Like Mars, when brandishing his spear, he raged.[[158]]
But if some one, yielding to desire, should eat of that which reason forbids, and through this should unexpectedly become well, you may say that desire also, in this instance, energized enthusiastically, though obscurely; so that enthusiasm is likewise produced about the other parts of the soul. Enthusiasm, however, properly so called, is when this one of the soul, which is above intellect, is excited to the Gods, and is from thence inspired. But at different times it is possessed about the aptitudes of itself, by different Gods; and is more or less possessed when intellect or dianoia is that which is moved. As, therefore, when we inquire what philosophy is, we do not always accurately define it, but frequently, from an improper use of the word, call mathematics or physics philosophy and science; we do the like also with respect to enthusiasm. For though it should be the phantasy which is excited, we are accustomed to call the excitation enthusiasm. Moreover, those who ascribe enthusiasm to the temperatures of bodies, or the excellent temperament of the air, or the ascendency of exhalations, or the aptitudes of times and places, or the agency of the bodies that revolve in the heavens, speak rather of the cooperating and material causes of the thing than of the causes of it properly so called. You have, therefore, for the producing cause of enthusiasm, the Gods; for the material cause, the enthusiastically energizing soul itself, or the external symbols; for the formal cause, the inspiration of the Gods about the one of the soul; and for the final cause, good.
“If, however, the Gods always wish the soul what is good, why does not the soul always energize enthusiastically? May we not say, that the Gods indeed always wish the soul what is good, but they are also willing that the order of the universe should prevail, and that the soul, through many causes, is not always adapted to enthusiasm, on which account it does not always enthusiastically energize? But some say that the telestic art extends as far as to the sublunary region. If, therefore, they mean that no one of the superlunary and celestial natures energizes in the sublunary region, they evidently assert what is absurd. But if they mean that the Telestæ, or mystic operators, are not able to energize above the lunar sphere, we say, that if all the allotments of souls are sublunary, their assertion will be true; but if there are also allotments of souls above the moon, as there are (for some are the attendants of the sun, others of the moon, and others of Saturn, since the Demiurgus disseminated some of them into the earth, others into the moon, and others elsewhere), this being the case, it will be possible for the soul to energize above the moon. For what the whole order of things impacts to the soul for a very extended period of time, this the soul is also able to impart to itself for a short space of time, when assisted by the Gods through the telestic art. For the soul can never energize above its own allotment, but can energize to the extent of it. Thus, for instance, if the allotment of the soul was as far as to philosophy, the soul would be able, though it should not choose a philosophic but some other life, to energize in that life somewhat philosophically. There are also said to be certain supermundane souls. And thus we have shown how the soul energizes enthusiastically.
But how are statues said to have an enthusiastic energy? May we not say, that a statue being inanimate, does not itself energize about divinity, but the telestic art, purifying the matter of which the statue consists, and placing round it certain characters and symbols, in the first place renders it, through these means, animated, and causes it to receive a certain life from the world; and, in the next place, after this, it prepares the statue to be illuminated by a divine nature, through which it always delivers oracles, as long as it is properly adapted. For the statue, when it has been rendered perfect by the telestic art, remains afterwards [endued with a prophetic power] till it becomes entirely unadapted to divine illumination; but he who receives the inspiring influence of the Gods receives it only at certain times, and not always. But the cause of this is, that the soul, when filled with deity, energizes about it. Hence, in consequence of energizing above its own power, it becomes weary. For it would be a God, and similar to the souls of the stars, if it did not become weary. But the statue, conformably to its participations, remains illuminated. Hence the inaptitude of it entirely proceeds into privation, unless it is again, de novo, perfected and animated by the mystic operator. We have sufficiently shown, therefore, that enthusiasm, properly so called, is effected about the one of the soul, and that it is an illumination of divinity.
