It was not therefore Benozzo's work which enlarged the master's style, but in the Vatican frescoes the master clearly shows the effort he has himself made to render the action of his figures more grand, his painting more solid, figures more characteristic and the episodes with which his admirable compositions are enriched more fundamentally truthful.
These paintings prove that he had reached his greatest artistic development; although always retaining his innate character he concedes to the new requirements of art as much of his temperament and sentiment, as he can conscientiously yield. Thus his works display a continuous improvement, each new stage in the long road of his artistic career, represents a fresh conquest, a new and remarkable progress. His pupils and collaborators limited themselves to aiding him, and rendering his work lighter in parts of secondary importance, but he needed no other help to be, and always remain, worthy of the high company in which he finds himself in the Vatican.
In the Sixtine Chapel, near the quiet creations of the artists of the Renaissance, the power and awful force of Michelangelo stand out; in the "Stanze" Raphael has left an everlasting wealth of artistic treasures; and in the Chapel of Nicholas V. Fra Angelico with ingenuous expression and the purest and most sincere religious feeling, painted his master-piece.
But notwithstanding the great difference between the former giants of art, and our saintly artist, he is quite worthy of their glorious company.
The sweet gentleness of his character was all that hindered him from a more exact and deep study of reality, but it was precisely by means of this character that he succeeded, as no one else could do, in expressing the elevated ideas of his serene and calm soul, profound inspiration and naïve freshness of faith.
In 1455 after a life entirely dedicated to art, Fra Giovanni, at the age of 68 years, died in Rome, having well earned the grateful veneration of posterity. The austere virtues of his soul gained him the title of Beato (blessed) and for the lovely lines traced by his brush, he was called Angelico. A marble monument was erected over his tomb in the church of the Minerva, with his effigy and the following inscription, said to have been dictated by Pope Nicholas V. himself:
HIC JACET VEN. PICTOR
FR. JO. DE FLOR. ORD. P.
M
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