[51]. “Among the deeds of Pythagoras,” says Iamblichus, in his Life of that father of philosophy, (chap. xxv.) “it is said, that once through the spondaic [i. e. Doric] song of a piper he extinguished the rage of a Tauromenian lad, who had been feasting by night, and intended to burn the vestibule of his mistress, in consequence of seeing her coming from the house of his rival. For the lad was inflamed and excited [to this rash attempt] by a Phrygian song; which, however, Pythagoras most rapidly suppressed. But Pythagoras, as he was astronomizing, happened to meet with the Phrygian piper at an unseasonable time of night, and persuaded him to change his Phrygian for a spondaic song; through which the fury of the lad being immediately repressed, he returned home in an orderly manner, though a little before this he could not be in the least restrained, nor would, in short, bear any admonition; and even stupidly insulted Pythagoras when he met him. When a certain youth, also, rushed with a drawn sword on Anchilus, the host of Empedocles, because, being a judge, he had publicly condemned his father to death, and would have slain him as a homicide, Empedocles changed the intention of the youth, by singing to his lyre that verse of Homer,
Nepenthe, without gall, o’er every ill
Oblivion spreads.
Odyss. lib. 4.
And thus snatched his host Anchilus from death, and the youth from the crime of homicide. It is also related, that the youth from that time became the most celebrated of the disciples of Pythagoras. Farther still, the whole Pythagoric school produced, by certain appropriate songs, what they called exartysis, or adaptation; synarmoga, or elegance of manners; and epaphe, or contact, usefully conducting the dispositions of the soul to passions contrary to those which it before possessed. For when they went to bed, they purified the reasoning power from the perturbations and noises to which it had been exposed during the day, by certain odes and peculiar songs, and by this means procured for themselves tranquil sleep, and few and good dreams. But when they rose from bed, they again liberated themselves from the torpor and heaviness of sleep, by songs of another kind. Sometimes, also, by musical sounds alone, unaccompanied with words, they healed the passions of the soul and certain diseases, enchanting, as they say, in reality. And it is probable that from hence this name epode, i. e. enchantment, came to be generally used. After this manner, therefore, Pythagoras, through music, produced the most beneficial correction of human manners and lives.”
Proclus also, in his MS. Commentary on the First Alcibiades of Plato, observes, “that of musical instruments some are repressive, and others motive; some are adapted to rest, and others to motion. The repressive, therefore, are most useful for education, leading our manners into order, repressing the turbulency of youth, and bringing its agitated nature to quietness and temperance. But the motive instruments are adapted to enthusiastic energy; and hence, in the mysteries and mystic sacrifices, the pipe is useful; for the motive power of it is employed for the purpose of exciting the reasoning power to a divine nature. For here it is requisite that the irrational part should be laid asleep, and the rational excited. Hence those that instruct youth use repressive instruments, but initiators such as are motive. For that which is disciplined is the irrational part; but it is reason which is initiated, and which energizes enthusiastically.”
See, likewise, on this subject, Ptolem. Harmonic, lib. iii. cap. 7 and 8, who observes among other things, “that our souls directly sympathize with the energies of melody, recognizing, as it were, their alliance to them—and that at one time the soul is changed to a quiet and repressed condition, but at another to fury and enthusiasm. Ταις ενεργειαις της μελῳδιας συμπασχειν ημων αντικρυς τας ψυχας, την συγγενειαν ωσπερ επιγινωσκουσας——et, ποτε μεν εις ησυχιαν και κατασολην τρεπεσθαι, ποτε δε εις οἱσρον και ενθυσιασμον. And, in the last place, see Plato in his Io, and Aristotle in his Politics.
[52]. Proclus in Polit. p. 865, says, “that the melodies of Olympus were the causes of ecstasy.” Τα του Ολυμπου μελη εκσατικα.
[53]. The nature of the Corybantes, and the order to which they belong, is unfolded as follows by Proclus, in Plat. Theol. lib. vi. cap. 13. “To what has been said we shall add the theory pertaining to the unpolluted[[54]] Gods among the ruling divinities [i. e. among the divinities that subsist immediately after the intellectual Gods]. For Plato also gives us an opportunity of mentioning these, since it is necessary that the rulers and leaders of wholes should subsist analogous to the intellectual kings, though they make their progression in conjunction with division, and a separation into parts. For as they imitate the paternal generative and convertive powers of the intellectual kings, thus also it is necessary that they should receive the immutable monads in themselves, according to the ruling peculiarity, and establish over their own progressions secondary causes of a guardian characteristic. And the mystic tradition, indeed, of Orpheus makes mention of these more clearly. But Plato being persuaded by the mysteries, and by what is performed in them, indicates concerning these unpolluted Gods. And in the Laws, indeed, he reminds us of the inflation of the pipe by the Corybantes, which represses every inordinate and tumultuous motion. But in the Euthydemus, he makes mention of the collocation on a throne, which is performed in the Corybantic mysteries; just as in other dialogues he mentions the Curetic order, speaking of the armed sports of the Curetes. For the Curetes are said to surround and to dance round the Demiurgus of wholes, when he was unfolded into light from Rhea. In the intellectual Gods, therefore, the first Curetic order is allotted its hypostasis. But the order of the Corybantes, which precedes Core [i. e. Proserpine], and guards her on all sides, as the theology says, is analogous to the Curetes in the intellectual order. If, however, you are willing to speak conformably to Platonic custom, because these divinities preside over purity, and preserve the Curetic order undefiled, and also preserve immutability in their generations, and stability in their progressions[[55]] into the worlds, on this account they were called Corybantes. For το κορον, to koron, is every where significant of purity, as Socrates says in the Cratylus; since, also, you may say that our mistress Core was no otherwise denominated than from purity and an unpolluted life. But, in consequence of her alliance to this order, she produces twofold guardian triads, one in conjunction with her father, but the other herself by and from herself, imitating in this respect the whole vivific Goddess [Rhea] who constitutes the first Curetes.”
[54]. These Gods are called unpolluted, because they are the causes of purity. For every God begins his own energy from himself, and is that primarily which his effects are secondarily.