Every now and then in an expansive moment I tell the story of my case, or part of it, whereupon something like the following invariably succeeds:
"Why don't you write it down?"
"I never learned the trade of writing."
"But detective stories are so popular!"
"Yes, because the detective is a romantic figure, a hero, gifted with almost superhuman keenness and infallibility. Nobody ever accused me of being romantic. I am only an ordinary fellow who plugs away like any other business man. Every day I am up against it; I fall down; some crook turns a trick on me. What kind of a story would that make?"
"But that's what people want nowadays, the real thing, stories of the streets day by day."
Well, I have succumbed. Here goes for better or for worse.
Before beginning I should explain that though it was my first case I was no longer in the first bloom of youth. I was along in the thirties before I got my start and had lost a deal of hair from my cranium. This enabled me to pass for ten years older if I wished to, and still with the assistance of my friend Oscar Nilson the wig-maker I could make a presentable figure of youth and innocence.
During my earlier days I had been a clerk in a railway freight office, a poor slave with only my dreams to keep me going. My father had no sympathy with my aspirations to be a detective. He was a close-mouthed and a close-fisted man. But when he died, after having been kept on scanty rations for years, the old lady and I found ourselves quite comfortably off.
I promptly shook the dust of the freight office from my feet and set about carrying some of the dreams into effect. I rented a little office on Fortieth street (twenty dollars a month), furnished it discreetly, and had my name painted in neat characters on the frosted glass of the door: "B. Enderby"—no more. Lord! how proud I was of the outfit.