Terry is nearing his logical end, while Marie is still struggling for life, life given her in the beginning by this strange man, whose influence was then to take it away from her; and from this, like the world, she rebelled. "Anarchism" she embraced as long as it enhanced her being; as long as this deeply emotional philosophy added to the fulness of her life, she saw its meaning and its use; when it finally tended to sterilise her new existence, its "pragmatic" value was nothing.
This is the test of all social theory: How It Works Out. In Marie's case, as in the case of many proletarians, it worked out well, as a general civilising and consoling philosophy, for a time, but when carried to an "idealistic" extreme, it tended rapidly towards general death—from which all live things react. So it was with Marie: she left her "poisonous" Terry and sought for another vitalising experience. Goethe said that the best government is that which makes itself superfluous. Terry's spiritual influence on Marie, important for her in the beginning as rendering her self-respecting and mentally ambitious, had become superfluous. But it had been of great value to the girl. So, too, with our society. The extreme rebellious attitude educates us—sometimes to the point where rebellion is superfluous.
THE END
The
Autobiography of a Thief
A true story of the life of a criminal
taken down and edited by Mr. Hapgood.
Cloth. 349 pp. $1.25 postpaid.
COMMENTS OF THE CRITICS
"The book as a whole impresses the reader as an accurate presentation of the thief's personal point of view, a vivid picture of the society in which he lived and robbed and of the influences, moral and political, by which he was surrounded. The story indeed has something of the quality of Defoe's 'Colonel Jacque'; it is filled with convincing details."—New York Evening Post.
"To one reader at least—one weary reader of many books which seem for the most part 'flat, stale and unprofitable'—this is a book that seems eminently 'worth while.' Indeed, every word of the book, from cover to cover, is supremely, vitally interesting. Most novels are tame beside it, and few recent books of any kind are so rich in suggestiveness."—Interior.