CHAPTER II
THE MIRROR

Philip had never had any conceit of himself—that is, he could not remember the time when he had been satisfied with what he had done, or pleased with the figure that he presented. The selfish actions in his life had always arisen from unselfish motives, because he had been afraid of hurting or vexing other people, because he thought other people finer than himself. Even when, as in the case of Seymour, he burst out in indignation at something that he felt to be pretentious and false, he, afterwards, on thinking it over, wondered whether the man hadn’t after all been right ‘from his point of view.’ It was this ability to see the other person’s point of view that had been, and would always be, the curse of his life.

Such men as Philip are not among the fine creatures of the world. Very rightly they are despised for their weakness, their lack of resistance, their inability to stand up for themselves. It is possible, nevertheless, that in heaven they will find that they, too, have their fine side. And this possibility of an ultimate divine comprehension irritates, very naturally, their fellow human beings who resent any defence of weakness. Philip himself would have been the first to resent it. He never consoled himself with thought of heaven, but took, now and then, a half-humorous, half-despairing glance at himself, swore, as he had in those long-ago days sworn about his mother, ‘how this shall never happen again’, and then once more was defeated by his imagination.

In this matter of the Trenchards he saw only too plainly, everyone’s point of view; even with Aunt Aggie he saw that she was an old disappointed woman who disliked change and loved power so long as she need not struggle for it. Mrs. Trenchard he did not understand, because he was afraid of her. His fear of her had grown and grown and grown, and in that fear was fascination, hatred, and admiration. He felt now quite definitely that he was beaten by her. He had felt that, after she had taken no notice whatever of his public scene with Aunt Aggie. She would now, he believed, take no notice of anything. He knew also, now, of her hold over Katherine. He must stay with Katherine because he loved her. Therefore he must submit to Mrs. Trenchard ... it was all quite simple.—Meanwhile to submit to Mrs. Trenchard meant, he knew, to such a character as his, extinction. He knew. Oh!... better than anyone else in the world—the kind of creature that, under her influence, he would become. He saw the others under her influence, the men and women of the village, the very chickens and pigs in the neighbouring farms. He knew what he had been under his mother, he knew what he had been under Anna, he knew what now he would be under Mrs. Trenchard. Well, extinction was a simple thing enough if you made up your mind to it—why struggle any further?

But day and night, increasingly, as the weeks passed, he was being urged to escape. All this summer, Anna, no longer a suggestion, no longer a memory, but now a vital, bodily presence, was urging him. Her power over him was not in the least because he was still in love with her—he loved only Katherine in all the world—but because of the damnable common-sense of what she said. What she said was this:

“Here you are amongst all these funny people. You are too much in the middle of them to see it plainly for yourself, but I’m a ghost and can see everything quite clearly; I know you—better than you know yourself. This Mrs. Trenchard is determined never to let her daughter go. You say that you love this young woman, although what you can see in her stupid English solidity I can’t imagine. However, you were always a fool.... All the same, if you love her it’s for her sake that you must escape. You know the kind of creature you’re going to be if you stay. What does she want with such a man? When she wakes up, about a week after marriage, and finds you under the thumb of her mother, what will happen to her love? She may continue to love you—English women are so stupid—but she’ll certainly despise you. Come back to Russia. It isn’t that I want you, or will take you back into my life, but she’ll find out what you’re worth then. If she really loves you she’ll have to come after you. Then you’ll have broken with the family and will be free. Run away, I tell you. It’s the only thing to do.”

All this he heard during a terribly heavy three weeks with relatives in the North, during a hot and glittering July in London when the world seemed to gyrate with the flashing cabs, the seething crowds, the glass and flowers and scents of a London season. Katherine seemed dreadfully far away from him. He was aware very vividly how bad it was for a healthy young man of his age to have no definite occupation. The men whom he knew in town seemed to him both uninteresting and preoccupied. A day in England seemed of so vast a length. In Russia time had been of no importance at all, and one day had vanished into another without any sound or sign. Here every clock in the town seemed to scream to him that he must take care to make the most of every second. This practical English world, moreover, could offer no friendly solution for the troubles that beset him.

He knew very well that if he asked any man at the club for advice he would be frankly dismissed for a fool. “What! You like the girl but can’t bear the Mother-in-law! My dear boy, any music hall will tell you how common that is. Wait till you’re married, then you can clear off all right—let the old woman scream as much as you like. What! the girl wants to stay with the mother? Well, again, wait till you’re married. The girl will follow you fast enough then!”

How could he expect that any ordinary healthy Englishman would understand the soft, billowy, strangling web that the Trenchard family had, by this time, wound about him? Yes, another six months would complete the business....