Her fair small head was thrown back, her eyes were bright, but not now with gaiety. Her mouth was slightly open, and she was breathing deeply and quickly with the glory of divine movement.
Mrs. Smithers turned away again and went back to the window. She was crying, her mouth stiff as though it could not yield, even to grief.
The man under the trees had taken a step forward and now stood still again. Between them Ayeshi lay huddled together on the top step of the verandah, his face hidden in his arms.
CHAPTER IX
LALLOO, THE MONEY-LENDER
It had come to be an accepted fact in Gaya that the old bungalow lying on the outskirts was haunted and therefore undesirable. Not that Gaya feared ghosts or anything else in heaven or earth. The average Anglo-Indian's nerve, strained by the subtle but immediate juxtaposition of frivolity and danger which shade so imperceptibly into each other, that the border-line can be crossed unconsciously and in an instant, cannot indulge in emotionalism or fancies. He has to close his mind both to the fascination and the veiled menace of Indian life, or be lost. It is for that reason that he is always the last to admit the fascination, except in regard to the social conditions, or the danger, beyond the obvious ones of ill health and consequent retirement on a beggarly half-pay.
So Gaya's inhabitants locked up fear, and hid the key where it could not be found even by the most unbaked, fluttered newcomer, and the old bungalow with its ugly secret left them unmoved. But they never denied the existence of the blight which rested on the gloomy, tumbled-down building, and they avoided the place as unpleasant and depressing, and took care that innocent newly appointed officers and their wives, for whom so large and spacious a dwelling seemed eminently suited, should house elsewhere. It was owing to this circumstance that James Barclay had been able to obtain possession and a consequent but dubious foothold on the outskirts of Gaya's sternly fortified social life. The bungalow had been built in the dim ages before the Mutiny, and had been patched and patched till little was left of the original. James Barclay promptly renovated it from end to end, and added various bizarre additions of his own which, however, did not alter the place's fundamental characteristic of mouldering gloom and depression.
In the room in which he sat talking to Lalloo, the money-lender, everything of native origin had been rigorously excluded. The chairs were covered with English chintzes, the curtains were futurist in design and colour; there were copies of European masterpieces in heavy gilded frames on the walls, and a new art bronze lamp suspended from the hand of a marble Venus cast a bright, garish reflection on the upturned, contemplative face of its owner.
It was curious, therefore, that, as little as he had been able to eradicate the gloom, as little had he been able to oust the indigenous element. The objects might be Western, but the atmosphere remained obstinately Oriental. Perhaps it was the irrepressible outbursts of colour-love betrayed by the chintzes, or perhaps Lalloo supplied the cause of this phenomena. He sat cross-legged on the carpet and stroked his grizzled beard with a dark hand, that seemed all the darker for the scrupulous whiteness of his puggri and loose tunic. Compared with him, Barclay looked almost blond, almost English. Yet Lalloo also accentuated what was un-English in him. There were lines about the old usurer's mouth and nostrils which were already dimly suggested in Barclay's face. There was a gulf between them, but there was also a bridge across.
"There is Seetul, who says he cannot pay," Lalloo detailed monotonously, and as though he were reading from an account-book. "He has owed us ten rupees these last six months, and still he says he cannot pay. But he has had many fine stuffs in his loom—and his daughter's hands have been busy with rich embroideries on which the Sahibs' wives have cast longing eyes. It would be well to claim your due, Meester Barclay, before it is too late."