Nancy Ross
I
Mr. Munty Ross's house was certainly the smartest in March Square; No. 14, where the Duchess of Crole lived, was shabby in comparison. Very often you may see a line of motor-cars and carriages stretching down the Square, then round the corner into Lent Street, and you may know then—as, indeed, all the Square did know and most carefully observed—that Mrs. Munty Boss was giving another of her smart little parties. That dark-green door, that neat overhanging balcony, those rows—in the summer months—of scarlet geraniums, that roll of carpet that ran, many times a week, from the door over the pavement to the very foot of the waiting vehicle—these things were Mrs. Munty Ross's.
Munty Ross—a silent, ugly, black little man—had had made his money in potted shrimps, or something equally compact and indigestible, and it really was very nice to think that anything in time could blossom out into beauty as striking as Mrs. Munty's lovely dresses, or melody as wonderful as the voice of M. Radiziwill, the famous tenor, whom she often "turned on" at her little evening parties. Upon Mr. Munty alone the shrimps seemed to have made no effect. He was as black, as insignificant, as ugly as ever he had been in the days before he knew of a shrimp's possibilities. He was very silent at his wife's parties, and sometimes dropped his h's. What Mrs. Munty had been before her marriage no one quite knew, but now she was flaxen and slim and beautifully clothed, with a voice like an insincere canary; she had "a passion for the Opera," a "passion for motoring," "a passion for the latest religion," and "a passion for the simple life." All these things did the shrimps enable her to gratify, and "the simple life" cost her more than all the others put together.
Heaven had blessed them with one child, and that child was called Nancy. Nancy, her mother always said with pride, was old for her age, and, as her age was only just five, that remark was quite true. Nancy Ross was old for any age. Had she herself, one is compelled when considering her to wonder, any conception during those first months of the things that were going to be made out of her, and had she, perhaps at the very commencement of it all, some instinct of protest and rebellion? Poor Nancy! The tragedy of her whole case was now none other than that she hadn't, here at five years old in March Square, the slightest picture of what she had become, nor could she, I suppose, have imagined it possible for her to become anything different. Nancy, in her own real and naked person, was a small child with a good flow of flaxen hair and light-blue eyes. All her features were small and delicate, and she gave you the impression that if you only pulled a string or pushed a button somewhere in the middle of her back you could evoke any cry, smile or exclamation that you cared to arouse. Her eyes were old and weary, her attitude always that of one who had learnt the ways of this world, had found them sawdust, but had nevertheless consented still to play the game. Just as the house was filled with little gilt chairs and china cockatoos, so was Nancy arrayed in ribbons and bows and lace. Mrs. Munty had, one must suppose, surveyed during certain periods in her life certain real emotions rather as the gaping villagers survey the tiger behind his bars in the travelling circus.
The time had then come when she put these emotions away from her as childish things, and determined never to be faced with any of them again. It was not likely, then, that she would introduce Nancy to any of them. She introduced Nancy to clothes and deportment, and left it at that. She wanted her child to "look nice." She was able, now that Nancy was five years old, to say that she "looked very nice indeed."
II
From the very beginning nurses were chosen who would take care of Nancy Boss's appearance. There was plenty of money to spend, and Nancy was a child who, with her flaxen hair and blue eyes, would repay trouble. She did repay it, because she had no desires towards grubbiness or rebellion, or any wildnesses whatever. She just sat there with her doll balanced neatly in her arms, and allowed herself to be pulled and twisted and squeezed and stretched. "There's a pretty little lady," said nurse, and a pretty little lady Nancy was sure that she was. The order for her day was that in the morning she went out for a walk in the gardens in the Square, and in the afternoon she went out for another. During these walks she moved slowly, her doll delicately carried, her beautiful clothes shining with approval of the way that they were worn, her head high, "like a little queen," said her nurse. She was conscious of the other children in the gardens, who often stopped in the middle of their play and watched her. She thought them hot and dirty and very noisy. She was sorry for their mothers.
It happened sometimes that she came downstairs, towards the end of a luncheon party, and was introduced to the guests. "You pretty little thing," women in very large hats said to her. "Lovely hair," or "She's the very image of you, Clarice," to her mother. She liked to hear that because she greatly admired her mother. She knew that she, Nancy Ross, was beautiful; she knew that clothes were of an immense importance; she knew that other children were unpleasant. For the rest, she was neither extravagantly glad nor extravagantly sorry. She preserved a fine indifference.... And yet, although, here my story may seem to matter-of-fact persons to take a turn towards the fantastic, this was not quite all. Nancy herself, dimly and yet uneasily, was aware that there was something else.
She was not a little girl who believed in fairies or witches or the "bogey man," or anything indeed that she could not see. She inherited from her mother a splendid confidence in the reality, the solid, unquestioned reality of all concrete and tangible things. She had been presented once with a fine edition of "Grimm's Fairy Tales," an edition with coloured pictures and every allure. She had turned its pages with a look of incredulous amazement. "What," she seemed to say—she was then aged three and a half—"are these absurd things that you are telling me? People aren't like that. Mother isn't in the least like that. I don't understand this, and it's tedious!"