He certainly—if he had it at this time—could not put it into words; but I believe that he had, in the back of his brain, a kind of consciousness about it all, and his meeting with Isabel fired what had been lying there waiting.
He never, certainly, talked about it, but it will be noticed that he went to the wood a great many times, even before he felt Isabel's influence, and that he realized quite vividly certain aspects of Pendragon and the Flutes; and he would not have cared for Richard Feverel quite so passionately had he not had something—some poetry and feeling—already in him.
The reverse of the shield is, at any rate, given in that first letter to his mother. He says of Moffatt's: “You never saw anything so hideous. The red brick all looks so fresh, the stone corridors all smell so new, the iron and brass of the place is all so strong and regular. It's like the labs at Cambridge on an extensive scale; you'd think they were inventing gases or something, not teaching boys the way they should go.... All the same, coming up the hill the other night, with the sun setting behind it, it looked quite black and grand—it 's the fresh-lobster color of it that I can't stand...”
That shows that he was, to some degree at any rate, sensitive to the way that the place looked, and he, in all probability, felt a great deal more about it than he ever said to anyone.
Cambridge may have done something for him—few people can spend three years with these gray palaces and blue waters without some kind of development, although probably—because we are English—it is unconscious.
II.
He had, during that first week, too much to do to get any very concrete idea of the staff. On the first morning of term there was a masters' meeting, and he could see them all sitting, heavily, despondently, in conclave. There was a gradation of seats, and Traill, of course, took the lowest—a little, hard, sharp one near the window with a shelf just above his head, and it knocked him if he moved.
The Rev. Moy-Thompson, the head master—a venerable-looking clergyman, with a long grizzled heard and bony fingers—sat at the end of the table in an impatient way, as though he were longing for an excuse to fly into a temper. For the others, Traill only noticed one or two; Perrin, Dormer, and Clifton were there, of course. There was a large stout man with a heavy mustache and a sharp voice like a creaking door; a clergyman, thin and rather haggard, with a white wall of a collar much too big for him; an agitated little Frenchman, who seemed to expect that at any moment he might be the victim of a practical joke; a thin, bony little man with a wiry mustache and a biting, cynical speech that seemed to goad Moy-Thompson to fury; a nervous and bald-headed man, whose hand continually brushed his mustache and whose manner was exceedingly deprecating. There were others, but these struck Traill's eyes as they roved about.
During the discussion that followed concerning the moving of boys up and the moving of boys down, the time of lock-up, the possibilities and disadvantages of the new boys, it seemed to be everybody's intention to be as unpleasant as possible under cover of an agreeable manner. On several occasions it seemed that the storm was certain to break, and Traill bent eagerly forward in his seat; but the danger was averted.
As the week passed, he found that these men grew more distinct and individual. The stout man with the heavy mustache was called Comber; he had once been a famous football player, and was now engaged on a book concerning the athletes of Greece. The clergyman, the Rev. Stuart, was very quiet except on questions of ritual and ceremony, and these things stirred him into a passion. The little Frenchman, Monsieur Pons, spent his time in hating England and preparing to leave it—an escape that he never achieved.