I have given the incidents of this night in great detail for my own satisfaction, because I wish to forget nothing. To others the little adventure must seem trivial, but to myself it represented the climax of a chain of events.
PART TWO
CHAPTER I
THE LOVERS
Semyonov and Marie Ivanovna did not offer us a picture of idealised love—they did not offer us a picture of anything, and although they were, both of them, most certainly changed, they could not be said in any way to do what the Otriad expected of them. The Otriad quite frankly expected them to be ashamed of themselves. To expect that of Semyonov at any time showed a lamentable lack of interest in human character, but, as I have already said, our Otriad was always excited by results rather than causes. Semyonov had never shown himself ashamed of anything, and he most certainly did not intend to begin now. He had never disguised his love for Marie Ivanovna and now she was his "spoils"—won by his own strong piratical hand from the good but rather feeble bark Trenchard—he manifested his scorn of us more openly than ever.
He seemed to have grown rather stronger and stouter during these last months, and his square stolidity was a thing at which to marvel. Had he been taller, had his beard been pointed rather than square, he would have been graceful and even picturesque—but his figure, as he strode along, showed foursquare, as though it had been hewn out of wood; one of those pale, almost white, honey-coloured woods would give the effect of his fair beard and eyebrows. His thick red lips were more startling than ever, curved as they usually were in cynical contempt of some foolish victim. How he did despise us!
When one of our childish quarrels arose at meal-times he would say nothing, but would continue stolidly his serious business of eating. He was very fond of his food, which he ate in the greediest manner. When the quarrel was subsiding, as it usually did, into the first glasses of tea, he would look up, watch us with his contemptuous blue eyes, laugh and say: "Well, and now?... Who is it next?"—and every one would be clumsily embarrassed.
We were often, as are all Russian companies, ridiculously amused about nothing. At the most serious crises we would, like Gayeff in "The Cherry Orchard," suddenly break into stupid bursts of laughter, quite aimless but with a great deal of sincerity. Whirls of laughter would invade our table. "Oh, do look at Goga!" some one would say, and there we all were, perhaps for a quarter of an hour! Semyonov, strangely enough, shared this childish habit, and there was nothing odder than to see the man lose control of himself, double himself up, laugh until the tears ran down his face—simply at nothing at all!