Paris. Those walls out there and the road-man with a spade—little boy walking with him—chattering—it's going to be hot. The light across the lawn is almost blue and the beds are dry. His room. The looking-glass. Always tilts back when one tries to see one's hair. Meant to speak about it. Martin. Ill. Paris. Paris. Trains. Boats. How quickly could one be there? No time at all. Paris. Never been to Paris. Perhaps he isn't there now ...
At that definite picture she controlled her mind again. She pulled it up as a driver drags back a restive horse. Her first real thought was: "How hard that this letter should have come now when I was just going to put everything right with Paul." Her next: "Poor Paul! But I don't care for him a bit ... I don't care for any one but Martin. I never did." Her next: "Why did I ever think I did?" And her next: "Why did I ever do this?" She knew with a strange calm certainty that from this moment she would never be rid of Martin's presence again. She had maintained for more than a year a wonderful make-believe of indifference. She had fancied that by, pushing furiously with both hands one could drive things into the past. But Fate was cleverer than that. What he wanted to keep he kept for you—the weaving of the pattern in the carpet might be your handiwork, but the final design was settled before ever the carpet was begun. Not that any of these fine thoughts ever entered Maggie's head. All that she thought was "I love Martin. I want to go to him. He's ill. I've got to do my duty about Paul." She settled upon that last point. She bound her mind around it, fast and secure like thick cord. She put Mr. Magnus' letter away in the shell-covered box, the wedding-present from the aunts; in this box were the programme of the play that she had been to with Martin, the ring with the three pearls, Martin's few letters, and some petals of the chrysanthemum, dry and faded, that she had worn on the great day of the matinee. Something had warned her that it was foolish to keep Martin's letters, but why should she not? She had never hidden her love for Martin. Then, standing in the middle of the room, close beside the large double-bed, with a football-group and "The Crucifixion" staring down upon her, she had her worst hour. Nothing in all life could have moved her as did that picture of Martin's loneliness and sickness. Wave after wave of persuasion swept over her: "Go! Go now! Take the train to Paris. You can find out from Mr. Magnus where he was living. He is sick. He needs you. You swore to him that you would never desert him, and you have deserted him. They don't want you here. Grace hates you, and Paul is too lazy to care!"
At the thought of Paul resolution came to her. She looked up at the rather fat, amiable youth with the stout legs and the bare knees in the football photograph, and prayed to it: "Paul, I'm very lonely and tempted. Care for me even though I can't love you as you want. Don't give me up because I can't let you have what some one else has got. Let's be happy, Paul—please."
She was shivering. She looked back with a terrified, reluctant glance to the drawer where Mr. Magnus' letter was, then she went downstairs.
Soon after they started for Little Harben. The last days in Skeaton had scarcely been happy ones. Grace had erected an elaborate scaffolding of offended dignity and bitter misery. She was not bitterly miserable, indeed she enjoyed her game, but it was depressing to watch Paul give way to her. He was determined to leave her in a happy mind. Any one could have told him that the way to do that was to leave her alone altogether. Instead he petted her, persuading her to eat her favourite pudding, buying her a new work-box that she needed, dismissing a boy from the choir (the only treble who was a treble) because he was supposed to have made a long-nose at Grace during choir-practice.
He adopted also a pleading line with her. "Now, Grace dear, don't you think you could manage a little bit more?"
"Do you think you ought to go out in all this rain, Grace dear?"
"Grace, you look tired to death. Shall I read to you a little?"
He listened to her stories with a new elaborate attention. He laughed heartily at the very faintest glimmer of a joke. Through it all Grace maintained an unreleased solemnity, a mournful superiority, a grim forbearance.
Maggie, watching, felt with a sinking heart that she was beginning to despise Paul.