“In the next place, let us discuss the order and the use of the four manias, and show why the philosopher makes mention of these alone. Is it because there are no other than these, or because these were sufficient for his purpose? That there are, therefore, many other divine inspirations and manias Plato himself indicates as he proceeds, and prior to this, he makes mention of the inspiration from the Nymphs. But there are also inspirations from Pan, from the mother of the Gods, and from the Corybantes, which are elsewhere mentioned by Plato. Here, however, he alone delivers these four manias; in the first place, because these alone are sufficient to the soul, in the attainment of its proper apocatastasis, as we shall afterwards show; and in the next place, because he delivers the proximate steps of ascent to the soul. For the gifts of the Gods to all beings are many and incomprehensible. But now he delivers to us the energies of the Gods which are extended to souls. He delivers, however, these four manias, not as if one of them was not sufficient, and especially the amatory, to lead back the soul to its pristine felicity; but at present the series and regular gradation of them, and the orderly perfection of the soul, are unfolded. As, therefore, it is possible for the tyrannic life, when suddenly changed, to become aristocratic, through employing strenuous promptitude and a divine allotment, but the gradual ascent is from a tyrannic to a democratic, and from this to an oligarchic life, afterwards to a timocratic, and at last to an aristocratic life, but the descent and lapse are vice versa; thus also here, the soul being about to ascend, and be restored to its former felicity, is in the first place possessed with the musical mania, afterwards with the telestic, then with the prophetic, and, in the last place, with the amatory mania. These inspirations, however; conspire with, and are in want of, each other; so abundant is their communion. For the telestic requires the prophetic[[159]] mania; since the latter[[160]] interprets many things pertaining to the former. And again, the prophetic requires the telestic mania. For the telestic mania perfects and establishes oracular predictions. Farther still, the prophetic uses the poetic and musical mania. For prophets, as I may say, always speak in verse. And again, the musical uses the prophetic mania spontaneously, as Plato says. But what occasion is there to speak about the amatory and musical manias? For nearly the same persons exercise both these, as, for instance, Sappho, Anacreon, and the like, in consequence of these not being able to subsist without each other. But it is very evident that the amatory mania contributes to all these, since it is subservient to enthusiasm of every kind: for no enthusiasm can be effected without amatory inspiration. And you may see how Orpheus appears to have applied himself to all these, as being in want of, and adhering to, each other. For we learn that he was most telestic, and most prophetic, and was excited by Apollo; and besides this, that he was most poetic, on which account he is said to have been the son of Calliope. He was likewise most amatory, as he himself acknowledges to Musæus, extending to him divine goods, and rendering him perfect. Hence he appears to have been possessed with all the manias, and this by a necessary consequence. For there is an abundant union, conspiration, and alliance with each other, of the Gods who preside over these manias, viz. of the Muses, Bacchus, Apollo, and Love.
“It remains, therefore, that we should unfold the nature of each of the manias, previously observing that those which are internal, and originate from the soul itself, and give perfection to it, are of one kind; but the external energies of them, and which preserve the outward man, and our nature, are of another. The four external, however, are analogous to the four internal manias. Let us consider, therefore, in the first place, the internal, and which alone originate from the soul itself, and let us see what they effect in the soul. In order, likewise, that this may become manifest, and also their arrangement, let us survey from on high, the descent, as Plato says, and defluxion of the wings of the soul. From the beginning, therefore, and at first, the soul was united to the Gods, and its unity to their one. But afterwards the soul departing from this divine union descended into intellect, and no longer possessed real beings unitedly, and in one, but apprehended and surveyed them by simple projections, and, as it were, contacts of its intellect. In the next place, departing from intellect, and descending into reasoning and dianoia, it no longer apprehended real beings by simple intuitions, but syllogistically and transitively, proceeding from one thing to another, from propositions to conclusions. Afterwards, abandoning true reasoning, and the dissolving peculiarity, it descended into generation, and became filled with much irrationality and perturbation. It is necessary, therefore, that it should recur to its proper principles and again return to the place from whence it came. To this ascent and apocatastasis, however, these four manias contribute. And the musical mania, indeed, leads to symphony and harmony, the agitated and disturbed nature of the parts of the soul, which were hurried away to indefiniteness and inaptitude, and were filled with abundant tumult. But the telestic mania causes the soul to be perfect and entire, and prepares it to energize intellectually. For the musical mania alone harmonizes and represses the parts of the soul; but the telestic causes the whole of it to energize, and prepares it to become entire, so that the intellectual part of it may energize. For the soul, by descending into the realms of generation, resembles a thing broken and relaxed. And the circle of the same, or the intellectual part of it, is fettered; but the circle of the different, or the doxastic part, sustains many fractures and turnings. Hence, the soul energizes partially, and not according to the whole of itself. The Dionysiacal inspiration, therefore, after the parts of the soul are coharmonized, renders it perfect, and causes it to energize according to the whole of itself, and to live intellectually. But the Apolloniacal mania converts and coexcites all the multiplied powers, and the whole of the soul, to the one of it. Hence Apollo is denominated as elevating the soul from multitude to the one. And the remaining mania, the amatory, receiving the soul united, conjoins this one of the soul to the Gods, and to intelligible beauty. As the givers, therefore, of these manias are transcendently united, and are in each other, the gifts also on this account participate of, and communicate with, each other, and the recipient, which is the soul, possesses an adaptation to all the gifts. This, therefore, is the order, and these are the energies and powers within the soul itself, of these four manias.
