Name the values of the hyacinth, on [page 53]. What values were used in the moonlight picture on [page 10]? Make a little scale showing these values and giving their names.

Dividing a Space into Large and Small Spaces.

Plaids are most attractive when seen in color. Before the color is added, however, definite spaces must be divided by lines into other spaces, making an interesting variety. In drawing from flowers, you found that a spray showing large and small shapes made a more interesting sketch than one in which leaves and flowers were of uniform shapes and sizes.

Sketches 1 and 2 show how vertical and horizontal lines may divide a square into a variety of spaces. Either arrangement is more beautiful than sketch 3, where the spaces are more nearly alike. Look at the still-life group in sketch 4, where the three objects are so nearly of the same size. Do you think this group as pleasing as the group shown in sketch 5? Our designs, as well as our pictures, must show variety and good arrangement of shapes and spaces, in order to be interesting.

Too much variety in a picture or design is as bad as not enough variety. Look at the number of lines and spaces in sketch 6. The design is crowded and "fussy," like an overtrimmed bonnet, or a room in which there is too much furniture. The still-life group in sketch 7 shows the same effect of too much variety.

Draw four squares, each four inches on a side. Divide each into large and small spaces of pleasing variety by using vertical and horizontal lines, four inches in length.

Large and Small Spaces in Two Values.

One way of adding to the interest and beauty of large and small spaces is to show them in values. Compare Sketches 1 and 2 on this page with Sketches 1 and 2 on [page 81]. You will find the plaids which are shown in values more interesting than those which are made with lines only. The two values in each sketch on this page are chosen from the neutral value scale on [page 80]. In Sketch 1, High Light (HL) and Black (B) are used, and in Sketch 2, we find Middle (M) and Black (B). You see how different in effect the two plaids are. The same difference can be shown in landscape, flowers, or in any other picture or design, by changing the values. Sketches 3 and 4 show simple groups of still life, first drawn in outline from the objects, and then painted in values chosen from the value scale. Sketch 3 is painted in the same values as the plaid in Sketch 1, and Sketches 2 and 4 are alike in values.