Marie's health improved slowly, due in part to the unsanitary conditions of her home. She wrote:

"The roof of this miserable shack leaks all the time. The other day the owner came around in his automobile. I was speechless. It made me mad to think of that hound, riding in his car which we had paid for. Oh, the miserable people who live in these two houses: old, decrepit women who earn their living by washing clothes for others. It would make your blood boil to see them. And then to see that fat dog in his auto, accepting money from them and not ever giving them a whole roof in return. When I saw him I wanted to say so much. I could only choke. Oh, when you hear of the brutality of the mob, don't believe it. The mob may indeed, under the impulse of the moment, burn and destroy; but think of the cold brutality of a judge sitting on his bench and calmly condemning some poor wretch to be killed, and this with no emotion. How can this be? The revolutionists in France were the kindest beings, in comparison. They had personal injuries to avenge, and all they did was to strike off an enemy's head and that was the end. There was even a chance of being saved, if the doomed one could find the right expression, some little sentence that would affect the brutal (?) people. But this could not happen before a judge!

"The trouble with the poor is, they have not enough imagination. They are not refined in their cruelties. They could never invent the Bull Pen, but would only quickly destroy. It is raining to-day, and I have been moving about trying to find a dry spot where I can continue writing without having a large splash come down on my nose. But I guess I'll have to give it up. Oh, that cursed landlord! I'd like to do something to him, not so much for myself as for those poor old things, they are all rheumatic and stiff, but continue to live here because, poor souls, they think the rent is low. Ye gods, the place is not fit for dogs to live in, and yet he charges all the way from five dollars up for these filthy, worm-eaten, rotten holes. And yet the old decrepit inhabitants of this rich man's house unbend their stiff knees in profound salaams whenever he appears."

But in these leaky rooms of Kate's there was often much jollity and gaiety, when the "Salon" had its sessions, and proletarians of the pale cast of thought sat and smoked their cigarettes, drank their beer, kissed their girls, and talked of philosophy and literature and social evil and possible regeneration. Then they were always happy, whatever the subject of their talk. Marie wrote me to my villa in Italy:

"You write of your beautiful gardens and seem quite happy. We too are well and happy in our little old joint; you are the only one missing to make our circle complete. But perhaps sometime you can be with us, with a can on the table and good talk going round, and then I'm sure you will not miss your Italian garden. Emma Goldman and Berkman have been visiting Chicago, and we had some jolly good times while they were here. She is a good fellow, when she is alone with a few choice friends. Then she lets herself out. The other day we gave a social for these two celebrated ones. Positively, no police, reporters, or strangers were admitted. Next day there was a hue and cry in all the papers, dark conspiracy, and so on! But all we did was to have a great time: everybody was drunk before morning, and everybody felt kindly toward the whole world, and would not have cursed even the greatest 'exploiter.' We finished the evening or rather the morning by an orgy of kissing. It was quite interesting and innocent. Smith has at last begun to return my affection. I think he likes me a little now. At least, he calls here frequently, and he told me once he would like to tear me limb from limb! This remark made me shudder, not unpleasantly. It must be good to be torn in that way by such a nice man.

"The rose-leaves you sent from Italy retained some of their sweet smell. The rose is my favourite flower, and I like to imagine that perhaps some day my dust will be soil for roses. Last summer I found a poor little stillborn thing which had been hastily thrown aside, near a place where Terry and I were camping. Some poor little 'fleur de mal' which I covered from sight, in the sand, and marked the place with some stones and flowers. The next year I found some wild white daisies growing there. This made a deep impression on me and strengthened my hope that I, too, might become soil for roses, flowers of love.

"Henry is a rose, too, in his way. He is getting more picturesque every day. At the Emma Goldman social he was ornamented with a new straw hat, which had a very high crown and narrow brim with little black ribbons for the side. Also, an enormous tie, the ends of which fluttered gaily and coquettishly in the wind. His curling black locks nearly reached his shoulders, and he has vowed never again to cut his hair, as a protest against the conventions of society. I left the social with him, and as we walked down the street in the morning he was a target for all eyes. He was talking philosophy and love to me, but this changed to fury. He flung his arms about, and shouted to the crowd: 'Oh, you monkeys, sheep, dogs,' and several other kinds of quadrupeds and birds. Henry is a peculiar man, but he is as sincere as anybody living and is a friend of that wonderful man, Kropotkin. When Kropotkin was in Chicago some years ago a reception was given him at Hull House. Poor Henry eagerly hastened there to see his friend—dressed in unbecoming and informal attire. He had not seen Kropotkin for years, and so anxious was he to meet him again that he forgot his raggedness. But the dear, sympathetic settlement workers were decidedly polite in showing Henry the door. But, at the psychological moment, Kropotkin appeared, threw his arms around Henry, kissed him, and carried on like an emigrant who runs across an exile."

FOOTNOTES:

[2] See "The Spirit of Labour," Chapter 4, called "An Anarchist Salon," for a description of some of the principal members of this society.—H. H.

[3] This is worthy of some of the mythological-Christian paintings of Mantegna, where the vices are being scourged by the indignant virtues.—H. H.