“But let us also consider their external energies on man, and what they outwardly effect about us. The musical mania, therefore, causes us to speak in verse, and to act and be moved rythmically, and to sing in metre, the splendid deeds of divine men, and their virtues and pursuits; and, through these, to discipline our life, in the same manner as the inward manias coharmonize our soul. But the telestic mania, expelling every thing foreign, contaminating, and noxious, preserves our life perfect and innoxious, and banishing an insane and diabolical phantasy, causes us to be sane, entire, and perfect, just as the internal telestic mania makes the soul to be perfect and entire. Again, the prophetic mania contracts into one the extension and infinity of time, and sees, as in one present now, all things, the past, the future, and the existing time. Hence it predicts what will be, which it sees as present to itself. It causes us, therefore, to pass through life in an irreprehensible manner; just as the internal prophetic mania contracts and elevates all the multiplied and many powers and lives of the soul to the one, in order that it may in a greater degree be preserved and connected. But the amatory mania converts young persons to us, and causes them to become our friends, being instructive of youth, and leading them from sensible beauty to our psychical beauty, and from this sending them to intelligible beauty; in the same manner as the internal amatory mania conjoins the one of the soul to the Gods.
“All the above mentioned manias, therefore, are superior to the prudent and temperate energies of the soul. Nevertheless, there is a mania which is coordinate with temperance, and which we say has in a certain respect a prerogative above[[161]] it. For certain inspirations are produced, according to the middle and also according to the doxastic reasons of the soul, conformably to which artists effect certain things, and discover theorems beyond expectation, as Asclepius, for instance, in medicine, and Hercules in the practic[[162]] life.”
Afterwards, in commenting on what Plato says of the mania from the Muses, viz. “that it adorns the infinite deeds of the ancients,” Hermeas observes, “that the inward energy in the soul of the poetic mania, by applying itself to superior and intelligible natures, imparts to subordinate natures harmony and order; but that the external divinely-inspired poetry celebrates the deeds of the ancients, and instructs both its contemporaries and posterity, extending its energies every where.” But Plato says, “that he who without the divinely-inspired mania of the Muses expects to become a divine poet, will, by thus fancying, become himself imperfect, and his poetry will be vanquished and concealed by the poetry which is the progeny of mania.” Hermeas adds, “For what similitude is there between the poetry of Chærilus and Callimachus, and that of Homer and Pindar? For the divinely-inspired poets, as being filled from the Muses, always invoke them, and extend to them all that they say.” For a fuller and most admirable account of the poetic mania, and of the different species of poetry by Proclus, see the notes on the tenth book of the Republic, in my translation of Plato, and also the Introduction to my translation of the Rhetoric, Poetic, and Nicomachean Ethics of Aristotle.
From what is here said by Hermeas about enthusiasm, the intelligent reader will easily see that none of the Roman poets, whose works have been transmitted to us, possessed that which is primarily, properly, and truly enthusiasm, or that highest species of it in which the one of the soul is illuminated by a divine nature, and through transcendent similitude is united to it. As to Virgil, indeed, the prince of these poets, though he invokes the Muse in the beginning of the Æneid, yet his invocation of her is but a partial and secondary thing. For he only calls on her to unfold to him the causes that involved a man of such remarkable piety as Æneas in so many misfortunes: