Everything on every side of her seemed to be hastening to a climax and Lizzie could see that old woman fighting, behind her closed doors, for Life, beaten at last, dead, swept away, others laughing in her place—a new world to whom she was only a portrait cleverly painted by some young artist.

Yes, there were other histories developing now besides Lizzie's and she felt as though she had been whirled, during the last months, into a wild, tossing medley of contacts and revelations—all this after a life so grey and quiet and steadily busy.

As the train plunged into Sussex the rain stayed for a little and the shining earth steamed upwards to a grey sky broken here and there to saffron. Little towns quietly rested under the hills and many streams ran through the woods and the roads drove white like steel through the crust of the soil. White lights spread in the upper air and the heaving grey was pushed, as though by some hand, back into the distant horizon. For a moment it seemed that the sun was bursting through; trees were suddenly green where they had been black and fields red where they had been sombre dark—Light was on all the hills.

But the hand was stayed. Back the grey rolled again, heavily like chariots the clouds wheeled round and drove down upon the earth—The rain fell.

The carriage was very cold. Lizzie's hand and feet were so chill that they seemed not to belong to her at all. Pictures of houses at Brighton and the dining-car of some train and two public-houses at the bottom of a hill stared at her.

The sense of some coming disaster grew with her. It was as though someone were telling her that she must prepare to be very brave and controlled and wise because, very soon, all her restraint and wisdom would be needed. She summoned now, as she had learnt to do, a stern armoured resolution that sat always a little oddly upon her. Any observer who had seen her sitting there would have noticed the mild softness of her eyes, the tenderness of some curve at the corners of her mouth, and would have smiled at the lines of resolution as though he had known that the sternness was all assumed.

But she was saying that nothing should touch or move her down here at Seddon; her heart should be closed. She must grow into a woman who had no need of emotion—and even as she determined that some vision swept her by, revealing to her the happy dear uses that she could have made of love and sympathy had life been set that way for her. How she could have cared!... A dry little sob was at her throat and burning pain behind her tearless eyes. God, the things that other people had and did not value!

The train stopped at a wind-swept deserted station and a man and woman with a little child, the three of them tired, wet, bedraggled, entered the carriage.

The man was gaunt with a beard and large helpless eyes, the woman shapeless, loose-breasted, little eyes sunk in her cheeks, an old black straw hat tilted back on her head. These two did not glance at Lizzie, nor was there any curiosity of interest in their eyes, but the small child, yellow wisps of hair falling about her dirty face, detached herself from them, crept into the furthest corner of the carriage and from there stared at Lizzie.

The train droned on through a country now shrinking beneath a deluge of rain. The child moved a little, looked at the woman, looked again at Lizzie, crept to Lizzie's side of the carriage, at last, still without a word, came close and, finally, stole fingers towards Lizzie's dress.